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After reaching over one million viewers to his website www.richardshanereinert.com. Many of his poems were put together into this collection in hopes that he can reach many more people and encourage them through the poems God has given unto him. May this book encourage everyone in comes in contact with and even if you don't like poetry you will enjoy this book.
In this New York Times bestselling “imperative how-to for creativity” (Nick Offerman), Adam Savage—star of Discovery Channel’s Mythbusters—shares his golden rules of creativity, from finding inspiration to following through and successfully making your idea a reality. Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you. Through stories from forty-plus years of making and molding, building and break­ing, along with the lessons I learned along the way, this book is meant to be a toolbox of problem solving, complete with a shop’s worth of notes on the tools, techniques, and materials that I use most often. Things like: In Every Tool There Is a Hammer—don’t wait until everything is perfect to begin a project, and if you don’t have the exact right tool for a task, just use whatever’s handy; Increase Your Loose Tolerance—making is messy and filled with screwups, but that’s okay, as creativity is a path with twists and turns and not a straight line to be found; Use More Cooling Fluid—it prolongs the life of blades and bits, and it prevents tool failure, but beyond that it’s a reminder to slow down and reduce the fric­tion in your work and relationships; Screw Before You Glue—mechanical fasteners allow you to change and modify a project while glue is forever but sometimes you just need the right glue, so I dig into which ones will do the job with the least harm and best effects. This toolbox also includes lessons from many other incredible makers and creators, including: Jamie Hyneman, Nick Offerman, Pixar director Andrew Stanton, Oscar-winner Guillermo del Toro, artist Tom Sachs, and chef Traci Des Jardins. And if everything goes well, we will hopefully save you a few mistakes (and maybe fingers) as well as help you turn your curiosities into creations. I hope this book serves as “creative rocket fuel” (Ed Helms) to build, make, invent, explore, and—most of all—enjoy the thrills of being a creator.
THE ESSENTIAL YEARLY GUIDE TO THE NEWEST VOICES IN SHORT FICTION "A book of gems, each one carrying its own particular clarity and cut, that teaches students of writing how limitless the short story form can be." —Marie–Helene Bertino, author of 2 A.M. at The Cat's Pajamas PEN America Best Debut Short Stories 2018 celebrates twelve outstanding stories by today’s most promising new fiction writers and the literary magazines that discovered them. The characters within these pages include a college dropout dressed up as Hercules at Disney World; a college graduate playing a prostitute in a ghost town in Montana; a father from Trinidad leading a double life on a temporary visa; and a housewife in Taipei perfectly performing her familial and marital duties while harboring secret desires. This year’s selections were made by three award–winning writers, themselves innovators of the short story form: Jodi Angel, Lesley Nneka Arimah, and Alexandra Kleeman. Each work is accompanied by commentary from the editors who first published it, explaining what made the piece stand out from the submissions pile, and why they were moved to share it with readers.
Ethan was abducted when he was just seven. Now, aged sixteen, he's finally back home. It's a miracle - at first. But as the tensions build and his family starts to crack again, can Ethan unearth the buried memory that holds the key to it all?
Best friend – Tree Tree gives us many things, And is home for creatures having wings. They live on it, Under which we sit. Men in olden days used wood, As fuel, to cook food. Trees release good amount of oxygen, And for growth take in nitrogen. Trees help to cool the atmosphere, Which is one of the earth's sphere. Tree is man's best friend And their friendship will stay up to the end. So it is our moral duty, To look after their beauty.
In the UK, the early 1970s were a time of innocence. Punk was what Clint Eastwood called a villain before he blew their head off, Maggie Thatcher was that nice lady with the funny hats and young people were actually paid to go to college and get educated. However change was afoot. Hot pants and the maxi had replaced the mini skirt, a guaranteed job after school was a thing of the past and the booming sixties had given way to the three day week and growing industrial unrest. The introduction of decimalisation had brought with it creeping inflation, household budgets were being stretched and one particular group of students, living in Englands sprawling Metropolis, were finding it increasingly difficult to make their student grant cover the cost of their beer, records, clothes and food (in that order), never mind pay for their accommodation and the occasional course book. Desperate measures were needed if they were to make their money stretch to the end of term. This is their story of survival. What others have to say about the book. Itll never make the Richard and Judy Booklist. (The authors mum) Who are Richard and Judy? (His dad) His expansive use of the English vernacular puts the author in the same esteemed company as Shakespeare, Milton and Dickens. (His agent) B#ll#cks (Charles Dickens)
New English Grammar Series
Ramiz Alkhishin, the author's alter ego, is a grocer. He has a passion for a life that is as independent as possible from its surroundings. To him the trendy' place to be in is the one to avoid, while the traditional' road to follow is the one to by-pass. He has already documented some of his thought-adventures in eight earlier books. The author, in his new book, The Whispering Molecules, listened to and recorded the whispers of a variety of inert composites. The result of this imaginary project was a series of forty six stand-alone story dialogues where these seemingly life-less objects express their human-like' observations as they go about undertaking their designated tasks. The author hopes that through these dialectic scenes the reader can enjoy a trip where absolutes are banned and doubt is a constant companion. When questioned why he dislikes absolutes so much, Ramiz responded by reciting the following dialogue he had overheard: Glass: You seem confused. What happened to you? Water: What do you mean? Glass: You were clear and transparent but no more so. Water: I paid the price for being naïve. Glass: How? Water: By thinking that a drop of ink is too small to affect me!