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In this eye-opening book, Professor James Bennett guides readers through centuries of one of the most underrated yet widely used aspects of American life—roads. Relying on history and economic data—and with a humorous and oftentimes sharp tongue—Bennett explains how important America's highways and byways have been to everything from policymaking to everyday life. Crafting America's roads took persuasion, planning—and more taxes than any politician could have dreamed of. And far too often their realization, thanks, in Bennett's view, to flawed interpretations of the power of eminent domain, required destruction, sometimes on a massive scale, of long-established neighborhoods and important cityscapes. Likewise, the upkeep of America's highways has been the center of many a policy battle, waged by Republicans and Democrats alike. Yes, we all want roads in good working condition—but just how and who will pay for them remain contentious questions. Bennett argues persuasively that the road forward just might be a second, but more serious, sustained look at, and local experimentation with, private roads and toll roads. Agree or disagree with him, Bennett has written a significant contribution to America's ongoing debate about how her citizens should traverse, from "sea to shining sea," its fruited plain.
‘The last twenty-four hours before a heist take forever. You are ready. You can’t wait. You are already thinking about the money. It’s a kind of high that programs your mind. You are excited. You just want to get it done. That moment when there is no turning back, when it is about to go down ... all your senses come alive: your eyes, everything comes alive. It’s extreme, like a phenomenal rush of ecstasy. It’s the thing that makes you want to do it again.’ From the horror of the 2006 Villa Nora heist – where four security guards were burnt alive in their armoured vehicle after a ferocious fight-back against highly trained mercenaries – to the 2016 robbery of a cash centre in Witbank, where a gang made off with almost R104 million after impersonating police officers, Heist! is an impeccably researched exposé of an endemic crime phenomenon that some analysts warn could bring South Africa to its knees. Using the information gleaned from thousands of pages of court documents and press reports, as well as interviews with scores of police officers, crime intelligence agents, prosecutors, defence lawyers, researchers, journalists, security guards and the criminals themselves, Heist! provides an unprecedented insight into a crime that has increased by a staggering 49 per cent in the first eight months of 2017 alone. As informative and thought-provoking as it is distressing, this is a book by an investigative journalist at the top of her game.
A detail-driven account of how a gang of criminal misfits pulled off the world’s biggest cash robbery, from the bestselling author of true crime classic Fred & Rose. The target was a regional counting house for the Bank of England, a fortified concrete bunker located within a triangle of police stations, one only three hundred yards away. When former UFC cage fighter Lightning Lee Murray discovered that this cash centre held hundreds of millions of pounds, he assembled a team of mates including a mechanic, a roofer, and a used car dealer. A hairdresser made disguises for the men so they could pass off as police officers. In an Ocean’s Eleven–style robbery, the gang succeeded in hauling away a lorry-load of cash—a staggering £53 million (worth $87 million at the time)—a world-record sum. That’s when their problems began. By turns thrilling and hilarious, Heist is the compelling true story of this mind-blowing crime, including background on Lee Murray, the build-up to the heist, the robbery itself, and its aftermath. The subject of Catching Lightning, as seen on SHOWTIME.
For most of us, most of the time, the roads we travel are largely forgotten once we get to where we're going. By day, they usually reveal a familiar, real—living—world. But then darkness comes. Haunted Highways brings together more than twenty of the spookiest stories ever of ghosts, hauntings, and supernatural events on or near America's highways and byways. There are the usual suspects—the creepy hitchhiker, the eerie lights along a lonely stretch of road—as well as many you never dared to imagine. Each of the book's twenty-five chapters ratchets up the suspense, from an introduction that sets the scene and draws you in, to a haunting climax. Whether the actor Telly Savalas's haunting encounter with a long-dead good Samaritan on a rural Long Island road, or the Ghost Riders in the Sky who appear over the plains of Texas, these stories will bring delightful fright to readers young and old.
First published in 1949 (this edition in 1968), this book is a dictionary of the past, exploring the language of the criminal and near-criminal worlds. It includes entries from Australia, New Zealand, Canada and South Africa, as well as from Britain and America and offers a fascinating and unique study of language. The book provides an invaluable insight into social history, with the British vocabulary dating back to the 16th century and the American to the late 18th century. Each entry comes complete with the approximate date of origin, the etymology for each word, and a note of the milieu in which the expression arose.
Surely you remember Wi, a name especially chosen to fit our attention spans? The world-record kidnappee, nabbee, swipee, snatchee, hoisted so many times even he’s lost count? (How about those three times in five minutes effort? That takes rare raw talent, that does.) I mean, if it wasn’t for our Wi how many of these yabbers, yarns, shaggy dogs and yank-your-chain whoppers could I trot out for you? Even getting across one’s not easy when it’s always against the wind from people laughing in your face. No, really, without our Wi, where would all the odd-balls be, drowning their sorrows by ingesting the food in Dominic’s Eatery, swallowing whole mouthfuls without a thought for their own safety? Would any plate get the Wi wipe and come out miraculously unscathed from what had been just laid upon it? Without Wi, how many screwballs could have hired him to do all they’ve always wanted to do? God knows, and the Talls say ‘God knows’ because, if you take it that God made him in His own image, then maybe you’ve stumbled across the one time God spoke too soon. Okay, setting that aside, coming to you is a cast of Lankan characters – and you’d cast too -- and barf, and burp – if you had some of Dominic’s food inside you, let’s not kid ourselves. Not all of us have cast-iron guts and can absorb what could canonize you if you kept it down. And our Wi can’t help being White, either. Did he ever ask for the hoists he’s had to suffer, or complained about the lack of duty-of-care his kidnappers have shown him -- their kidnappee, after all? No. All he asked was a hideaway high above the stars so bright. At least he got that. And, though having to watchfully wait, at least he received the epiphs, too. With the epiphs, he could epiphicatedly dream, so I guess he had something going for him. And let’s not forget he’s Talls recorded as having said, ‘Just let me know if I’m breathing too much and I’ll stop’. Hey, what kidnappee or country like Australia gets a kidnappee so considerate? Is he a peach of a pooch, or what? ---------------------- Bill Reed is an Australian novelist, playwright and short-story writer with national awards for all three. He now lives in both Australia and Sri Lanka.
A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller’s development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean’s Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean’s trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.
Hannah Jane, a young hard working, successful defense attorney, an overachiever with nerves of steel and an unknowingly lukewarm heart, was taken on a much needed and well-deserved vacation with her brother Adam Jane. Her boyfriend Mark shows up to ask for her hand in marriage, although his motives are distasteful, to say the least, she'll find the part of her she's missed the most, herself. Unbeknownst to Hannah, Mark and Adam both have separate, sinister motives for heading to Mount Rainier. Encouraging Hannah to hike for the first time was an affront, trouble ensues from all directions, and the result is life as they once knew it, forever changed. Hannah's overbearing façade melts to the ground with the ultimate fire burning with what she's always wanted most, true love.
History has left us a classic image of western mining in the grizzly forty-niner squatting by a clear stream sifting through gravel to reveal gold. What this slice of Western Americana does not reveal, however, is thousands of miners doing the same, their gravel washing downstream, causing the water to grow dark with debris while trout choke to death and wash ashore. Instead of the havoc wreaked upon the western landscape, we are told stories of American enterprise, ingenuity, and fortune. The General Mining Act of 1872, which declared all valuable mineral deposits on public lands to be free and open to exploration and purchase, has had a controversial impact on the western environment as, under the protection of federal law, various twentieth-century entrepreneurs have manipulated it in order to dump waste, cut timber, create resorts, and engage in a host of other activities damaging to the environment. In this in-depth analysis, legal historian Gordon Morris Bakken traces the roots of the mining law and details the way its unintended consequences have shaped western legal thought from Nome to Tombstone and how it has informed much of the lore of the settlement of the West.
If, advised essayist and critic William Hazlitt, we wish to know the force of human genius we should read Shakespeare. For if anyone profoundly understood the human condition in all its forms, it was he. Lovably drunken rogues, dysfunctional kings, cowardly preening braggarts, to nobly inspiring heroes. The remarkable series of plays engaged in under The Regal Throne moves from high political intrigue to lowlife bar-room badinage. From self-indulgent regal decline to elevated and inspirational kingly valour. From adolescent delinquency and father-son tensions to exaltedly noble redemption. The playwright launches us on our journey with the narcissistic Richard, rapidly sowing seeds of his own decline with his callously imperious behaviour. And the ruthlessly astute Bolingbroke returning from his banishment to take the sovereign's Crown and then his life. But Bolingbroke as Henry IV has little chance to enjoy his prize. For his tyranny breeds rebellion. Meanwhile in Cheapside, (and to his father's chagrin), the future Henry V, as adolescent Prince Hal, disports himself in seedy taverns amongst a gallery of Hogarthian lowlifes (including the comedic heavyweight Falstaff), while quietly planning a shrewdly redemptive personal remake as the exemplary war hero, Henry V. A rich tapestry indeed. But whilst Shakespeare's early modern English is reasonably understandable, many words and references aren't. For slang is constantly shape-shifting. And, particularly with Shakespeare's bar-room banter, it's helpful to know just what the characters are saying to and about each other. The author explains each scene of all four plays in detail with copious quotations from Shakespeare's text throughout and substantial hypertext explanatory notes. The Regal Throne is an invaluable companion for all who set sail on this vibrant Shakespearean voyage into power, politics, and ribaldry.