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Say goodbye to squashed feet, sore toes and dizzy heads with Scottish Ceilidh Dancing. Guiding you through intricate dance steps and various hand holds in simple, straightforward language, this book introduces you to the exuberant world of the Dashing White Sergeant, the Gay Gordons, the Gypsy Tap and the Lucky Seven, to name but a few. All your old favourites are here and, with over fifty dances, there's something for everyone, from the simple routines of the Dinkie One-Step, to the more adventurous Southern Rose Waltz and the Posties Jig.
Dance Legacies of Scotland compiles a collage of references portraying percussive Scottish dancing and explains what influenced a wide disappearance of hard-shoe steps from contemporary Scottish practices. Mats Melin and Jennifer Schoonover explore the historical references describing percussive dancing to illustrate how widespread the practice was, giving some glimpses of what it looked and sounded like. The authors also explain what influenced a wide disappearance of hard-shoe steps from Scottish dancing practices. Their research draws together fieldwork, references from historical sources in English, Scots, and Scottish Gaelic, and insights drawn from the authors’ practical knowledge of dances. They portray the complex network of dance dialects that existed in parallel across Scotland, and share how remnants of this vibrant tradition have endured in Scotland and the Scottish diaspora to the present day. This book will be of interest to scholars and students of Dance and Music and its relationship to the history and culture of Scotland.
An Australian chicken breeder, Mr McFowler, fails to win competitions with his prized chicken, Hector, but he discovers Hector has another talent: dancing to Mr McFowler's old Scottish records. Mr McFowler sees an opportunity and has Hector form a highland dancing troupe which eventually woos audiences at the Edinburgh Tattoo.
Traditional Step-dancing in Scotland focuses on the history of solo step-dancing including the Sword Dance, Highland Fling & Clog dancing. The subject is fully researched and illustrated, and also contains step dancing from Nova Scotia.
Produced in conjunction with the Royal Scottish Country Dance Society, this manual is suitable for the novice as well as the more experienced dancer. It features: instruction to over 100 of the most popular traditional and modern reels, as well as the most common ceilidh dances; explanations of all the basic steps, dance techniques and dress; and illustrations showing the basic progressions within each dance.
A dance was devised in eighteenth-century Skye. An exhilarating dance. A dance, a visitor reports, 'the emigration from Skye has occasioned'. The visitor asks for the dance's name. 'They call it America,' he's told. In his introduction to this new edition of his classic and pioneering account of what happened to the thousands of people who left Skye and the wider north of Scotland to make new lives across the sea, historian James Hunter reflects on what led him to embark on travels and researches that took him across a continent. To Georgia, North Carolina and Montana; to Nova Scotia, Quebec, Ontario and the Mohawk Valley; to prairie farms and great cities; to the Rocky Mountains, British Columbia and Washington State. This is the story of the Highland impact on the New World. The story of how soldiers, explorers, guerrilla fighters, fur traders, lumberjacks, railway builders and settlers from Scotland's glens and islands contributed so much to the USA and Canada. It is the story of how a hard-pressed people found in North America a land of opportunity.
Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.
A perfect introduction to the world of Scottish dance written by the Royal Scottish Country Dance Society, including a short history of Scottish dancing. The book takes you through simple ceilidh moves to more complex formations and set dances, illustrated through diagrams and photos.
Scottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing. Today’s Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture. The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.