Download Free Hesitant Heroes Book in PDF and EPUB Free Download. You can read online Hesitant Heroes and write the review.

Why, Theodore Ziolkowski wonders, does Western literature abound with figures who experience a crucial moment of uncertainty in their actions? In this highly original and engaging work, he explores the significance of these unlikely heroes for literature and history.From Aeneas—who wavered momentarily before plunging his sword into Turnus's chest—to Hamlet, Orestes, Parzival, Wallenstein, and others, including Kafka's Josef K., Ziolkowski demonstrates that characters' private uncertainty reveals a classic opposition of binary forces. He describes how Aeneas, for example, was forced to choose between the ancient code of blood vengeance and the new civic virtues of law and justice. Ziolkowski asserts that the indecision of the characters reflects the tensions that authors observed in their own societies. Drawing on the insights of Hegel and Freud, he analyzes the ways in which these tensions represent turning points in cultural history. In stark contrast to Aeneas, Josef K. temporized for a year before his executioners thrust a knife into his heart. For Ziolkowski, the centuries separating Virgil and Kafka are ones in which the notion of the hero was transformed almost to the point of total inversion. He sheds light on this transformation and a corresponding change in literary form.
Why, Theodore Ziolkowski wonders, does Western literature abound with figures who experience a crucial moment of uncertainty in their actions? In this highly original and engaging work, he explores the significance of these unlikely heroes for literature and history.From Aeneas--who wavered momentarily before plunging his sword into Turnus's chest--to Hamlet, Orestes, Parzival, Wallenstein, and others, including Kafka's Josef K., Ziolkowski demonstrates that characters' private uncertainty reveals a classic opposition of binary forces. He describes how Aeneas, for example, was forced to choose between the ancient code of blood vengeance and the new civic virtues of law and justice. Ziolkowski asserts that the indecision of the characters reflects the tensions that authors observed in their own societies. Drawing on the insights of Hegel and Freud, he analyzes the ways in which these tensions represent turning points in cultural history. In stark contrast to Aeneas, Josef K. temporized for a year before his executioners thrust a knife into his heart. For Ziolkowski, the centuries separating Virgil and Kafka are ones in which the notion of the hero was transformed almost to the point of total inversion. He sheds light on this transformation and a corresponding change in literary form.
THE DUTCH CAPER First in the Cormack and Woodward series, it involves a dangerous mission into wartime Europe in order to try and find vital information about the ‘Liechtenstein' onboard radar system that Luftwaffe night fighters are using to shoot down RAF bombers in ever increasing numbers. The only way to do this is to steal a night fighter from a securely guarded Luftwaffe air base... Based on a true story. EMERALD Sequel to The Dutch Caper, where Cormack and Woodward have to fly into Berlin during the last days of the War, in order to bring out ‘Emerald', a highly placed British agent, who is being hunted, not just by the Gestapo, but by Soviet Intelligence as well. The action takes place against a background of a Berlin that is being systematically destroyed by the attacking Red Army. BERLIN ENDGAME The third book in the series, set during the Berlin Blockade of 1948. Cormack and Woodward uncover an assassination plot that, if successful, could spark armed conflict in Berlin that, almost inevitably, will lead to World War Three... Bad enough that they don't know when or where the killing is to take place, but even worse is the suspicion that their own superiors could be involved...
Women Writers and the Hero of Romance studies the nature of the hero and his meaning for the female seeker, or quester, in romance fiction from Wuthering Heights to Fifty Shades of Grey. The book includes chapters on Wuthering Heights, Middlemarch, The Scarlet Pimpernel, The Sheik, and the novels of Ayn Rand and Dorothy Dunnett.
This book presents a conceptual mapping of supererogation in the analytic moral philosophical tradition. It first asks whether supererogation can be conceptualised in the absence of obligation or duty and then makes the case that it can be. It does so by enlisting the resources of the continental tradition, specifically using the work of Emmanuel Levinas and his notion of infinite responsibility. In so doing the book contributes to the ongoing efforts to create a common ethical terminology between the analytic and continental traditions within moral philosophy. Supererogatory actions are praiseworthy actions that go ‘beyond duty’, and yet are not blameworthy when not performed. In responding to this paradox, moral philosophy either brackets or attempts a reductionism of supererogation. Supererogation is epitomised in the paradigmatic figures of the saint and hero. Yet, most would agree that emulating these figures is too morally demanding. We rightly ask: where does moral obligation end? Is it even possible, or desirable to demarcate such a boundary? Besides the important theoretical issues these questions raise, they also speak to practical ethical dilemmas in the contemporary milieu, as they concern the global wealthy’s responsibility to the poor and the challenges of development aid work.
Despite the constant changes in contemporary popular media, the horror genre retains its attraction for audiences of all backgrounds. This edited collection explores modern representations of gender in horror and how this factors into the genre's appeal.
Written by theologians, literary scholars, political theorists, classicists, and philosophers, the essays in Judgment and Action address the growing sense that certain key concepts in humanistic scholarship have become suspect, if not downright unintelligible, amid the current plethora of critical methods. These essays aim to reassert the normative force of judgment and action, two concepts at the very core of literary analysis, systematic theology, philosophy, ethics, aesthetics, and other disciplines. Interpretation is essential to every humanistic discipline, and every interpretation is an act of judgment. Yet the work of interpretation and judgment has been called into question by contemporary methods in the humanities, which incline either toward contextual determination of meaning or toward the suspension of judgment altogether. Action is closely related to judgment and interpretation and like them, it has been rendered questionable. An action is not simply the performance of a deed but requires the deed’s intelligibility, which can be secured only through interpretation and judgment. Organized into four broad themes—interiority/contemplation, ethics, politics/community, and aesthetics/image—the aim of this broad-ranging and insightful collection is to illuminate the histories of judgment and action, identify critical sites from which rethinking them may begin, clarify how they came to be challenged, and relocate them within a broader intellectual-historical trajectory that renders them intelligible.
Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.