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Hindu Ritual at the Margins explores Hindu forms of ritual activity in a variety of "marginal" contexts. The contributors collectively examine ritual practices in diaspora; across gender, ethnic, social, and political groups; in film, text, and art; in settings where ritual itself or direct discussion of ritual is absent; in contexts that create new opportunities for traditionally marginalized participants or challenge the received tradition; and via theoretical perspectives that have been undervalued in the academy. In the first of three sections, contributors explore the ways in which Hindu ritual performed in Indian contexts intersects with historical, contextual, and social change. They examine the changing significance and understanding of particular deities, the identity and agency of ritual actors, and the instrumentality of ritual in new media. Essays in the second section examine ritual practices outside of India, focusing on evolving ritual claims to authority in mixed cultures (such as Malaysia), the reshaping of gender dynamics of ritual at an American temple, and the democratic reshaping of ritual forms in Canadian Hindu communities. The final section considers the implications for ritual studies of the efficacy of bodily acts divorced from intention, contemporary spiritual practice as opposed to religious-bound ritual, and the notion of dharma. Based on a conference on Hindu ritual held in 2006 at the University of Pittsburgh, Hindu Ritual at the Margins seeks to elucidate the ways ritual actors come to shape ritual practices or conceptions pertaining to ritual and how studying ritual in marginal contexts—at points of dynamic tension—requires scholars to reshape their understanding of ritual activity.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. The Emergence of Modern Hinduism argues for the importance of regional, vernacular innovation in processes of Hindu modernization. Scholars usually trace the emergence of modern Hinduism to cosmopolitan reform movements, producing accounts that overemphasize the centrality of elite religion and the influence of Western ideas and models. In this study, the author considers religious change on the margins of colonialism by looking at an important local figure, the Tamil Shaiva poet and mystic Ramalinga Swami (1823–1874). Weiss narrates a history of Hindu modernization that demonstrates the transformative role of Hindu ideas, models, and institutions, making this text essential for scholarly audiences of South Asian history, religious studies, Hindu studies, and South Asian studies.
Providing a unique and intimate view of Hindu marriage, the essays in this collection explore points at which the margins of marriage are traversed or transgressed. Rather than focus on normative expectations within marriage, they examine times in which norms are tested or rejected. Using stories, songs, and narrated accounts, the essays treat such topics as widowhood, adultery, levirate, divorce, and suttee, as well as the subversion of marriage by devotion to deities and by alternative constructions of conjugal duty and marital experience.
There are many holy cities in India, but Mumbai is not usually considered one of them. More popular images of the city capture the world’s collective imagination—as a Bollywood fantasia or a slumland dystopia. Yet for many, if not most, people who live in the city, the neighborhood streets are indeed shared with local gods and guardian spirits. In The Neighborhood of Gods, William Elison examines the link between territory and divinity in India’s most self-consciously modern city. In this densely settled environment, space is scarce, and anxiety about housing is pervasive. Consecrating space—first with impromptu displays and then, eventually, with full-blown temples and official recognition—is one way of staking a claim. But how can a marginalized community make its gods visible, and therefore powerful, in the eyes of others? The Neighborhood of Gods explores this question, bringing an ethnographic lens to a range of visual and spatial practices: from the shrine construction that encroaches on downtown streets, to the “tribal art” practices of an indigenous group facing displacement, to the work of image production at two Bollywood film studios. A pioneering ethnography, this book offers a creative intervention in debates on postcolonial citizenship, urban geography, and visuality in the religions of India.
The classical Vedic texts that deal with large-scale sacrificial ritual and those writings that deal with domestic ritual have traditionally been treated as unrelated. The former are devoted to the explication of rituals that are dominated by wealthy male elites; the latter concern humble private ceremonies more open to famale participation. Reflections on Resemblance, Ritual and Religion argues that there is in fact, a fundamental connection between these two large and important bodies of Indic religious literature.
Challenges prevailing conceptions of what religious ritual does and how it achieves its ends. Religious rituals are often seen as unchanging and ahistorical bearers of long-standing traditions. But as this book demonstrates, ritual is a lively platform for social change and innovation in the religions of South Asia. Drawing from Hindu and Jain examples in India, Nepal, and North America,the essays in this volume, written by renowned scholars of religion, explore how the intentional, conscious, and public invention or alteration of ritual can effect dramatic social transformation, whether in dethroning a Nepali king or sanctioning same-sex marriage. Ritual Innovation shows how the very idea of ritual as a conservative force misreads the history of religion by overlooking ritual’s inherent creative potential and its adaptability to new contexts and circumstances. “The breadth of coverage in Ritual Innovation is extraordinary and refreshing in terms of the types of contemporary ritual practices and practitioners receiving attention, not to mention the geographic spread across South Asia. This book makes a significant contribution to the scholarly literature on South Asian religions and contemporary Hinduism.” — Karline McLain, author of The Afterlife of Sai Baba: Competing Visions of a Global Saint
This book probes into the marginalized communities of the Indian society through historical and contemporary societal perspectives. It discusses socio-cultural aspects of the experiences of Scheduled Castes, Dalits, Scheduled Tribes/tribal communities, Other Backward Classes, linguistic minorities, religious minorities and the queer/LGBT as sexual minorities. Adopting an inter-disciplinary approach, it looks at all these segments of Indian society through historical and societal perspectives. Divided into three broad sections – Scheduled Castes, Scheduled Tribes, and minorities, this book provides historical perspective backed by the contemporary situation and emerging social changes among these communities. Written in a lucid manner, the book aims to reach and impact readers without having any prior academic exposure to this subject area. This book would be useful to the students, researchers and teachers of sociology, social work, history, economics, political science, and other interdisciplinary courses in social sciences. The book will also be valuable reading for those interested in South Asian studies, especially contemporary Indian society.
In this book, J. C. Heesterman attempts to understand the origins and nature of Vedic sacrifice—the complex compound of ritual practices that stood at the center of ancient Indian religion. Paying close attention to anomalous elements within both the Vedic ritual texts, the brahmanas, and the ritual manuals, the srautasutras, Heesterman reconstructs the ideal sacrifice as consisting of four moments: killing, destruction, feasting, and contest. He shows that Vedic sacrifice all but exclusively stressed the offering in the fire—the element of destruction—at the expense of the other elements. Notably, the contest was radically eliminated. At the same time sacrifice was withdrawn from society to become the sole concern of the individual sacrificer. The ritual turns in on the individual as "self-sacrificer" who realizes through the internalized knowledge of the ritual the immortal Self. At this point the sacrificial cult of the fire recedes behind doctrine of the atman's transcendence and unity with the cosmic principle, the brahman. Based on his intensive analysis Heesterman argues that Vedic sacrifice was primarily concerned with the broken world of the warrior and sacrificer. This world, already broken in itself by the violence of the sacrificial contest, was definitively broken up and replaced with the ritrualism of the single, unopposed sacrificer. However, the basic problem of sacrifice—the riddle of life and death—keeps breaking too surface in the form of incongruities, contradictions, tensions, and oppositions that have perplexed both the ancient ritual theorists and the modern scholar.
During a nine-day period every autumn, Hindus in India and throughout the world worship the Great Goddess, Durgā--the formidable deity who is loved like a mother. One of the most dramatic and popular of these celebrations is the Durgā Pūjā, a rite noted for its visual pageantry, ritual complexity, and communal participation. In this book, Hillary Peter Rodrigues describes the Bengali style of Durgā Pūjā practiced in the sacred city of Banaras from beginning to end. A romanization of the Sanskrit litany is included along with an English translation. In addition to the liturgical description, Rodrigues provides information on the rite's component elements and mythic aspects. There are interpretive sections on puja, the Great Goddess, women's roles in the ritual, and the socio-cultural functions of the ritual. Rodrigues maintains that the Durgā Pūjā is a rite of cosmic rejuvenation, of empowerment at both the personal and social levels, and a rite that orchestrates manifestations of the feminine, both Divine and human.
This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahabharata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.