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A major contribution to ecumenical reflection on the doctrine of God. The past century has seen renewed interest in the doctrine of God. While theological traditions disagree, their shared commitment to Nicene orthodoxy provides a common language for thinking and speaking about God. This dialogue has deepened our understanding of this shared way of thinking about God, but little has been done across ecumenical lines to explore God's hiddenness in revelation. In Hidden and Revealed, Dmytro Bintsarovskyi explores the hiddenness and revelation of God in two separate theological streams—Reformed and Orthodox. Bintsarovskyi shows that an understanding of both traditions reflects a deep structure of shared language, history, and commitments, while nevertheless reflecting real differences. With Herman Bavinck and John Meyendorff as his guides, Bintsarovskyi advances ecumenical dialogue on a doctrine central to our knowledge of God.
Eyewitness accounts of the tornadoes of May 6, 1965, which devastated areas of Lake Minnetonka, Fridley, Blaine, Spring Lake Park and Mounds View Minnesota. Continuing where the last book ended, this collection has new, revealing data that shows how historic and strange these storms were. Taylor and the witnesses found the presence of God--not in the tornadoes, or destruction, or pain and death--but in His protection and love, the kindness of neighbors, and the miracles of that night.
This work focuses on a reality central to each human life and basic to every branch of theology; namely, the immanent transcendence of God. This study begins by exploring that theme of mystery hidden yet revealed from the perspective of the interrelationship of transcendence, self-actualization and creative expression. The book goes on to describe the interplay of those three elements in the lives and the works of,Thomas Merton, monk and writer, and Georgia O'Keeffe, artist. People from a wide variety of backgrounds and traditions will find this study a stimulating source of insight for their spiritual quest.
Exploring the biblical conception of mystery as an initial, partially hidden revelation that is subsequently more fully revealed, this book sheds light not only on the richness of the concept itself, but also on the broader relationship between the Old and New Testaments. As such, it is a model for attentive and faithful biblical theology.
Four old friends confront their darkest secrets in this fantasy steeped in nostalgia, folklore, religion, and the seductive landscape of Southern Italy—by the Italian Neil Gaiman. “A tale of adventure, mystery, friendship and heart-wrenching beauty that will make you re-examine what is holy, what is true, and what is beyond the realm of possibility.” —BookPage Four old school friends have a pact: to meet up every year in the small town in Puglia they grew up in. Art, the charismatic leader of the group and creator of the pact, insists that the agreement must remain unshakable and enduring. But this year, he never shows up. A visit to his house increases the friends’ worry: Art is farming marijuana. In Southern Italy doing that kind of thing can be very dangerous. They can’t go to the Carabinieri so must make enquiries of their own. This is how they come across the rumors about Art—bizarre and unbelievable rumors that he miraculously cured the local mafia boss’ daughter of terminal leukemia. And among the chaos of his house, they find a document written by Art, “The Book of Hidden Things”, that promises to reveal dark secrets and wonders beyond anything previously known. Set in the beguiling and seductive world of Southern Italy, Francesco Dimitri’s first novel in English is a story friendship, landscape, love, betrayal, and mystery that will entrance fans of Elena Ferrante, Neil Gaiman, and Donna Tartt.
A unique look at Christian biblical interpretation and theology from the perspective of Native American tradition. This book focuses on four specific experiences of Jesus as portrayed in the synoptic gospels. It examines each story as a “vision quest,” a universal spiritual phenomenon, but one of particular importance within North American indigenous communities. Jesus’ experience in the wilderness is the first quest. It speaks to a foundational Native American value: the need to enter into the “we” rather than the “I.” The Transfiguration is the second quest, describing the Native theology of transcendent spirituality that impacts reality and shapes mission. Gethsemane is the third quest. It embodies the Native tradition of the holy men or women, who find their freedom through discipline and concerns for justice, compassion, and human dignity. Golgotha is the final quest. It represents the Native sacrament of sacrifice (e.g., the Sun Dance). The chapter on Golgotha is a discussion of kinship, balance, and harmony: all primary to Native tradition and integral to Christian thought.
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A stunning art book, but far more. In addition to glittering reproductions, details and working drawings of the ten mammoth pieces in this award-winning series about Esther of the Bible, the book features the artist's own story, illuminating her journey from war-torn Romania to Israel to Canada, what drew her to Esther and mosaics as a medium, and how she employed ancient techniques with a contemporary sensibility. An art historian provides a chapter comparing Broca's interpretation of Esther to that of such past artists as Rembrandt and Artemisia Gentileschi. The book finishes with a provocative, lyrical prose-poem written in the imagined voice of Esther by a prominent rabbi and scholar. An appendix provides the full text of Esther in beautiful calligraphed Hebrew with an accompanying English translation.
In Western religious traditions, God is conventionally conceived as a humanlike creator, lawgiver, and king, a being both accessible and actively present in history. Yet there is a concurrent and strong tradition of a God who actively hides. The two traditions have led to a tension between a God who is simultaneously accessible to humanity and yet inaccessible, a God who is both immanent and transcendent, present and absent. Western Gnostic, esoteric, and mystical thinking capitalizes on the hidden and hiding God. He becomes the hallmark of the mystics, Gnostics, sages, and artists who attempt to make accessible to humans the God who is secreted away. 'Histories of the Hidden God' explores this tradition from antiquity to today. The essays focus on three essential themes: the concealment of the hidden God; the human quest for the hidden God, and revelations of the hidden God.
"A celebration of the hidden beauty & variety of microscopic imagery."--Back cover.