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Imagine having everything you wanted to know about high-speed photography in one place. The photography industry is in a constant state of change. Innovation, ingenuity, and the indoctrination of people of all ages into new digital, social media platforms has turned the industry on its head and provided new and interesting challenges for photographers. If you want to get a step ahead, you need to do something unique, something creative. One option is to learn high-speed photography that could take your career to a whole new level. Mastering High-Speed Photography is the quintessential guide to understanding all the nuances of high-speed photography and executing them so well, you’ll propel your career and your art form to new heights. In this book, you are going to learn about different kinds of high-speed photography, what equipment you need, how to create setup, camera and other equipment settings with complete workflow. Forget mediocrity. Give up the notion of “someday”. Take charge of your career, move forward, and embrace this facet of the business, sharpen your skills, or add something new to your repertoire. Pick up your copy today!
- Impressive images with breathtaking colour effects - Various drop shapes, colour explosions and ballistic shootings - Detailed information on required equipment and the assembly of the sets High-speed photography captures moments which the human eye barely perceives. Fractions of seconds, in which a water drop strikes or a light bulb explodes. Daniel Nimmervoll shows in this updated and expanded edition how you can freeze these dynamic moments with the help of your camera and produce proper artwork. First, he reveals how you can take water drop photos with the simplest means and without equipment. Then, he goes into detail with professional equipment and explains which preparations are necessary for various shootings. He deals with topics such as lighting, control units, solenoid valves, different drop liquids, the shutter delay of the camera and gives an insight into his workflow of image editing as well as reproducibility of the drop shapes. This new edition has also been expanded to cover the topics Water Wigs, special nozzles with a plastic-based 3D printing process as well as special UV flashes with fluorescent colours. The setups and settings, but above all timings, become trickier with each shooting, but the recording technique leaves plenty of room for experiments which lead to spectacular results. Let your creativity run wild! Various drop shapes, colour explosions, Aqua Splashes and ballistics shootings, this book offers you a complete coverage of high speed photography. Includes: - Basic principles - Equipment: Camera and lens, controllers, solenoid valves and nozzles, water basin, DIY wood structure - Lighting: Flashes, light shapers, colours gels - Drop liquids: Water, guar gum, Nutilis Clear, glycerine, milk and many more - Setups and drop shapes: Reflections, 3-valve technique, Double Pillars, Jelly Fish, Crowns, Fountains ... - Reproducibility - Nozzles out of the 3D printer - UV flashes with fluorescent colours - Water Wigs - qua Splash - Ballistics shooting - Image editing - Excursus: High-speed video camera
Disc includes: selected text and photos from the exhibition.
In this fascinating book Stephen Dalton takes the reader on a journey, recounting how he started in photography and how he became fascinated with the idea of photographing insects and birds in flight. When Dalton started to combine his interests in nature and photography, no photographer had succeeded in capturing on film a focused image of an animal in midair. There were no digital cameras, no high-speed film, only primitive flash units powered by a heavy car battery. Color film took a week or more to be sent away and processed, too late for Dalton to make adjustments to his camera and flash set-up. There were also no publications to learn from. Dalton describes how persistence, hard work and sheer faith that it could be done pushed him to experiment with a variety of methods. Two years of repeated attempts, an understanding of flight mechanics and insight into the art of photography brought success: he captured a sharply focused image of a barn owl leaving its nest. Dalton had created the art of motion photography. Capturing Motion: My Life in High Speed Nature Photography is part memoir, part adventure story and part scientific explanation, illustrated throughout with Dalton's pioneering photographs. Dalton explains how the photographic equipment of the time worked and takes the reader on his journeys into the English countryside in the 1960s as he searched for subjects. Each attempt could be long and frustrating but success finally came with his image of a barn owl in flight: We employed two cameras set-up side by side in the hide, one containing color film that had to be sent away to Kodak for processing, which took a week, while the other was loaded with black and white film. When the owl took off both cameras recorded two almost identical images. More often than not the negatives revealed that at least one of the flash heads failed to fire, ruining the chance of obtaining the lighting so carefully planned. Even when we managed to obtain an image, the chances were that the wings were not in an attractive position. By now, after three weeks our patience was running thin. Although we had managed to obtain a few indifferent pictures, none of them did justice to the bird and the setting. I decided to struggle on for a few more days. A couple of evenings had passed when out of the blue everything jelled - next morning from out of the developing tank I withdrew a strip of dripping negatives that held the image that had been in my mind's eye for weeks - all four flash lamps had fired and the owl's wings were perfect. Capturing Motion follows the incredible journey of a highly skilled and creative nature photographer inventing an entirely new method. All photographers will enjoy reading about the determination and skill that went into creating a method they use every day in their craft.
Langford's Basic Photography is a seminal photography text. First published in 1965, it has informed the work and career of many of the world's leading photographers. The new, 9th edition, continues the tradition of its predecessors, reflecting the same comprehensive mix of scholarly and practical information. It covers every aspect of photography, from capture through to output, both digital and analogue. There is an emphasis on explaining the 'how to' of photography, but Langford's Basic also includes in-depth coverage of the fundamental principles that govern the art, such as how light behaves, optics, and the shutter. This ensures that the reader comes away with not only a good grasp of photographic technique, but also an in-depth understanding of the fundamentals that will help them to better understand how great photography is made. As such, it functions both as an excellent coursebook for students of photography, and a great primer and reference for amateur enthusiasts. The new edition has been fully updated to reflect dynamic changes in the industry. These changes include: an expansion and overhaul of the information on digital cameras and digital printing; an emphasis on updating photographs to incude a wider range of international work; replacement of many diagrams with photos; overhaul of the analogue sections to give a more modern tone (ie exposure measurement and film and filters with some more dynamic photo illustrations); a fully edited and updated photography timeline. This landmark text is an essential purchase, both for new photographers as an introduction, and for established photographers as an invaluable reference work.
The top-rated and top-selling photography ebook since 2012 and the first ever Gold Honoree of the Benjamin Franklin Digital Award, gives you five innovations no other book offers: Free video training. 9+ HOURS of video training integrated into the book’s content (requires Internet access). Travel around the world with Tony and Chelsea as they teach you hands-on. Appendix A lists the videos so you can use the book like an inexpensive video course.Classroom-style teacher and peer help. After buying the book, you get access to the private forums on this site, as well as the private Stunning Digital Photography Readers group on Facebook where you can ask the questions and post pictures for feedback from Tony, Chelsea, and other readers. It’s like being able to raise your hand in class and ask a question! Instructions are in the introduction.Lifetime updates. This book is regularly updated with new content (including additional videos) that existing owners receive for free. Updates are added based on reader feedback and questions, as well as changing photography trends and new camera equipment. This is the last photography book you’ll ever need.Hands-on practices. Complete the practices at the end of every chapter to get the real world experience you need.500+ high resolution, original pictures. Detailed example pictures taken by the author in fifteen countries demonstrate both good and bad technique. Many pictures include links to the full-size image so you can zoom in to see every pixel. Most photography books use stock photography, which means the author didn’t even take them. If an author can’t take his own pictures, how can he teach you? In this book, Tony Northrup (award-winning author of more than 30 how-to books and a professional portrait, wildlife, and landscape photographer) teaches the art and science of creating stunning pictures. First, beginner photographers will master: CompositionExposureShutter speedApertureDepth-of-field (blurring the background)ISONatural lightFlashTroubleshooting blurry, dark, and bad picturesPet photographyWildlife photography (mammals, birds, insects, fish, and more)Sunrises and sunsetsLandscapesCityscapesFlowersForests, waterfalls, and riversNight photographyFireworksRaw filesHDRMacro/close-up photography Advanced photographers can skip forward to learn the pro’s secrets for: Posing men and women. including corrective posing (checklists provided)Portraits (candid, casual, formal, and underwater)Remotely triggering flashesUsing bounce flash and flash modifiersUsing studio lighting on any budgetBuilding a temporary or permanent studio at homeShooting your first weddingHigh speed photographyLocation scouting/finding the best spots and timesPlanning shoots around the sun and moonStar trails (via long exposure and image stacking)Light paintingEliminating noiseFocus stacking for infinite depth-of-fieldUnderwater photographyGetting close to wildlifeUsing electronic shutter triggersPhotographing moving carsPhotographing architecture and real estate
The combination of color schlieren with high speed flash techniques has proved to be a valuable tool for investigating high speed transient events. Fully two dimensional refractive index information can be ob tained. The resolution on 35 mm film was sharp enough to allow 50 cm by 75 cm color enlargements. REFERENCES 1. Barnes, N.F., Jour. of the SMPTE, Oct. 1953, Vol. 61,487-511. 2. Cords, P.R., S.P.I.E. Jour., February-March 1968, Vol. 6. 3. North, R.J., NPL/Aero/266, 1954. 4. Settles, G.S., Image Technology, June-July 1972. 5. Smith, L.L., and J.R. Waddell, 9th Congress of Righ Speed Photogra phy, Denver, Colo., August 1970, Paper 86. 6. Stong, C.L., and G.S. Settles, Scientific American, May 1971, Vol. 225, No.5. 7. Stong, C.L., and Vandiver, J.K., Scientific American, August 1974, Vol. 231, No.2. ,105 DISCUSSION MY' R J North, (UK): Pould the author care to comment on possible ambiguities of interpretation due to the omnidirectional sensitivity of the colour filter system used? I notice that in two of his pic tures density gradients in directions at right angles are shown by the same colour transitions. MY' J Kim Vandiver: The photographs presented were not composed to yield accurate determination of the direction of density gradients.
In the 1860s, William Mumler photographed ghostsa or so he claimed. Faint images of the dearly departed lurked in the background with the living, like his well-known photo of the recently assassinated Abraham Lincoln comforting Mary Todd. The practice came to be known as spirit photography, and some believed Mumler was channeling the dead. Skeptics, however, called it a fraudulent trick on the gullible, taking advantage of the grieving at a time of suffering and loss. Mumlera s insistence that his work brought back the dead led to a sensational trial in 1869 that was the talk of the nation.
Original, amusing, and brilliantly documented, Shake is a heartwarming collection of sixty-one beguiling dogs caught in the most candid of moments: mid-shake. This glorious, graphic volume will stop you dead in your tracks as you are presented with images of man's best friend caught in contortion: hair wild, eyes darting, ears and jowls flopping every which way. With Shake, photographer Carli Davidson proves how eager and elated we are to see our pets in new ways. The result is a one-of-a-kind book: a colorful assemblage of photographs that are simultaneously startling and endearing, consistently hard to look away from, and revealing.
This newly revised edition of Bryan Peterson's most popular book demystifies the complex concepts of exposure in photography, allowing readers to capture the images they want. Understanding Exposure has taught generations of photographers how to shoot the images they want by demystifying the complex concepts of exposure in photography. In this newly updated edition, veteran photographer Bryan Peterson explains the fundamentals of light, aperture, and shutter speed and how they interact with and influence one another. With an emphasis on finding the right exposure even in tricky situations, Understanding Exposure shows you how to get (or lose) sharpness and contrast in images, freeze action, and take the best meter readings, while also exploring filters, flash, and light. With all new images, as well as an expanded section on flash, tips for using colored gels, and advice on shooting star trails, this revised edition will clarify exposure for photographers of all levels.