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Nineteenth-century evangelicals have often been dismissed as anti-intellectual and philistine. This book draws on periodicals, memoirs, and letters to discover how far this was true of British evangelicals between 1790 and 1833. It examines their leisure pursuits along with their enjoyment of art, music, literature, and study, and concludes that they shared the thought and taste of their contemporaries to a far greater extent than is usually acknowledged. What is more, their theology encouraged such activities. Evangelicals regarded recreations which engaged the mind or which could be pursued within the safety of the home as more concordant with spirituality than "sensual" or "worldly" pleasures. Nevertheless, their faith did militate against culture and learning. Some evangelicals dismissed all non-religious pursuits as "vanity," since their deep-rooted otherworldliness made them suspicious of anything that did not contribute to eternal well-being. A new generation adopted a more rigid attitude to the Bible, which made them unwilling to examine new ideas. In the last resort, even the most cultured evangelicals were unable to reconcile their delight in the arts with their world-denying theology.
Nineteenth-century evangelicals have often been dismissed as antiintellectual and philistine. This book draws on periodicals, memoirs and letters to discover how far this was true of British evangelicals between 1790 and 1833. It examines their leisure pursuits along with their enjoyment of art, music, literature, and study, and concludes that they shared the thought and taste of their contemporaries to a far greater extent than is always acknowledged. What is more, their theology encouraged such activities. Evangelicals regarded recreations which engaged the mind, or which could be pursued within the safety of the home, as more concordant with spirituality than 'sensual' or 'worldly' pleasures. Nevertheless, their faith did militate against culture and learning. Some evangelicals dismissed all nonreligious pursuits as 'vanity', since their deep rooted otherworldliness made them suspicious of anything which did not contribute to eternal well-being. A new generation adopted a more rigid attitude to the Bible, which made them unwilling to examine new ideas. In the last resort, even the most cultured evangelicals were unable to reconcile their delight in the arts with their world-denying theology.
This major textbook is a newly researched historical study of Evangelical religion in its British cultural setting from its inception in the time of John Wesley to charismatic renewal today. The Church of England, the Church of Scotland and the variety of Nonconformist denominations and sects in England, Scotland and Wales are discussed, but the book concentrates on the broad patterns of change affecting all the churches. It shows the great impact of the Evangelical movement on nineteenth-century Britain, accounts for its resurgence since the Second World War and argues that developments in the ideas and attitudes of the movement were shaped most by changes in British culture. The contemporary interest in the phenomenon of Fundamentalism, especially in the United States, makes the book especially timely.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.