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Hey Bert is a clarion call to open our eyes to the extentof poetry's capacity with the aim to find new ways oflooking at our own lives. Poems that speak intenselyof the everyday, of nostalgia, friendship and love, thebody, the sacred, all seen through Pastore's unique,eccentric filter of spirit animals, pop-culture, dreamsand astrology.In the spirit of John Giorno, Anne Waldman, and JuliaHeyward, Pastore's work draws from performance art,confessional poetry, mantra, and folklore to create avoice both fiercely contemporary and somehow out oftime. His inspiration for this collection derived fromhis trips to Carlisle, where his love for poetry ignitedtwelve years ago.'I think my poems connect with people, becausethey speak of things that we all experience and aren'tintimidating to people who don't generally read poetry.I think my collection could be a bridge for people whogrew up on Instagram poetry.'
Food is Good. Sleep is Good. Ever wonder what happens when you combine the two? Why, it can only be Good! Dashel Gabelli spent nearly twenty years of unorthodox, highly questionable, pseudo-research compiling information on just what happens when you eat different combinations of food before going to sleep! Dashel takes you from the spark of the idea through to trying to get published - with a whole bunch of the weirdest, most detailed dreams heard of anywhere spread out somewhere in the middle. A highly humorous collection of detailed dream sequences guaranteed to make you laugh, smile, or make you think twice about eating that pot roast, chili and coleslaw concoction that you have sitting in the fridge - in the moldy plastic container -before going to sleep again!
This is a fictionalized presentation of selected biographical events in the life of Bernard E. Baumbach (1892-1981) and the centerpiece of the story is that of family: his family on "Dutch Hill" in the Cornplanter Township in PA; his wife Julia Becker's family in Pasadena, CA; and Julia's and his family of five children in Anaheim, CA.
A New York Times Book Review Editor’s Choice • Rex Stout meets Agatha Christie with a fresh twist in the new Pentecost and Parker Mystery, a delightfully hardboiled high-wire act starring two daring women sleuths dead set on justice as they set out to solve a murder at a traveling circus “A delight.... It’s a pleasure to watch [Pentecost and Parker] sifting through red herrings and peeling secrets back like layers of an onion.” The New York Times Book Review Someone’s put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel to the circus, where they find a snake pit of old grudges, small-town crime, and secrets worth killing for. Will called Hart & Halloway’s Traveling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse, the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren’t playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.
After an unlikely encounter with Mr. Carford, the twins learn he used to run the now-closed Snow Lodge. They learn from their father that Mr. Carford used to live at the Snow Lodge with his nephew, Dave, until a large sum of money went missing. Mr. Carford accused Dave of stealing the money, but Mr. Bobbsey knows that isn't true. Can the twins discover what really happened to the missing money and reunite the lonely Mr. Carford with his nephew?
"I worry that the patterns in life say I worry that they dictate, that, through the education that should free us, we will all fall in line. So our search for knowledge will eventually turn us all into people willing to be oppressed. We'll even feel good about it. We'll like being oppressed. We have taught this ignorance that is guiding us. We have to smash this." When an acquaintance tells 19 year old Langley Jackson this, Langley is naïve and new to the city of Long Beach. But as time climbs forward Langley learns that it's true: some things need to be smashed. Some things can't be solved, only learned from. And some people-including loved ones-you have to just let them die.
Billy Ridley’s story provides some insight into what it was like to come of age during the war years – when Roosevelt was in the White House, when brothers were off fighting in Europe and on the islands of the Pacific. Among the branches of an old maple tree, a young boy finds comfort in the sounds and voices unheard in the world below. A framed cross-stitch on the wall of Grandpa’s upstairs room warns: “Beware the Werewolf and the Heart’s Desire,” a theme played out with varying degrees of failure by the contentious members of three generations of a dysfunctional family. We meet those who nurture Billy’s growing: a kindly aunt who harbors a secret buried in her past; a young man who says he was adopted -- a present from Santa Claus -- who provides a friendship and a trust Billy does not find elsewhere. Charlie, a neighbor, a year older, advances Billy’s awareness of his sexuality, and Rose, a fellow thespian, confronts him with his first true test of manhood. A coming of age that climaxes amid the headlines of World War II.
Young children love to explore their world through drama—characters, dialogue, story arcs, and props are all standard elements of a child’s play. It is no surprise then that professional theatre has long been regarded as a way to support children’s social-emotional, cognitive, and creative development. Increasingly, there is an international interest in theatre for very young audiences, and the Wall Street Journal reported on a “baby boom” in American theatre, with a marked upswing in the number of stage plays being written and produced for toddlers and preschoolers. Fueled by ongoing research into developmental psychology and theatre arts, the Children’s Theatre Company (CTC) of Minneapolis presents in this book four of its newly commissioned plays for preschoolers. CTC is widely recognized as the leading theatre for young people and families in North America; it received the 2003 Tony award for regional theatre, and Time magazine rated it the number one children’s theatre in the United States. These four plays encompass a broad range of styles and subjects: Bert and Ernie, Goodnight! is a musical about Bert and Ernie’s unlikely but true friendship, written by Barry Kornhauser and based on the original songs and scripts from Sesame Street. The Biggest Little House in the Forest is a toy-theatre play about a group of diverse animals trying to share a very tiny home, adapted by Rosanna Staffa from the book by Djemma Bider. The Cat’s Journey is a dazzling shadow-puppet play with a little girl who rides on a friendly cat, written by Fabrizio Montecchi. And Victoria Stewart’s Mercy Watson to the Rescue!, adapted from the Kate DiCamillo Mercy Watson series, is a comic romp featuring the inadvertent heroics of everyone’s favorite porcine wonder. While these plays are as different as they could be, they all help young children to develop a moral compass and critical-thinking skills—while also showing them the power of the theatre to amaze, delight, and inspire.
A young man’s journey—from the international bestselling account of his idyllic childhood in rural England to “a poetic memoir” of the Spanish Civil War (The Washington Post). In his acclaimed autobiographical trilogy, “one of the great writers of the twentieth century” presents a vivid portrait of coming of age in Europe between the wars (The Independent). Beginning with the international bestselling, lyrical memoir of his childhood in the Cotswolds, Laurie Lee follows up with a fascinating travel narrative of crossing England and Spain on foot, and brings the story to a climax with a gripping chronicle of his part in the Spanish Civil War. Cider with Rosie: International Bestseller Three years old and wrapped in a Union Jack to protect him from the sun, Laurie Lee arrived in the village of Slad in the final summer of the First World War. The cottage his mother had rented had neither running water nor electricity, but it was surrounded by a lovely half-acre garden and big enough for the seven children in her care. In this verdant valley tucked into the rolling hills of the Cotswolds, Lee learned to look at life with a painter’s eye and a poet’s heart—qualities of vision that, decades later, would make him one of England’s most cherished authors. “A remarkable book . . . dazzling.” —The New York Times As I Walked Out One Midsummer Morning: At age nineteen, Lee set out to walk the hundred miles from Slad to London, carrying only a change of clothes, his violin, a tent, a tin of biscuits, and some cheese. With a detour of an extra hundred miles to see the sea for the first time, Lee hopped a ferry to Spain because he knew enough Spanish to ask for a glass of water, and wandered the country for a year on foot. In one of the finest travel narratives of the twentieth century, Lee offers an unforgettable portrait of Spain on the eve of its civil war. “The vivid, sensitive, irresistibly readable story of what happened after [Lee] left home.” —The Daily Mail A Moment of War: Returning to a divided Spain in the bitter December of 1937 by crossing the Pyrenees from France, the idealistic young Lee came face to face with the reality of war, in this New York Times Notable Book. The International Brigade he sought to join was far from the gallant fighting force he’d envisioned but instead a collection of misfits without proper leadership or purpose. In a sudden confrontation with the enemy, he was left feeling anything but heroic. Captured more than once as a spy, Lee was lucky to escape with his life. “Written with brilliant economy and belongs to the remarkable literature which the Spanish Civil War inspired.” —The Independent
"Sam Call is back, but this time it's personal! Along with his wife Mary and private investigator David Lytle, he is determined to uncover the facts about his daughter's murder ... in Highlands, North Carolina ..."--Dust jacket flap.