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Friedrich Solmsen provides a new approach to Hesiod's personality in this book by distinguishing Hesiod's own contributions to Greek mythology and theology from the traditional aspects of his poetry. Hesiod's vision of a better world, expressed in religious language and imagery, pictures the savagery and brutality of the earlier days of Greece giving way to an order of justice. In this new order, however, the good aspects of the past would be preserved, giving an inner continuity and strength to the changing world. Solmsen traces the influence of Hesiod’s ideas on other Athenian poets, Aeschylus in particular. From personal political experience Aeschylus could give a deeper meaning to Hesiod's dream of an organic historical evolution and of a synthesis of old and new powers. For Aeschylus, justice became the crucial problem of the political community as well as of the divine order. Through close readings of Hesiod's Theogony and Works and Days and of Aeschylus' Prometheia and Eumenides, Solmsen reinterprets the political ideas of the Greek city state and the relation between divine and human justice as seen by early Greek poets. First published in 1949, this book has long been recognized as the standard work on Hesiod's influence. For the 1995 paperback edition, G. M. Kirkwood has written a new foreword that addresses the book's reception and discusses more recent scholarship on the works Solmsen examines, including the disputed authorship of Prometheia.
The reading of Hesiod offered here does not stress his value as a historical, mythological, or theological source, although these issues are fraught with difficulties that require at least a provisional resolution in order for the poems to be read.
Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception. In Theogony Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.
"The Theogony is one of the most important mythical texts to survive from antiquity, and we devote the first section to it. It tells of the creation of the present world order under the rule of almighty Zeus. The Works and Days, in the second section, describes a bitter dispute between Hesiod and his brother over the disposition of their father's property, a theme that allows Hesiod to range widely over issues of right and wrong. The Shield of Herakles, whose centerpiece is a long description of a work of art, is not by Hesiod, at least most of it, but it was always attributed to him in antiquity. It is Hesiodic in style and has always formed part of the Hesiodic corpus. It makes up the third section of this book"--Provided by publisher.
Reprint of the original, first published in 1873.
Hesiod: The Other Poet is a study dealing with the role of Hesiod in the imagination and the collective memory of the ancient Greeks. Its main hypothesis is that Hesiod's image was to a large degree formed by the picture of Homer: Hesiod is decidedly different when presented as allied with, opposed to or simply without Homer. Following this approach, Hesiod is investigated as a moral and philosophical authority, a locus informed with values and qualities, a concept in literary-critical discourse, and more generally as a cultural and panhellenic icon constructed and reconstructed by later Greek authors who employed and so re-created him in their own texts.
In Works and Days, one of the two long poems that have come down to us from Hesiod, the poet writes of farming, morality, and what seems to be a very nasty quarrel with his brother Perses over their inheritance. In this book, Anthony T. Edwards extracts from the poem a picture of the social structure of Ascra, the hamlet in northern Greece where Hesiod lived, most likely during the seventh century b.c.e. Drawing on the evidence of trade, food storage, reciprocity, and the agricultural regime as Hesiod describes them in Works and Days, Edwards reveals Ascra as an autonomous village, outside the control of a polis, less stratified and integrated internally than what we observe even in Homer. In light of this reading, theconflict between Hesiod and Perses emerges as a dispute about the inviolability of the community's external boundary and the degree of interobligation among those within the village. Hesiod's Ascra directly counters the accepted view of Works and Days, which has Hesiod describing a peasant society subordinated to the economic and political control of an outside elite. Through his deft analysis, Edwards suggests a new understanding of both Works and Days and the social and economic organization of Hesiod's time and place.
It hardly needs repeating that Plato defined philosophy partly by contrast with the work of the poets. What is extraordinary is how little systematic exploration there has been of his relationship with specific poets other than Homer. This neglect extends even to Hesiod, though Hesiod is of central importance for the didactic tradition quite generally, and is a major source of imagery at crucial moments of Plato's thought. This volume, which presents fifteen articles by specialists on the area, will be the first ever book-length study dedicated to the subject. It covers a wide variety of thematic angles, brings new and sometimes surprising light to a large range of Platonic dialogues, and represents a major contribution to the study of the reception of archaic poetry in Athens.