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The writing here is beautiful, stylized, descriptive, and ultimately honest.An amazing story is set in 1914 in Huiry, France, about 40 kilometres to the east of Paris. Told through the author's letters to an unknown party, Mildred Aldrich makes you feel both at home and displaced at the same time. As such, you really get a feel of where she is coming from as an American expat in a war zone. Originally from America, Aldrich spent 16 years in Paris before retiring to a beautiful little house in Huiry France. From her letters you can tell she wasn't supported in this decision and many of her friends, who wanted her to come back to America. Three months after settling, the battle of the Marne begins nearly on her doorstep. Fear plays a big role in this book, but not more so than what we do to move beyond that fear and live in the moment. This is reflected in Aldrich's behavior as well as the soldiers who camp at her home.
A Hilltop on the Marne By Mildred Aldrich This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Mildred Aldrich (November 16, 1853 - February 19, 1928) was an American journalist and writer. She was born in 1853 in Providence, Rhode Island. She grew up in Boston, taught at elementary school there and went on into journalism. She wrote for the Boston Home Journal, the Boston Journal and the Boston Herald. She started the short-lived The Mahogany Tree in 1892 In 1898, she moved to France, and, while there, became a friend of Gertrude Stein and Alice B. Toklas.She worked as a foreign correspondent and translator. Aldrich moved to Huiry, near Paris, in 1914, only months before the outbreak of the First World War.[2] Her house there overlooked the Marne river valley, and her experiences during the First Battle of the Marne, as detailed in her letters to friends in the U.S., constitute her first book, A Hilltop on the Marne (1915). Following the success of that work, Aldrich produced three more collections of her wartime letters. On the Edge of the War Zone (1917) contains letters dating from the aftermath of the Marne battle until the entry of the U.S. into the war, The Peak of the Load (1918) details most of the final year of the war, and When Johnny Comes Marching Home (1919) describes her experiences in the months immediately following the war's end. Aldrich also produced one novel, Told in a French Garden, August 1914 (1916), and in 1926 completed an autobiography entitled Confessions of a Breadwinner, which resides in the collections of the Schlesinger Library at Harvard University, but has never been published (although digital images of the typed manuscripts are displayed on the Harvard University
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.