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The book introduces the print-series Taiheiki eiyū den or Heroic Biographies from the 'Tale of Grand Pacification', designed by Utagawa Kuniyoshi (1797–1861), who is considered the founder of the heroic genre in Japanese prints. The series is devoted to the final years of the sixteenth century civil wars and the key figure of the day, Toyotomi Hideyoshi (1536?–98). All fifty prints of the series are reproduced in full color. Each print is accompanied by a translation of the extensive texts incorporated into the composition and detailed historical and cultural commentaries. The introductory essay reviews the peculiarities of Kuniyoshi’s warrior images, explores the roots of Toyotomi Hideyoshi’s popularity and discusses the texts in the prints as a source of information on the late medieval warriors’ outlook and battlefield practices.
A selection of one hundred masterpieces by Kawase Hasui (1883-1957), one of the most important Japanese landscape artists of the twentieth century. Large full colour illustrations show the enormous variety of snow, moon and rain scenes for which Hasui became famous. Introduction to Kawase Hasui by Ken Brown. (See also our publication 'Kawase Hasui The complete woodblock prints', 2003). Kawase Hasui (1883-1957) is considered one of the most important Japanese landscape artists of the 20th century. His prints, produced under the guidance and stern eye of his publisher, Watanabe Shôzaburô, are the modern continuation of the unforgettable works by Hiroshige and Hokusai, the 19th-century masters of this genre. As none other, he could evoke Japan of the eventful interwar period. Hasui's work enjoyed huge popularity from his very first print of 1918. In contrast to his illustrious 19th-century predecessors, his work was immediately successful in the rest of the world. His publisher, Watanabe Shôzaburô, recognised the enormous potential of the American market, which resulted in Hasui's prints fetching high prices at auctions in New York as early as the 1920s. After the Second World War, his prints were highly desired and sought after collectible items among the American occupying forces in Japan. Hasui's work has always been greatly appreciated in Japan: He was acknowledged as a 'Living National Treasure' in 1956.
This study examines the significance of the archetypal heroes and heroines of Japanese cinema and traces both their prior development in literature, drama, and folklore, and their subsequent variations in popular culture.
In cooperation with the Chazen Museum of Art, Madison, Wisconsin, Hotei Publishing is preparing the publication of Competition and Collaboration. Japanese Prints of the Utagawa School. This publication will be published along with the traveling exhibition organized by the Chazen Museum of Art on prints of the Utagawa school, well known through famous artists as Toyokuni, Hiroshige, Kunisada and Kuniyoshi. The exhibition will consist of approximately 150 works from the Chazen Museum of Art's Van Vleck collection of Japanese woodblock prints and the catalogue will illustrate 216 prints from the collection along with extensive descriptions. The exhibition will be on view at the Chazen from November 3, 2007 to January 6, 2008 before traveling to other venues.
The last decades of the eighteenth century gave rise to an explosion of literary activity in Edo (now Tokyo) that lasted until the mid-nineteenth century, with an army of writers producing prodigious quantities of fiction. This study traces the life and literary career of Shikitei Sanba (1776-1882), a writer in the mainstream of that generation, the author of more than one hundred works of fiction, many in comic veins. This book-length critical treatment of a major writer of gesaku(playful compositions) is a welcome breakthrough, since Samba's life, his era of literary activity, and the popular genres in which he worked have received scant treatment in English. Robert Leutner describes Sanba as a representative writer within a literary scene shifting from amateur to professional and becoming increasingly commercial. The text is enhanced by Leutner's translations of excerpts from Sanba's various writings and culminates in two long passages in original translations, fully annotated, of Ukiyoburo, "The Bathhouse of the Floating World," one of Sanba's best-known works. In "The Men's Bath" and "The Women's Bath" readers will encounter an array of Edo types. Their informal conversations convey the qualities of humor, the sociological characteristics, and much of the flavor of life in Sanba's Edo.
Excerpt from Heroes of the Nations Dear Girls and Boys: You have been working away with the queer, crooked marks printed in books until now you know how to read. How many splendid stories are waiting for you! To be sure they are locked up in books, but whoever can read has the magic key which opens the books. Will you enjoy this book? That depends upon what you like. Some of these stories are about girls and boys. Most of them learned to read and write, though their languages were very different from ours. They enjoyed fine stories as you do. Brave Joan of Arc could not read; but she could pray; and her prayers saved France. Of course you love your mother and father very dearly, and they love you. So you will understand why Ulysses went to war rather than hurt his baby boy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
V.1. Historical perspectives. The Edo period, 1603-1868 / Harold Bolitho ; The Meiji to Taisho ; eras, 1868-1926 / Ann Waswo -- The history of Japanese prints -- The Edo period, 1603-1868. The roots of ukiyo-e: its beginnings to the mid-eighteenth century / Donald Jenkins ; Ukiyo-e book illustration / Yu-Ying Brown ; Shunga in the Edo period / Timon Screech ; The Kanbun Bijin: setting the stage for ukiyo-e bijinga / Kobayashi Tadashi ; Chinese woodblock prints and their influence on Japanese ukiyo-e / Hans Bjarne Thomsen ; The birth of the full-color print: Suzuki Harunobu and his age, early 1740s to early 1780s / David Waterhouse ; The Yoshiwara and ukiyo-e / Cecilia Segawa Seigle ; Mitate in ukiyo-e prints / Ellis Tinios ; Kabuki: its history as seen in ukiyo-e / Samuel L. Leiter ; Kitagawa Utamaro and his contemporaries, 1780-1804 / Julie Nelson Davis ; Sumo prints / Lawrence Bickford ; Kyōka and ukiyo-e print designers / John T. Carpenter ; The publisher Tsutaya Jūzaburō and ukiyo-e publishing / Suzuki Toshiyuki ; Ukiyo-e meisho-e / Gary Hickey ; Diversification and further popularization of the full-colour woodblock print, c. 1804-68 / Ellis Tinios ; Surimono / Roger S. Keyes ; Nagasaki-e / Martha Chaiklin ; Kamigata-e: the prints of Osaka and Kyoto / Kitagawa Hiroko ; Shini-e / Melinda Takeuchi ; Warrior prints of the first half of the nineteenth century and the Suikoden / B.W. Robinson -- The Meiji era, 1868-1912. Woodblock prints of the Meiji era / Helen Merritt ; The maintenance of tradition in the face of contemporary demands: a reassessment of Meiji prints / Oikawa Shigeru ; Yokahama-e / Helen Merritt, Oikawa Shigeru ; Photography and ukiyo-e prints / Margarita Winkel ; Woodblock prints as a medium of reportage: the Sino-Japanese and Russo-Japanese Wars / Louise Virgin -- The late Meiji to Taishō eras, 1900s to 1926. Prints and modernity: developments in the early twentieth century / Kendall Brown ; The publisher Watanabe Shozoburo and the Shin-hanga movement: its beginnings until the 1930s / Abe Setsuko ; Creative print (Sosaku-hanga) magazines / Chiaki Ajioka -- Commerce and constraint in the world of publishing. The publishing trade / P.F. Kornicki ; Censorship and ukiyo-e prints / Sarah E. Thompson -- Materials and techniques: issues of conservation and collecting. Materials and techniques / Shiho Sasaki ; The care of Japanese prints / Pauline Webber ; Collecting ukiyo-e prints: issues of quality, condition and rarity / Chris Uhlenbeck ; The original versus the genuine / Chris Uhlenbeck -- The history of collecting Japanese prints. Ukiyo-e collecting in Japan / Oikawa Shigeru ; Japanese prints in Europe, 1860-1930 / Max Put ; Postwar ukiyo-e collecting in Europe / Robert Schaap ; Ukiyo-e print collecting in America / Julia Meech.V.2. Reference section -- Artist index -- Lineage charts -- Chronological/historical tables -- Map of former Japanese provinces and the Gokaido -- Signature facsimiles -- Censor seals -- Publisher seals -- Appendices. List of works released by Shin-hanga publisher Watanabe Shozaburo ; Pre-nishiki-e and Nishiki-e formats ; Elements of a print -- Concordance of artists' names (with Japanese characters).505.
Kuniyoshi was a master of the warrior woodblock print — and these 18th-century illustrations represent the pinnacle of his craft. Full-color portraits of renowned Japanese samurais pulse with movement, passion, and remarkably fine detail.
This pioneering collection of 15 essays argues that Japan's medieval age began in the 14th century rather than the 12th, and marks the beginning of a fundamentally new debate about how Japan's lengthy classical period finally ended.