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Guides readers to understand and transcribe hieroglyphics by presenting and explaining phonetic elements.
An original and accessible approach to learning hieroglyphs, written by an experienced teacher and author. This is the first guide to reading hieroglyphs that begins with Egyptian monuments themselves. Assuming no knowledge on the part of the reader, it shows how to interpret the information on the inscriptions in a step-by-step journey through the script and language of ancient Egypt. We enter the world of the ancient Egyptians and explore their views on life and death, Egypt and the outside world, humanity and the divine. The book draws on texts found on some thirty artifacts ranging from coffins to stelae to obelisks found in museums in Egypt, America, and Europe, and selected across two thousand years. The texts are then explained clearly, and are supported by full translations, photographs, and line drawings.
DIVInvaluable reference contains every word of vital repository of ancient Egyptian religious doctrine, grouped according to hieroglyphic symbols in standard scholarly system of Roman alphabetization. Phonetic version, definition, index of English equivalents. Second, revised edition. /div
This book offers a comprehensive, self-contained introduction to one of the oldest known recorded languages—Hieroglyphic Egyptian. Unlike other approaches, it is geared toward learning to read one of the masterpieces of Middle Egyptian literature, the story “Shipwrecked Sailor,” written around 2200 bce. The text’s eighteen lessons–organized around such topics as the body, flora, fauna, titles, administration, religion, sexuality, and warfare—cover all the basic grammar and syntax of Middle Egyptian. The book includes exercises for each chapter, sign lists, Egyptian/English and English/Egyptian dictionaries defining all the words and phrases used in the lessons, and a new edition of the tale “Shipwrecked Sailor” with facing commentary. Although the overall approach is literary, Hieroglyphic Egyptian can also be used as an introduction to reading other material, such as biographical inscriptions, religious texts, historical annals, and mathematical or medical papyri. The text is suitable for classroom use, as well as for those who want to learn independently.
Gain insights into a vanished world with this unique look at powerful Egyptian hieroglyphs. Barry Kemp presents one hundred of the Egyptian hieroglyphs, their pronunciations, their history, and meanings, revealing aspects of day-to-day life in ancient Egypt. Kemp explains the myriad meanings behind symbols for physical objects such as “Sun” and “Serpent,” and concepts such as “Truth” and “to love,” building a picture of the historical and mythological references that were the cornerstones of Egyptian thought.
This text reveals the truth behind the mystery of the hieroglyphs of Ancient Egypt and the civilization that created them. The author traces the origins and development of hieroglyphic writing and explores the varied theories that scholars have expounded in their attempts to explain the script.
Hieroglyphs from A to Zo is the first book published by PomegranateKids , an imprint of Pomegranate Communications, in collaboration with the Museum of Fine Arts, Boston. With bold graphics, charming, rhyming text and solid educational content, it explains the hieroglyphic code while imparting important facts about ancient Egypt. As an added bonus, a separate sheet of stencils is provided, slipped inside the back cover, so that kids can easily draw their own hieroglyphs. All told, this is the perfect book for any child who simply loves words and pictures.
Clear, easy-to-follow text tells absolute beginners how to transcribe hieroglyphs by presenting and explaining 134 phonetic elements. Includes section on word analysis, newly enlarged pronunciation guide, and much more.
Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity. By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority. Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.