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The "Dark" in the Dark Corner Years ago, when travelers to northern Greenville County asked a local where the Dark Corner was, invariably their reply was, "Just a little further up the road." In those days few people wanted to admit they lived in that much storied and much maligned part of the county known as the Dark Corner. The Dark Corner in those days was legendary for its moonshine, murder and mayhem. This is the story of that well-known region. We travel back to the Dark Corner's earliest days when its only human inhabitants were the Cherokee, and we move into the present where horse farms and multi-million-dollar homes dot the countryside that once contained moonshine stills and cornfields.
The area known as the "Dark Corner" near Greenville, South Carolina was once home to a distinct Appalachian culture. Isolated from their fellow South Carolinians, the Dark Corner was perceived as culturally and politically backwards throughout much of the nineteenth century. In particular, the area's reliance on illicit distillation as a cornerstone of its economy led to a protracted conflict with State and Federal law enforcement. Much of this conflict occurred during the post-Civil War modernization of the South Carolina Upstate. New South editors aggressively perpetuated the stereotype of the lawless and drunken distillers on the inhabitants of the Dark Corner. This stereotype, coupled with the Dark Corner's resistance to modernization, ostracized the local inhabitants and alienated the area from much of the economic boom of the Upstate. While the cultural mores, including the production of illicit alcohol, of the Dark Corner remained intact throughout much of the twentieth century, the area was eventually modernized by outsiders moving into upscale residential resorts dotted throughout the mountain landscape. While genealogists and popular writers have outlined some of the historical events surrounding the disputes between law enforcement and the residents of the Dark Corner, they have not placed these events in a proper cultural context. This work attempts to fill the gaps in the historiography of the Dark Corner. By picking up where many have left off, and introducing a new argument to the topic; this work demonstrates that the various conflicts over the illicit production of alcohol reflect deep cultural differences between this outpost of Appalachia and the rest of SouthCarolina.
One week after Wendy Blight’s college graduation, she walked into her apartment to find a masked man holding a knife and waiting for her at the top of the stairs. The man spent an hour physically and sexually assaulting Wendy, leaving her changed forever. After this terrifying experience, she lived for years cocooned in a prison of fear, despair, and hopelessness. Finally, after years of searching and believing she had nowhere else to turn, she fell on her knees before God and poured out her tears, anger, and questions to Him. Wendy’s story is one of transformation from trauma to rebirth through the power of the Word of God. Through Hidden Joy in a Dark Corner, the reader will experience hope and the encouragement necessary to press forward to healing and restoration.
Historically, Greenville County owes much to its natural advantages of scenery, location and abundant water, but it has also benefited from its colorful characters, such as Richard Pearis, Vardry McBee, Richard Furman and the Earle family. Hidden History of Greenville County details the personalities, places and events that have given Greenville its progressive, diverse environment. Join archivist and history professor Alexia Helsley as she explores some of these individuals and their contributions, as well as little-known events in the area and the ever-fascinating "Dark Corner." From mansions to murders, learn things about Greenville County history that you've never encountered before.
Catherine Bailey has been enjoying the single life long enough to know a catch when she sees one. Gorgeous, charismatic and spontaneous, Lee seems almost too perfect to be true. And her friends clearly agree, as each in turn falls under his spell. But what begins as flattering attentiveness and passionate sex turns into raging jealousy, and Catherine soon learns there is a darker side to Lee. His increasingly erratic, controlling behaviour becomes frightening, but no one believes her when she shares her fears. Increasingly isolated and driven into the darkest corner of her world, a desperate Catherine plans a meticulous escape. Four years later, Lee is behind bars and Catherine—now Cathy—compulsively checks the locks and doors in her apartment, trusting no one. But when an attractive upstairs neighbour, Stuart, comes into her life, Cathy dares to hope that happiness and love may still be possible . . . until she receives a phone call informing her of Lee’s impending release. Soon after, Cathy thinks she catches a glimpse of the former best friend who testified against her in the trial; she begins to return home to find objects subtly rearranged in her apartment, one of Lee’s old tricks. Convinced she is back in her former lover’s sights, Cathy prepares to wrestle with the demons of her past for the last time. Utterly convincing in its portrayal of obsession, Into the Darkest corner is an ingeniously structured and plotted tour de force of suspense that marks the arrival of a major new talent.
The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth centuryÑsuch as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert BurksÑthis pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
“One of those tales that ties you up, turns you inside-out, wrings you like a wet cloth.” —Jason Reynolds, New York Times bestselling author of Long Way Down American Street meets Long Way Down in this searing and gritty debut novel that takes an unflinching look at the harsh realities of gang life in Jamaica and how far a teen is willing to go for family. Things can change in a second: The second Frankie Green gets that scholarship letter, he has his ticket out of Jamaica. The second his longtime crush, Leah, asks him on a date, he’s in trouble. The second his father gets shot, suddenly nothing else matters. And the second Frankie joins his uncle’s gang in exchange for paying for his father’s medical bills, there’s no going back...or is there? As Frankie does things he never thought he’d be capable of, he’s forced to confront the truth of the family and future he was born into—and the ones he wants to build for himself.
The Wild West of the Blue Ridge #YeahThatGreenville is the official slogan of a city with a Southern Charm and congenial reputation. But the beauty of the Reedy River Falls cannot cover up its secret past. Theodosia Burr Alston regularly summered in Greenville prior to being "lost at sea" in 1812. Rival newspaper editors Benjamin Perry and Turner Bynum, faced off in a fatal duel in 1832.Hugh Bramlett murdered his mother-in-law in 1919, before it was revealed that insanity populated his family tree. Genealogical researcher, Jennifer Stoy presents uncovered tales of mayhem, insanity, and a side of Greenville you didn't know existed.
Famed as the ultimate penalty for traitors, heretics and royalty alike, being sent to the Tower is known to have been experienced by no less than 8,000 unfortunate souls. Many of those who were imprisoned in the Tower never returned to civilisation and those who did, often did so without their head! It is hardly surprising that the Tower has earned itself a reputation among the most infamous buildings on the planet. There have, of course, been other towers. Practically every castle ever built has consisted of at least one; indeed, even by the late 14th century, the Tower proudly boasted no less than 21\. Yet even as early as the 1100s, the effect that the first Tower had on the psyche of the local population was considerable. The sight of the dark four-pointed citadel – at the time the largest building in London – as it appeared against the backdrop of the expanding city gave rise to many legends, ranging from the exact circumstances of its creation to what went on within its strong walls. In ten centuries what once consisted of a solitary keep has developed into a complex castle around which the history of England has continuously evolved. So revered has it become that legend has it that should the Tower fall, so would the kingdom. Beginning with the early tales surrounding its creation, this book investigates the private life of an English icon. Concentrating on the Tower’s developing role throughout the centuries, not in terms of its physical expansion into a site of unique architectural majesty or many purposes but through the eyes of those who experienced its darker side, it pieces together the, often seldom-told, human story and how the fates of many of those who stayed within its walls contributed to its lasting effect on England’s – and later the UK’s – destiny. From ruthless traitors to unjustly killed Jesuits, vanished treasures to disappeared princes and jaded wives to star-crossed lovers, this book provides a raw and at times unsettling insight into its unsolved mysteries and the lot of its unfortunate victims, thus explaining how this once typical castle came to be the place we will always remember as THE TOWER.
What is the "something in these hills" that ties mountain families to family land in the southern Appalachians? This ethnographic examination challenges contemporary theory and explores two interrelated themes: the duality of the southern Appalachians as both a menacing and majestic landscape and the emotional relationship to family land characteristic of long-term residents of these mountains. To most outsiders, the area conjures images of a beautiful yet dangerous place, typified by the movie Deliverance. To long-term residents, these mountains have a fundamental emotional hold so powerful that many mourn the sale or loss of family land as if it were a deceased relative. How can the same geographical space be both? Using a carefully crafted cultural lens, John M. Coggeshall explains how family land anthropomorphizes, metaphorically becoming another member of kin groups. He establishes that this emotional sense of place existed prior to recent land losses, contrary to some contemporary scholars. Utilizing the voices and perspectives of long-term residents, the book provides readers with a more fundamental understanding of the "something in these hills" that holds people in place.