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In these days of high tech, high spec digital cameras even the rankest amateur can capture technically professional-looking images – but there's a growing trend of happy-go-lucky snappers who yearn for a more simplistic approach, a return to a time when photography was perhaps less predictable. Decidedly low-tech and highly idiosyncratic plastic, or 'toy' cameras such as the original 1984 Lomo Kompakt Automat (which spawned the term 'Lomography'), the Diana and the Holga, and the recently introduced Blackbird, Fly enable them to create images that – while not technically perfect – display a quirky sense of fun, spontaneity, and creative artiness. Whereas digital cameras and high spec film cameras boast the technology to eradicate undesirable optical 'faults' such as vignetting, barrel and pinchushion distortion, converging verticals and noise, the owners of their cheaper cousins – which have only rudimentary plastic lenses – relish the manifestation of such visual aberrations in their pictures. Colors are typically richly over-saturated, exposure frequently off-kilter, focus dreamily soft. Plastic cameras lack light meters, autofocus, auto film advance, adjustable shutters and digital sensors, notoriously leak light onto the 120 or 35mm roll film they employ, and there are some wacky versions: flamboyant wide-angle fish-eyes, stereo cameras with two lenses and two flashes, pinhole cameras that don't even possess a lens, and multi-lens cameras that create negatives combining up to nine images on a single 35mm frame.
Of all the arts, photography has perhaps the closest association with science and technology: the physics of light and colour combined with chemistry to capture images. Lo-Fi Photography is an ideal introduction to the science that lies behind photography and the array of simple methods that can be used to capture light and create images. From making homemade cameras to accessible techniques, the goal of this book is to provide all readers with access to this interesting form of creative photography via how-to guides, plans and some tips and tricks. In addition to the theory and hands-on guidance, this book also explores Lo-Fi photography as a distinct art form and provides further reading and excellent sources for diving even deeper into the world of experimental photography. Lo-Fi Photography is both a superb introduction to anyone curious about the science of photography and a first-rate guide to the world of experiemental photography for inquisitive photographers.
The camera revolution has begun This hip how-to volume will help lo-fi photographers take their shooting to the next level, be it with Polaroid, Diana, Holga, pinhole camera, or many more beloved analog favorites. In 35 fun and imaginative projects, users will learn dozens of unexpected and beautiful techniques, from cross-, push-, and hand-processing to experimenting with film speeds and film types, bleeding images, and using multiple exposures and lenses. Illustrated with striking shots from lo-fi aficionados and organized by technique, this easy-to-follow guide--with simple step-by-step instructions and handy tips on camera quirks--will inspire plastic camera pros and enthusiastic beginners to point and shoot in a whole new way.
This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, most-often illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and herein first described in print). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. Geometry and the Nature of Light focuses on the physics of light and the optics of lenses, but also includes extended discussions of topics less commonly covered in a beginning text, including symmetry in art and physics, different physical processes of the scattering of light, photograms (photographic shadow prints) and the nature of shadows, elements of 2-dimensional design, pinhole photography and the view camera. Although written at a beginning undergraduate level, the topics are chosen for their role in a more general discussion of the relation between science and art that is of interest to readers of all backgrounds and levels of expertise.
Old School Photography is a must-have modern manual for learning how to create great photographs with a 35mm film camera. Famed YouTube personality Kai Wong expertly and humorously shares 100 essential tips for selecting and using film cameras, shooting with film and various lenses, and employing specific techniques to ensure you can get great results quickly. Known for his breadth of knowledge and quick wit, Kai Wong delivers an informative and entertaining read on how to take great film photos. • An informative and entertaining read on how to take great film photos • A must-have guide for those new to old-school film techniques • A much-needed book for the current resurgence of vintage 35mm film cameras Renewed interest in film photography has surged in the past few years, both among those rediscovering their past passion and those discovering it for the first time. Vintage cameras that had previously lost their value are now often worth more than they first sold for due to high demand amongst enthusiasts, students, and collectors. Film manufacturers have even started reissuing long discontinued stocks—for example, Kodak's much-loved and recently re-released classic Ektachrome slide film. In our modern world, billions of people have access to instantaneous photography on their mobile phones, but as a result there has been a resurgent desire for a more tactile, physical, unaltered, and thus honest medium. Much of which, ironically, ends up on the internet, with photography fans and influencers sharing their images across Instagram, Flickr, YouTube, and the like. More so than with digital photography, film photography requires a sense of craft, skill, patience, technical knowledge, and a trial-and-error process that results in a greater sense of accomplishment. Old School Photography is both enlightening and humorous, and attracts a new generation of fans who are eager to experiment with film cameras, make prints, and post their film photographs online.
This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions
Experiment with new projects and techniques, and create arresting images time and again Digital cameras have made it easy for us all to take photos that are, technically, perfect: clearly exposed, sharply focused, and beautifully composed. However, what most photographers want from their photography is something more personal, more individual - in short, more creative. In this sequel to the highly successful Creative Digital Photography: 52 Weekend Projects, respected author and prize-winning photographer Chris Gatcum will show you how to create images that pack that creative punch and involve fun.
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman's own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall's love of food, the cookbook grew from the idea that photographers' talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams' Big Sugar Cookies, Ansel Adams' Poached Eggs in Beer, Richard Avedon's Royal Pot Roast, Imogen Cunningham's Borscht, William Eggleston's Cheese Grits Casserole, Stephen Shore's Key Lime Pie Supreme and Ed Ruscha's Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum's collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in The Photographer's Cookbook for the first time. The book provides a time capsule of contemporary photographers of the 1970s--many before they made a name for themselves--as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography's most important practitioners.