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There was a bright moon three feet above his head, and an azure dragon embroidered on his sleeves. Riding a horse with a sword, indulging in unbridled pleasures, roaming the Jianghu with his lover.
The richness and the range of Native American spirituality has long been noted, but it has never been examined so thoroughly, nor with such an eye for the amazing interconnectedness of Indian tribal ceremonies and practices, as in An Archaeology of the Soul. In this monumental work, destined to become a classic in its field, Robert Hall traces the genetic and historical relationships of the tribes of the Midwest and Plains--including roots that extend back as far as 3,000 years. Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.
While researching the 2012 end-date of the Maya Calendar, John Major Jenkins decoded the Maya's galactic cosmology. The Maya discovered that the periodic alignment of the Sun with the center of the Milky Way galaxy is the formative influence on human evolution. These alignments also define a series of World Ages. The fourth age ends on December 21, 2012, when an epoch chapter in human history will come to an end. Maya Cosmogenisis 2012 reveals the Maya's insight into the cyclic nature of time, and prepares us for our own cosmogenesis--the birth of a new world.
Earth’s past and future are altered by twenty-fourth-century time travelers in this “significant work of science fiction” from the author of Arkwright (Rocky Mountain News). Chrononaut Franc Lu has come a long, long way—from the twenty-fourth century, in fact—to be in New Jersey on the evening of May 6, 1937. Traveling four hundred years into the past, he and his partner have been sent by the Chronospace Research Centre to observe the infamous explosion of the zeppelin Hindenburg. But when the German airship touches down safely on the airfield in Lakehurst, Lu realizes that something has gone terribly wrong—or rather, horribly right. His presence at the landing has set in motion an alternate historical timeline, and now everything will be different, though not necessarily in a good way. The consequences of Lu’s mistake could prove catastrophic for every living soul on Earth, now and forever, unless the past and the future are somehow repaired—and that is a burden destined to fall on the shoulders of visionary NASA scientist and wannabe science fiction author Dr. David Zachary Murphy. An expansion of his Hugo Award–winning novella “ ‘. . . Where Angels Fear to Tread,’ ” Allen Steele’s Time Loves a Hero is at once thrilling, surprising, startling, and thoughtful—a mind-blowing masterwork of speculative fiction that radically reimagines time travel, alien contact, alternate history, and a host of other well-worn science fiction tropes.
Tookey’s Turkeys identifies the worst 144 movies of the last 25 years. Christopher Tookey has seen at least 10,000 films. For eight years, he was TV and then film critic for theSunday Telegraph. For twenty years, he was sole film critic for the Daily Mail and the world’s most popular internet newspaper, Mail Online. In 2013, he won the award Arts Reviewer of the Year from the London Press Club. This is a book about 144 of Christopher’s least favourite movies. In his opinion, the movies we hate tell us as much about present-day culture as our favourites. All offer insights into the mindset of those who made or commissioned them. Virtually all make us aware of things we might rather not know about our “culture” and “values”, or lack thereof. Technically, movies are more advanced than ever before; yet, paradoxically, seldom have so many wrongheaded movies been made. And never have they plumbed the depths of ineptitude, depravity and risibility that they have over the last 25 years. The choice of films Christopher has disliked over the past two and a half decades may be controversial. Some movies he finds ridiculous have achieved critical acclaim. A few have won Oscars. But the fact that The Da Vinci Code, The Hangover II and Star Wars: Episode III – Revenge of the Sith are among the most commercially successful movies of all time should not disguise the fact that they are also, in his opinion, bloody awful. Tookey’s Turkeys will appeal greatly to the general reader and in particular to all film fans, including those who have followed Christopher’s reviews over the years. In a companion volume, Tookey’s Talkies, Christopher has written about the best 144 films that he has seen over the same period. Featured in The Bookseller, March 2015 Non-Fiction picks, Film, TV & the Performing Arts.
First published in 1997, this is the first of two volumes. It looks at the process of European expansion which brought into contact societies and cultures across the world which had been initially alien to one another. Conflict, and violent conflict, was one aspect of this interaction, but accommodation, mutual adaptation, and institutional and behavioural synthesis were also present though often biased in favour of European norms. The intent of this book is to avoid treating ’colonization’, ’dominance’ and exploitation’ as the only focuses of attention. In the first volume Robert Forster explores issues of formative influences, the impact of Eurocentrism on historiography and the reaction against it, and the differing approaches and perceptions of the Europeans, notably the Spanish, French and English. In this period he distinguishes three modes of interaction: that of the trading empires, generally in Africa and Asia, where the European control of the encounter was slighter; and those of the regions of settlement, as in North America, and of exploitation, typified by the Caribbean, where the European impact was profound. The second volume focuses on the Americas, and uses the topics of religion, class, gender, and race as its points of entry.