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Examines, through the lives of five important English and French figures, the history of the exploration and colonization of Africa between 1870 and 1914, and the role the mass media played in promoting colonial conquest.
Over the past decade, literary scholars have become increasingly engaged with colonial studies and have fashioned various points of focus in their investigations of imperialist narratives, including the figure of woman, cannibalism, the romance of the first encounter, and the tropicopolitan. This book builds on existing work by offering a new focal point: the evolution of the British imperial hero in America from Sir Walter Ralegh's Discoverie of... Guiana (1596) to James Grainger's The Sugar Cane (1764), with concentration on narratives produced between the year of Cromwell's Western Design (1655) and the British raid on Cartegena (1741). Each individual chapter isolates a distinct type of colonial hero, furnishing examples from a wide variety of narratives, including some nonfiction essays and tracts, but chiefly novels, plays, and poems.
An analysis of the builders of the British Empire, how they were represented in popular culture of the day, and how that vision has changed over time. From the sixteenth until the twentieth century, British power and influence gradually expanded to cover one quarter of the world’s surface. The common saying was that “the sun never sets on the British Empire.” What began as a largely entrepreneurial enterprise in the early modern period, with privately run joint stock trading companies such as the East India Company driving British commercial expansion, by the nineteenth century had become, especially after 1857, a state-run endeavour, supported by a powerful military and navy. By the Victorian era, Britannia really did rule the waves. Heroes and Villains of the British Empire is the story of how British Empire builders such as Robert Clive, General Gordon, and Lord Roberts of Kandahar were represented and idealised in popular culture. The men who built the empire were often portrayed as possessing certain unique abilities which enabled them to serve their country in often inhospitable territories and spread what imperial ideologues saw as the benefits of the British Empire to supposedly uncivilised peoples in far flung corners of the world. These qualities and abilities were athleticism, a sense of fair play, devotion to God, and a fervent sense of duty and loyalty to the nation and the empire. Through the example of these heroes, people in Britain, and children in particular, were encouraged to sign up and serve the empire or, in the words of Henry Newbolt, “Play up! Play up! And Play the Game!” Yet this was not the whole story: while some writers were paid up imperial propagandists, other writers in England detested the very idea of the British Empire. And in the twentieth century, those who were once considered as heroic military men were condemned as racist rulers and exploitative empire builders.
In the twentieth century, the British Crown appointed around a hundred thousand people - military and civilian - in Britain and the British Empire to honours and titles. For outsiders, and sometimes recipients too, these jumbles of letters are tantalizingly confusing: OM, MBE, GCVO, CH, KB, or CBE. Throughout the century, this system expanded to include different kinds of people, while also shrinking in its imperial scope with the declining empire. Through these dual processes, this profoundly hierarchical system underwent a seemingly counter-intuitive change: it democratized. Why and how did the British government change this system? And how did its various publics respond to it? This study addresses these questions directly by looking at the history of the honours system in the wider context of the major historical changes in Britain and the British Empire in the twentieth century. In particular, it looks at the evolution of this hierarchical, deferential system amidst democratization and decolonization. It focuses on the system's largest-and most important-components: the Order of the British Empire, the Knight Bachelor, and the lower ranks of other Orders. By creatively analysing the politics and administration of the system alongside popular responses to it in diaries, letters, newspapers, and memoirs, Tobias Harper shows the many different meanings that honours took on for the establishment, dissidents, and recipients. He also shows the ways in which the system succeeded and failed to order and bring together divided societies.
This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.