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"Hiapo" is a notebook of common patterns used in Niuean barkcloth. The patterns within these pages have been collected during Cora-Allan's hiapo journey and have come from many hours of research and conversation.
Auckland Museum's collection of tapa cloth from around the Pacific is one of the most extensive in the world and it forms the basis of this comprehensive survey.
Tapa, or barkcloth, is called 'hiapo' in the language of Niue island in central Polynesia. Most known pieces of hiapo were produced between 1850 and 1900. They are now dispersed, largely in museum collections, all over the world. The illustrations in this book, most of which are in full colour, bring together hiapo from all over the world. The authors have worked on the project for a decade, visiting museums, collecting information, travelling to Niue, talking to old people there, trying to find out how the paintings were done and who made them.
Both anthropologists and conservation scientists are fascinated by Oceanic barkcloth, or tapa, as it is known by its generic Polynesian term. Historic tapa designs are often living cultural heritage, but today’s objects also combine content, form and tradition in new ways and are intimately connected with the social and cultural identity of individuals, groups, and even nations. With tapa being completely alien to European traditions, conservation scientists are challenged by the material and its restoration and preservation. Questions of adequate presentation in exhibitions touch upon both disciplines, particularly when cultural requirements of the source communities come into play. This volume brings together presentations given at an interdisciplinary symposium on the social and cultural meanings, conservation and presentation of Oceanic tapa, organised and hosted by the Rautenstrauch-Joest-Museum of World Cultures and the Institute of Conservation Sciences, Cologne, in 2014. By presenting new, international, cutting-edge research from both disciplines, Made in Oceania offers unique insights into current museum practice, and connects historical research with recent social and cultural developments in the Pacific.
Vols. for 1892-1941 contain the transactions and proceedings of the society.
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"This book is based on research in museum collections and on fieldwork in Polynesia and Fiji ..."--Page 3.
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