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Yates Michel Hill was born 18 May 1918 in Erie, Pennsylvania. His parents were Scott Shelby Hill and Beth Angeline Michel. His paternal grandparents were Tye Yates Hill and Lela Cole. His great-grandparents were Thomas Anderson Hill and Sarah Louise McGehee. Traces his ancestors and relatives who lived mainly in Scotland, Virginia and Texas.
The Hill family has an almost unbelievable history. Their ancestors were royalty in the Zulu nation in Africa before being sold into slavery on a plantation in the American south. However, after centuries of hard work and perseverance, one family member overcame the odds to serve on the cabinet of a president of the United States. Sound too incredible to be true? It gets better. Some of the Hills are black; some are white. From a Prince to a Slave is a heartwarming book about a diverse family who fought to find one another after centuries of separation and forgive, reconnect, and reconcile under the banner of God's grace and love.
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
This text explores the natural history of Texas and more than 2900 springs in 183 Texas counties. It also includes an in-depth discussion of the general characteristics of springs - their physical and prehistoric settings, their historical significance, and their associated flora and fauna.
Until recently, collaborative authorship has barely been considered by scholars; when it has, the focus has been on discovering who contributed what and who dominated whom in the relationship and in the writing. In Women Coauthors, Holly Laird reads coauthored texts as the realization of new kinds of relationship. Through close scrutiny of literary collaborations in which women writers have played central roles, Women Coauthors shows how partnerships in writing - between two women or between a woman and a man - provide a paradigm of literary creativity that complicates traditional views of both author and text and makes us revise old habits of thinking about writing. Focusing on the social dynamics of literary production, including the conversations that precede and surround collaborative writing, Women Coauthors treats its coauthored texts as representations as well as acts of collaboration. Holly A. Laird discusses a wide array of partial and full coauthorships to reveal how these texts blur or remap often uncanny boundaries of self, status, race, reason, and culture. that of the Delany sisters and Amy Hill Hearth on Having Our Say; lesbian couples whose lives and writings were intertwined, including Katherine Bradley and Edith Cooper (Michael Field) and Gertrude Stein and Alice B. Toklas; and the Native American wife-and-husband authors Louise Erdrich and Michael Dorris. Framed in time by the feminist and abolitionist movements of the mid-nineteenth century and the ongoing social struggles surrounding gender, race, and sexuality in the late twentieth century, the partnerships and texts observed in Women Coauthors explore collaboration as a path toward equity, both socioliterary and erotic. For the authors here who collaborate most fully with each other, two are much better than one.
A study of three trade routes between the United States and Mexico, in use during the mid 1800s