Download Free Herschell Gordon Lewis Godfather Of Gore Book in PDF and EPUB Free Download. You can read online Herschell Gordon Lewis Godfather Of Gore and write the review.

Without a big budget, special effects team, or professional actors and crew members, Herschell Gordon Lewis created films that he himself admits were trash. Yet, while Gordon's softcore porn (The Adventures of Lucky Pierre) and heavy-duty gore (The Gruesome Twosome) were never blockbuster films, they were popular drive-in fare in the sixties and seventies. They have had a strong influence over more recent productions, and they have created for Lewis his own special niche in the world of exploitation and horror film. The history of Lewis the man and the filmmaker is a surprising one. Behind titles like Blood Feast and The Gore-Gore Girls is a warm and friendly gentleman whose road to his own brand of film glory was paved with disappointments, surprising successes, and lots and lots of fake blood. His career is examined in detail, with personal anecdotes and insights into making really gross movies on really small budgets. A filmography is included, and photographs, many of them rare, complement the text.
Shows examples of good and poor copywriting, explains how to motivate potential buyers, and suggests ways to improve one's writing skills
Produce, direct, promote and sell your own chilling horror film with real-world advice from award-winning producer/director/writer Danny Draven! The second edition is completely updated with information on new technology, new exclusive interviews with industry pros, new photos and samples from the production of recent horror movies, new behind-the-scenes video, information on modern distribution methods and delivery and more! From the history of horror and the technique of the scare to pre-production and distribution, this complete, full-color guide to filmmaking uncovers all the insider secrets for creating your own spine-tingling horror film from start to finish. The 2nd Edition features all NEW interviews from industry professionals such as: Mick Garris (Sleepwalkers, Bag of Bones, Desperation, The Stand) John Ottman (Composer/Editor of X:Men: Days of Future Past, The Usual Suspects) Mark Ordesky & Jane Fleming (Producers of Lovely Molly, Exists) Kane Hodder (Jason from the Friday the 13th, part 7 to 10, Hatchet) Tibor Takacs (Director of The Gate, Spiders 3D, Megasnake) John Debney (Composer of Predators, Sin City, End of Days) Jojo Draven (Composer of Ghost Month, Reel Evil) Michael Berryman (The Hills Have Eyes, Weird Science) Mike Mendez (Director of The Gravedancers, Big Ass Spider!) Neal Marshall Stevens (Screenwriter of Thir13en Ghosts, Hellraiser: Deader) Chris Alexander (Editor in Chief of Fangoria Magazine) Jessica Cameron (Actress/Director of Truth or Dare) Denise Gossett (Founder of Shriekfest Film Festival) A newly updated companion website that features: *Behind the scenes videos for films films such as Puppet Master, Blood Dolls, Trancers, Subspecies, Reel Evil, Ghost Month and more! *A revised collection of horror movie trailers! * Sample scripts, schedules, storyboards, agreements and more! Other featured interviews include: James Wan (Saw, Insidious, The Conjuring) Robert Englund (Freddy from Nightmare on Elm Street) Robert Kurtzman (From Dusk Til Dawn) Stuart Gordon (Re-Animator, From Beyond, Dagon) Tom Savini (Night of the Living Dead) Lloyd Kaufman (Toxic Avenger) Charles Band (Parasite, Metalstorm, Ghoulies) John D. LeMay (Friday the 13th: The Series) David DeCoteau (Puppet Master 3, Sorority Babes in the Slimball Bowl-O-Rama) Debbie Rochon (Tromeo & Juliet) Reggie Bannister (Phantasm) Sam McCurdy (Director of Photography of Dog Soldiers, The Decent, The Hills Have Eyes 2) Nathan Barr (Composer of Hostel,True Blood, Hemlock Grove) Jim Dooley (Composer of When A Stranger Calls) Chuck Williams (Bubba Ho-Tep) Herschell Gordon Lewis (Blood Feast, Wizard of Gore) H.P. Lovecraft’s Notes on Writing Weird Fiction And many more...
A short story tribute to the films of legendary exploitation film director Herschell Gordon Lewis. MP Johnson (author) Jordan Krall (author) David C. Hayes (author) William D. Carl (author) Mark McLaughin (author) Michael Sheehan, jr. (author) L.L. Soares (author) Jeff Strand (author) Gregory Lamberson (author) Garrett Cook (author) Adam Cesare (author)
Exploitation filmmaker Herschell Gordon Lewis is credited with single-handedly creating the gore genre with the 1963 release Blood Feast. This low-budget shocker would ultimately influence nearly every horror movie which has followed, as well as "high-brow" films as varied The Wild Bunch and Reservoir Dogs. Lewis, dubbed "The Godfather of Gore," crafted more than thirty-five films in his ongoing career (the exact number varies depending on whom you talk to). Lewis would ultimately work in a number of genres, including gothic horror, drama, sexploitation, blaxploitation, and even musicals, and each of his low-budget productions features a singular style and vision that cannot be ignored. No matter what genre Lewis worked in, he remained at the forefront of cinematic trends and movements. In The Godfather of Gore Speaks: Herschell Gordon Lewis Discusses His Films, the filmmaker explains his choices and motivations - from concept to finished product - in much more detail than ever before. Assisted by noted film historian Andrew J. Rausch, Lewis shares often hilarious anecdotes and provides analysis for the thirty-nine films which he either directed or assisted with direction. "Herschell Gordon Lewis is known all over the world as 'The Wizard of Gore.' He's a whiz of a wiz in just about everything else, too, including, but not limited to, brain surgery, moonshine making, international diplomacy, auto body work, nuclear physics, and siding sales. He writes textbooks and does windows, and don't ever challenge him to a game of Scrabble." --David F. Friedman "Herschell Gordon Lewis is the man who put red meat into the American cinematic diet. Ultimately Herschell made Quentin Tarantino possible." --Joe Bob Briggs
Incredibly Strange Films is a functional guide to important territory neglected by the film-criticism establishment, spotlighting unhailed directors -- Hershell Gordon Lewis, Russ Meyer, Larry Cohen, Ray Dennis Steckler, Ted V. Mikels and others -- who have been critically consigned to the ghettos of gore and sexploitation films. In-depth interviews focus on philosophy while anecdotes entertain as well as illuminate theory. The guide includes biographies, genre overviews, filmographies, bibliography, quotations, an A-Z of film personalities, lists of recommended films, sources, index, as well as 172 photos.
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Paul Blaisdell was the man behind the monsters in such movies as The She Creature, Invasion of the Saucer Men, Not of This Earth, It! Terror from Beyond Space and many others. Working in primarily low-budget films, Blaisdell was forced to rely on greasepaint, guts and, most importantly, an unbounded imagination for his creations. From his inauspicious beginning through The Ghost of Dragstrip Hollow (1959), the construction of Blaisdell's monsters and the making of the movies in which they appeared are fully detailed here. Blaisdell's work in the early monster magazines of the 1960s is also covered.
Harangue for Hollywood! From the blighted urban squalor of Detroit--Paris of the Midwest--came enfant terrible Mike White and his mutant publication, Cashiers du Cinemart. For fourteen years and fifteen issues the writers of Cashiers du Cinemart provided a treasure trove of writing on film and popular culture. This book collects the best articles from the fifteen year history of Cashiers du Cinemart magazine with sections dedicated to Quentin Tarantino, Star Wars, Black Shampoo, Unproduced screenplays, celebrity interviews, and much more. Everything has been refreshed, polished, and improved for this volume of movie mayhem.
A taste Of Blood is a definitive study which not only chronicles Lewis' career as the master of exploitation, but also contains interviews with him and many of his former collaborators, including David F Friedman, Bill Rogers, Daniel Krogh, Mal Arnold and Hedda Lubin. These are interwoven with commentary, extremely rare photographs, ad mats, production stills, posters, and thorough synopsis of each Lewis' three dozen influential films.