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For dealing with an increasingly chaotic and violence-prone world, Higher Realism offers a grand strategy that rejects the imperial thrust of recent U.S. foreign policy as well as the conventional "realist" approach of focusing only on U.S. interests. The emerging world order is one in which many powers of various sorts-states and nonstate actors, large and small, allies and adversaries-have an essential role. Seyom Brown calls this the emergent international "polyarchy," and argues that neither the assertive interventionism of the neoconservatives nor the cool, nonideological geopolitics of the conventional realists is the appropriate response. Instead, responsive to how U.S. interests have become inextricably bound up with world interests, Brown proposes a foreign policy of higher realism centered on cooperation to ensure the security and well-being of all. Brown defines and analyzes those common interests in the environment, peace and security, health and economic vitality, human rights and democracy, and transnational accountability. He faults the arrogant assumption that what is good for the United States is ipso facto good for the world, insisting rather that U.S. policies for global development must respect religious and cultural diversity. Brown's approach transcends the traditional dichotomies of realism versus idealism and self-interest versus altruistic morality. The recommended programs and policies are designed to help a new U.S. presidential administration reformulate a foreign policy that will ensure national security and promote international well-being: higher realism in philosophy and practice.
For dealing with an increasingly chaotic and violence-prone world, Higher Realism offers a grand strategy that rejects the imperial thrust of recent U.S. foreign policy as well as the conventional "realist" approach of focusing only on U.S. interests. The emerging world order is one in which many powers of various sorts-states and nonstate actors, large and small, allies and adversaries-have an essential role. Seyom Brown calls this the emergent international "polyarchy," and argues that neither the assertive interventionism of the neoconservatives nor the cool, nonideological geopolitics of the conventional realists is the appropriate response. Instead, responsive to how U.S. interests have become inextricably bound up with world interests, Brown proposes a foreign policy of higher realism centered on cooperation to ensure the security and well-being of all. Brown defines and analyzes those common interests in the environment, peace and security, health and economic vitality, human rights and democracy, and transnational accountability. He faults the arrogant assumption that what is good for the United States is ipso facto good for the world, insisting rather that U.S. policies for global development must respect religious and cultural diversity. Brown's approach transcends the traditional dichotomies of realism versus idealism and self-interest versus altruistic morality. The recommended programs and policies are designed to help a new U.S. presidential administration reformulate a foreign policy that will ensure national security and promote international well-being: higher realism in philosophy and practice.
"Retrieving Realism offers a radical critique of the Cartesian epistemic picture that has captivated philosophy for too long and restores a realist view affirming our direct access to the everyday world and to the physical universe." -- Dust jacket.
John Henry Schlegel recovers a largely ignored aspect of American Legal Realism, a movement in legal thought in the 1920s and 1930s that sought to bring the modern notion of empirical science into the study and teaching of law. In this book, he explores individual Realist scholars' efforts to challenge the received notion that the study of law was primarily a matter of learning rules and how to manipulate them. He argues that empirical research was integral to Legal Realism, and he explores why this kind of research did not, finally, become a part of American law school curricula. Schlegel reviews the work of several prominent Realists but concentrates on the writings of Walter Wheeler Cook, Underhill Moore, and Charles E. Clark. He reveals how their interest in empirical research was a product of their personal and professional circumstances and demonstrates the influence of John Dewey's ideas on the expression of that interest. According to Schlegel, competing understandings of the role of empirical inquiry contributed to the slow decline of this kind of research by professors of law. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
There is a renaissance in the use of the term “scholarship,” as it is being used to define areas of academic endeavour, describe academic work and achievements, and measure the quality of higher education. Although all academicians are required to engage in scholarship, it is difficult to navigate as there is a misunderstanding of this concept as new methods and approaches emerge. Emerging Methods and Paradigms in Scholarship and Education Research is an essential academic book that is designed to explain the areas of scholarship and their contemporary relationship to key components of academic work: research, teaching, service, and engagement. The chapter authors explore conceptions of scholarship, paradigms, and methods that fit a variety of contexts and needs. Highlighting a wide range of approaches from scientific realism and neo-positivism to interpretative, transformative, and pragmatic educational strategies and policy, this book is ideal for researchers, teachers, educational leaders, academicians, educational policymakers, and quality assurance agencies.
Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism.
A study of the typical chracteristics of twentieth-century realism.
In Taking Morality Seriously: A Defense of Robust Realism David Enoch develops, argues for, and defends a strongly realist and objectivist view of ethics and normativity more broadly. This view—according to which there are perfectly objective, universal, moral and other normative truths that are not in any way reducible to other, natural truths—is familiar, but this book is the first in-detail development of the positive motivations for the view into reasonably precise arguments. And when the book turns defensive—defending Robust Realism against traditional objections—it mobilizes the original positive arguments for the view to help with fending off the objections. The main underlying motivation for Robust Realism developed in the book is that no other metaethical view can vindicate our taking morality seriously. The positive arguments developed here—the argument from the deliberative indispensability of normative truths, and the argument from the moral implications of metaethical objectivity (or its absence)—are thus arguments for Robust Realism that are sensitive to the underlying, pre-theoretical motivations for the view.
The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a particular concept through a variety of authors and their cultural contexts. A set of essays explores realism's genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts--poetry, drama, illustration, photography, painting, and film--and to pedagogic issues in the teaching of realism. As a whole, this volume forges exciting new paths in the study of realism and writers' unending labor to represent life accurately.
Is truth objective or relative? What exists independently of our minds? This book is about these two questions. The essays in its pages variously defend and critique answers to each, grapple over the proper methodology for addressing them, and wonder whether either question is worth pursuing. In so doing, they carry on a long and esteemed tradition - for our two questions are among the oldest of philosophical issues, and have vexed almost every major philosopher, from Plato, to Kant to Wittgenstein. Fifteen eminent contributors bring fresh perspectives, renewed energy and original answers to debates which have been the focus of a tremendous amount of interest in the last three decades both within philosophy and the culture at large.