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Picture your 21st birthday. Did you have a party? If so, do you remember who was there? How clear are these memories? Should we trust them? Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in this book, the answers have changed dramatically in just the past century.
This volume features the complete text of the material presented at the Nineteenth Annual Conference of the Cognitive Science Society. Papers have been loosely grouped by topic and an author index is provided in the back. As in previous years, the symposium included an interesting mixture of papers on many topics from researchers with diverse backgrounds and different goals, presenting a multifaceted view of cognitive science. In hopes of facilitating searches of this work, an electronic index on the Internet's World Wide Web is provided. Titles, authors, and summaries of all the papers published here have been placed in an online database which may be freely searched by anyone. You can reach the web site at: www-csli.stanford.edu/cogsci97.
Life beyond the Boundaries explores identity formation on the edges of the ancient Southwest. Focusing on some of the more poorly understood regions, including the Jornada Mogollon, the Gallina, and the Pimería Alta, the authors use methods drawn from material culture science, anthropology, and history to investigate themes related to the construction of social identity along the perimeters of the American Southwest. Through an archaeological lens, the volume examines the social experiences of people who lived in edge regions. Through mobility and the development of extensive social networks, people living in these areas were introduced to the ideas and practices of other cultural groups. As their spatial distances from core areas increased, the degree to which they participated in the economic, social, political, and ritual practices of ancestral core areas increasingly varied. As a result, the social identities of people living in edge zones were often—though not always—fluid and situational. Drawing on an increase of available information and bringing new attention to understudied areas, the book will be of interest to scholars of Southwestern archaeology and other researchers interested in the archaeology of low-populated and decentralized regions and identity formation. Life beyond the Boundaries considers the various roles that edge regions played in local and regional trajectories of the prehistoric and protohistoric Southwest and how place influenced the development of social identity. Contributors: Lewis Borck, Dale S. Brenneman, Jeffery J. Clark, Severin Fowles, Patricia A. Gilman, Lauren E. Jelinek, Myles R. Miller, Barbara J. Mills, Matthew A. Peeples, Kellam Throgmorton, James T. Watson
This historical study is “a compelling demonstration that the science of memory . . . is both a product of and an influence on the culture from which it springs” (Bookforum). Think about a birthday you remember well. Now step back and ask: how clear are those memories? Is there a chance you’re remembering incorrectly? And what about the details you can no longer recall? Are they hidden in your brain, or are they gone forever? Such questions have fascinated scientists for ages, and, as Alison Winter shows in Memory: Fragments of a Modern History, the answers have changed dramatically in just the past century. Tracing the cultural and scientific history of our understanding of memory, Winter explores early metaphors that likened memory to a filing cabinet and, later, a reel of film. Those models were eventually replaced by one in which memory results from an extremely complicated, brain-wide web of cells and systems that together assemble our pasts. Winter introduces us to innovative scientists and sensationalistic seekers, and, drawing on evidence ranging from scientific papers to diaries to movies, explores the way that new understandings from the laboratory have seeped out into psychiatrists’ offices, courtrooms, and the culture at large. Along the way, she investigates the sensational battles over the validity of repressed memories that raged through the 1980s and shows us how changes in technology—such as the emergence of recording devices and computers—have again and again altered the way we conceptualize, and even try to study, the ways we remember.
Fragments of Trauma and the Social Production of Suffering: Trauma, History, and Memory offers a kaleidoscope of perspectives that highlight the problem of traumatic memory. Because trauma fragments memory, storytelling is impeded by what is unknowable and what is unspeakable. Each of the contributors tackles the problem of narrativizing memory that is constructed from fragments that have been passed along the generations. When trauma is cultural as well as personal, it becomes even more invisible, as each generation’s attempts at coping push the pain further below the surface. Consequently, that pain becomes increasingly ineffable, haunting succeeding generations. In each story the contributors offer, there emerges the theme of difference, a difference that turns back on itself and makes an accusation. Themes of knowing and unknowing show the terrible toll that trauma takes when there is no one with whom the trauma can be acknowledged and worked through. In the face of utter lack of recognition, what might be known together becomes hidden. Our failure to speak to these unaspirated truths becomes a betrayal of self and also of others. In the case of intergenerational and cultural trauma, we betray not only our ancestors but also the future generations to come. In the face of unacknowledged trauma, this book reveals that we are confronted with the perennial choice of speaking or becoming complicit in our silence.
"Fragmentary writing is, ultimately, democratic writing. Each fragment enjoys an equal distinction. Even the most banal finds exceptional reader. Each, in turn, has its hour of glory. Of course, each fragment could become a book. But the point is that it will not do so, for the ellipse is superior to the straight line ... " This latest work in the Cool Memories series is culled from Baudrillard's notebooks in the period when he was composing The Illusion of the End and The Perfect Crime. It is a work of meditations and poetic musings which alight briefly and tantalisingly on: the silent wisdom and wit of objective processes, of the world and the emptiness of our political, artistic and scientific scenes; Europe, the Eastern bloc, Australia and New York; life, the universe and the stubborn non-meaning of everything.
Fragments: An Archeology of Memory documents the process of retrieval and reexamination of the memories of the Vietnam war experiences of author Kendall Johnson on the 50th anniversary of his return home from combat. Johnson, artist, author, and psychotherapist provides a unique approach and perspective on the excavation of memories lay hidden under decades of dissociation and selective amnesia. As a deckhand on a U.S. Navy Destroyer operating on and near the Demilitarized Zone separating North Vietnam from South Vietnam, Johnson was exposed to sustained close coastal combat for a sixth month period. For the next thirty five years he could not remember much about it. Later, as a trauma therapist and crisis management consultant, Johnson provided direct support of a school crisis team during and subsequent to the terrorist attack on the World Trade Center in New York City. Additionally, he debriefed rescue workers, teachers and medical examiners who had been involved. Following this work, Johnson experienced renewed flashbacks related to combat and dealt with these by writing short stories, poetry and plays in which the war was a constant if sometimes indirect presence. During 2016, a half century following the war, Kendall Johnson set out to reclaim forgotten memories and make sense of them using his art medium, painting and assemblage. In the midst of this process he followed the urging of friends and began writing about the paintings, lending perspective to his abstract works. Writings done in 2001 & 2002 were reviewed in light of these new discoveries. Key excerpts from those writings, as well as from an art journal kept during the painting provide counterpoint to the images. Neither illustration nor explanation, the pairing of excerpts with paintings provide new and interesting dimensions to each.Fragments includes twenty five full color reproductions of the paintings, an introductory essay by Johnson detailing the process as well as the written excerpts paired with each painting. In addition, a substantive commentary regarding the painting, writing, and overall exhibit is provided by Emerita Professor and Director, Pomona College Museum of Art.
Hypnosis: A Brief History crosses disciplinary boundaries toexplain current advances and controversies surrounding the use ofhypnosis through an exploration of the history of its development. examines the social and cultural contexts of the theories,development, and practice of hypnosis crosses disciplinary boundaries to explain current advances andcontroversies in hypnosis explores shifting beliefs about the nature of hypnosis investigates references to the apparent power of hypnosis overmemory and personal identity