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Includes sixteen poems about subjects ranging from the weather, to family, to food.
Grace Fairley begins to wonder if Spencer, her fiancé́ of two years, is really the right man for her, a situation complicated by the return of her former lover, Jimi Malik, a half-Indian, half-Irish writer engaged to a young model.
The 2 Johnnies' massive success has taken them as far afield as Sydney, Compton and Abu Dhabi. But for them nothing compares to living in Ireland. And in C'Mere and I Tell Ya they dig into the tastes, habits and rites of passage that have made them who they are. Whether it's ... - dressing for the debs ('I'd say my cravat was the talk of Templemore for weeks') - succeeding in a band ('I did backing vocals for six months and it turned out I was singing the wrong lyrics') - doing a Strictly fundraiser for your GAA club ('Remember you're not Julia Roberts and the local butcher isn't Richard Gere, so keep it in the pants') - recognizing the no-go moves at a stag ('Nobody wants to see a sixteen-stone man in a pink thong. Nobody') ... Johnny B and Johnny Smacks capture it perfectly. And they have down-to-earth advice for every conceivable situation - and a few inconceivable ones. C'Mere and I Tell Ya is a one-stop celebration of Irishness, chicken goujons and being sound. 'It's funny but there is always truth in the humour ... A hell of a Christmas present!' Oliver Callan, RTÉ
Set in a New England town, a family including three daughters and five sons, each endowed with an energy and vision of life, drives the narrative from the early part of the century to the years following World War II.
"The Complete Russian Folktale" makes available to English readers a rich folk tradition that has not been easily accessible or well known in the West. Compared to other European traditions, the East Slavs have an extremely large number of tale types. Using the Russian version of the Aarne-Thompson index to folktale types, and drawing on both archival and written sources dating back to the early sixteenth century, J.V. Haney has assembled and translated examples of the full range of tales. Nearly all of these tales will appear here in translation for the first time. Volume 6 presents tales classified 850-999, which describe the travails of young people who are seeking happiness and love. They portray acts of fate, prophecy, and even divine justice, in a village context of social misery, folk tradition, the aggravations of family life, and the heartaches of the lovelorn. J.V. Haney's extensive introduction and annotations explain the structure of the tales, their place in the A-T system and in folklore studies, and the specifics of their Russian provenance.
My immediate superior, the beautiful superior, always asked me to have tea after work, and asked me to.
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by Joao Guimaraes Rosa. The remaining 34 authors include Mario de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry.The anthology is divided into four major periods, "Tropical Belle-Epoque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mario de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubiao), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nelida Pinon), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.
Alpha Ares, the most feared alpha in the nation, takes what he wants, when he wants. After spending one sinful night at the lake with his mate Aurora, Ares wants her and only her. But Aurora has other plans. Come Here, Kitten is an erotic werewolf romance written by Emilia Rose. It is the first book in the God of War series. This book includes tropes such as: greek and roman mythology god romance, urban fantasy romance series with strong heroine, disabled heroine, fated mates, wolf shifter romance, werewolves and shifters, enemies to lovers dark romantic fantasy.