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Family secrets always resurface... if not in life, then after death. Spain, 1937. In the midst of the Spanish Civil War, a young woman crosses Europe for love, forced to exile herself in former Yugoslavia. Carmen never thought that her secret, hidden since the forties, would come to light in the 21st century… An 18th-century inheritance that can save a woman with no future. A ghost with a debt to settle. Madrid, 2016. After receiving a visit from her late mother’s ghost, Vesna travels to a tiny country in Central Europe in search of an enigmatic inheritance. A failed musician accompanies her on her quest, during which they will unearth family mysteries buried amid the ruins of World War II-occupied Europe. A story told in three voices by three generations of one family; three women bound by decades of secrets and troubles that must be unraveled if they want to find peace. What readers are saying about Hidden Notes: "You immediately immerse yourself in the character of Vesna and her ghosts. I love her character and irony. The romantic relationship with Max keeps you in suspense, while the grandmother's story during the war unfolds in alternating chapters and compels you to keep reading..." —G. G. A historical fantasy romance fiction that straddles the present, the Spanish Civil War, and World War II, and will captivate readers of Lucinda Riley, Kate Morton, and V. E. Schwab alike. Dive into this romantic suspense novel where intrigues are masterfully intertwined, creating an impossible-to-put-down read that combines elements of our cultural heritage with a supernatural thriller plot. Other books by Eva Alton: Stray Witch - Book Award Winner Witch’s Mirror Witches' Masquerade Witches' Elements The Vampire’s Assistant A Winter's Cobalt Kiss
An impassioned, thoughtful, and fearless essay on the effects of racism on the American identity by one of our country’s most humane literary voices. Acclaimed as “one of the most humane, honest, liberating works of our time” (The Village Voice), The Hidden Wound is a book-length essay about racism and the damage it has done to the identity of our country. Through Berry’s personal experience, he explains how remaining passive in the face of the struggle of racism further corrodes America’s great potential. In a quiet and observant manner, Berry opens up about how his attempt to discuss racism is rooted in the hope that someday the historical wound will begin to heal. Pulitzer prize-winning author Larry McMurtry calls this “a profound, passionate, crucial piece of writing . . . Few readers, and I think, no writers will be able to read it without a small pulse of triumph at the temples: the strange, almost communal sense of triumph one feels when someone has written truly well . . . The statement it makes is intricate and beautiful, sad but strong.” “Mr. Berry is a sophisticated, philosophical poet in the line descending from Emerson and Thoreau." ―The Baltimore Sun "[Berry’s poems] shine with the gentle wisdom of a craftsman who has thought deeply about the paradoxical strangeness and wonder of life." ―The Christian Science Monitor "Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life." ―The Bloomsbury Review “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” ―Publishers Weekly
Charles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?
Featuring the original Elisabeth Howard Vocal Power Method of Singing, this voice training program includes four CDs that focus on the following: Singing Techniques such as power, range expansion, vibrato control, volume, dynamics, pitch; Singing Styles such as Pop, Rock, Country, Blues, R&B, Broadway, Phrasing, Improvisation, Personal Style; Super Vocals, which includes "Licks and Tricks" for every style; Sing-Aerobics, which includes a 30 minute (at home or in the car) workout for the male and female voices.
Brain Browser is designed to assist researchers as well as beginning and advanced neuroscience students in their efforts to organise, analyse, and contribute to the growing detailed knowledge of the brain. Brain Browser serves as an electronic notebook for neuroanatomy and offers numerous educational and research applications.System Requirements:IBM PC or fully compatible with Intel 80286 (or later) processor Mouse or other pointing device.2 MB of RAM (minimum)1.44 MB 3.5" disk driveHard disk drive with 10 MB availableAny Windows-compatible videographics adaptor and monitorDOS 3.1 or later (5.0) recommendedMicrosoft Windows 3.1Department site licenses are available, as well as a buyer's frequency plan. Contact the publisher for complete details.
An important, urgent book of essays from Britain's most challenging dramatist: "...a great playwright - many, particularly in continental Europe, would say the greatest living English playwright." (The Independent) This collection of passionate and polemical essays deals with drama from its origin in the human mind to its use in history and the present. It explains the hidden working of drama behind the state, religion, family, crime and war. It is a revolutionary understanding of the human world with drama at its centre. A ruthless critique of the theatre's present state and its trivialisation as entertainment by the media, it reveals and sees a radical new theatre for the future. Edward Bond is internationally recognised as a major playwright and a leading theoretician of drama. He is the most performed British dramatist abroad. This is his latest and most important account of the meaning and practice of theatre as we start a new millennium.
A status-obsessed senior unexpectedly falls for a freshman because of his Danny Zuko audition in their high school's production of Grease in this outrageously funny epistolary novel set in 1991. "Matt Boren brilliantly captures the voices of students way back in 1992 with humor and wit and a unique ability to shift from freshman to senior, boy to girl, cheerleader to theater geek. In this hilarious novel, Boren adeptly proves that the more things change, the more things stay the same." --Kelly Ripa The folded notes collected for this book represent correspondence surrounding one Tara Maureen Murphy, senior at South High c. 1991-1992. It's 1991, and Tara Maureen Murphy is finally on top. A frightening cross between Regina George and Tracy Flick, Tara Maureen Murphy is any high school's worst nightmare, bringing single-minded ambition, narcissism, manipulation, and jealousy to new extremes in this outrageous, satirical twist on the coming-of-age novel. She's got a hot jock boyfriend in Christopher Patrick Caparelli, her best friend Stef Campbell by her side, and she's a SENIOR, poised to star as Sandy in South High's production of Grease. Clinching the role is just one teensy step in Tara's plot to get out of her hometown and become the Broadway starlet she was born to be. She's grasping distance from the finish line--graduation and college are right around the corner--but she has to remain vigilant. "This dumb town, as we know, can be a very tricky place." --Tara Maureen Murphy It gets trickier with the arrival of freshman Matthew Bloom, whose dazzling audition for the role of Danny Zuko turns Tara's world upside down. Freshmen belong in the chorus, not the spotlight! But Tara's outrage is tinged with an unfamiliar emotion, at least to her: adoration. And what starts as a conniving ploy to "mentor" young Matt quickly turns into a romantic obsession that threatens to topple Tara's hard-won status at South High....