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A special book about a unique high-country farmer and her historic sheep station. New Zealand's high country farmers are a special breed. They farm in tough terrain, at high altitudes, in areas where extreme climate puts both man and animal to the test. When she was widowed, with three children, in 1992 Iris Scott had to call on all her farming skill and inner strength to carry on as the runholder of the 150-year-old, 18,000-hectare Rees Valley Station at the head of Lake Wakatipu, near Glenorchy. Not only that, she had to run the station on her own and keep up her veterinary practice. High Country Woman is the engaging story of Iris Scott's love of our high country and her determination to farm it successfully while upholding high conservation and land-guardianship values. The book also covers the fascinating history of the area long known to locals as The Head of the Lake, the focus of William Rees' great sheep run, established not long after he and Nicolas von Tunzelman became two of the earliest Europeans to travel into the area in an epic exploration feat in 1860.
It's fall in the Sierra Mountains, and Anna Pigeon is slinging hash in Yosemite National Park's historic Ahwahnee Hotel. Four young people, all seasonal park employees, have disappeared, and two weeks of work by crack search-and-rescue teams have failed to turn up a single clue; investigators are unsure as to whether the four went AWOL for reasons of their own - or died in the park. Needing an out-of-park ranger to work undercover, Anna is detailed to dining room duty; but after a week of waiting tables, she knows the missing employees are only the first indication of a sickness threatening the park. Her twenty-something roommates give up their party-girl ways and panic; her new restaurant colleagues regard her with suspicion and fear. Yet when Anna's life if threatened and her temporary supervisor turns a deaf ear, she follows the scent of evil, taking a solo hike up a snowy trial to the high country, seeking answers. What awaits her is a nightmare of death and greed - and perhaps her final adventure.
Winner of the 2020 Reading the West Advocacy Award Winner of the 2020 Colorado Book Award for Creative Nonfiction "This is a book for all of us, right now." —Cheryl Strayed, author of Wild On her 120-acre homestead high in the Colorado Rockies, beloved writer Pam Houston learns what it means to care for a piece of land and the creatures on it. Elk calves and bluebirds mark the changing seasons, winter temperatures drop to 35 below, and lightning sparks a 110,000-acre wildfire, threatening her century-old barn and all its inhabitants. Through her travels from the Gulf of Mexico to Alaska, she explores what ties her to the earth, the ranch most of all. Alongside her devoted Irish wolfhounds and a spirited troupe of horses, donkeys, and Icelandic sheep, the ranch becomes Houston’s sanctuary, a place where she discovers how the natural world has mothered and healed her after a childhood of horrific parental abuse and neglect. In essays as lucid and invigorating as mountain air, Deep Creek delivers Houston’s most profound meditations yet on how “to live simultaneously inside the wonder and the grief… to love the damaged world and do what I can to help it thrive.”
"Talented Lindsay McKenna delivers excitement and romance in equal measure." —RT Book Reviews
Profiles of famous women in the history of Yosemite National Park.
In this first novel in the New York Times and USA TODAY bestselling McKettrick Cowboys trilogy, three brothers are in a race against time to inherit their father’s ranch. One ranch. Three sons. Only one will inherit, and on one condition. Tired of waiting for his sons to settle down, Arizona-territory rancher Angus McKettrick announces a competition: the first son to marry and produce a grandchild will inherit Triple M ranch. Now, three distinctly different, equally determined cowboys are searching high and low for brides. Rafe McKettrick loves only one thing more than his freedom—the Triple M ranch. In his bid to win it, he marries a woman he’s never met. To his surprise, Emmeline is as beautiful as she is spirited…but she’s clearly hiding a secret. Emmeline Harding discovered she couldn’t hold her liquor the hard way. Uncertain why she woke up next to a stack of gold coins in a brothel and fearing the worst, she fled town as a mail-order bride. Now, she must confess her past to her handsome new husband. But as the newlyweds are suspiciously circling each other, a visitor from the past enters the high country. Can Rafe and Emmeline give up on a marriage in name only and seek a union that satisfies them body and soul?
“The idea is inspired and the treatment piercingly beautiful . . . Two formidable artists have shown respect for the integrity of each other’s work here and the result is magnificent.” —Independent “Bob Dylan’s back catalogue is used to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering . . . It is the constant dialogue between the drama and the songs that makes this show exceptional.” —Guardian “Beguiling and soulful and quietly, exquisitely, heartbreaking. A very special piece of theatre.” —Evening Standard “A populous, otherworldly play that combines the hard grit of the Great Depression with something numinous and mysterious.” —Telegraph Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return . . . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at the Old Vic, London, in July 2017, in a production directed by the author. Conor McPherson is an award-winning Irish playwright. His best-known works include The Weir (Royal Court; winner of the 1999 Olivier Award for Best New Play), Dublin Carol (Atlantic Theater Company) and The Seafarer (National Theatre). Bob Dylan, born in Duluth, Minnesota, in 1941, is one of the most important songwriters of our time. Dylan was awarded the Nobel Prize for Literature in 2016. He released his thirty-ninth studio album, Triplicate, in April 2017, and continues to tour worldwide.
In Satellites in the High Country, journalist and adventurer Jason Mark travels beyond the bright lights and certainties of our cities to seek wildness wherever it survives. In California's Point Reyes National Seashore, a battle over oyster farming and designated wilderness pits former allies against one another, as locals wonder whether wilderness should be untouched, farmed, or something in between. In Washington's Cascade Mountains, a modern-day wild woman and her students learn to tan hides and start fires without matches, attempting to connect with a primal past out of reach for the rest of society. And in Colorado's High Country, dark skies and clear air reveal a breathtaking expanse of stars, flawed only by the arc of a satellite passing--beauty interrupted by the traffic of a million conversations. These expeditions to the edges of civilization's grid show us that, although our notions of pristine nature may be shattering, the mystery of the wild still exists--and in fact, it is more crucial than ever.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.