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"Héroes imigrantes, es el despertar día a día inteligentemente," este es el comienzo de una cadena de libros que si la justicia universal me permite, y me devuelve rápidamente las frecuencias que he enviado voy a estar presentándoles a ustedes la más sofisticada lectura antes escrita, cada libro traerá la historia de un héroe imigrante de cualquier parte del mundo. Es un manual que ayudara a despertar al espíritu que habita dentro de cada uno de los seres humanos que estamos de paseo por la vida, un manual lleno de conocimientos que lograran abrir los ojos de los corazones de aquellos que traen la humildad y el amor bien arraigado en las raíces que lo conectan al sentir de la vida, conocimientos valiosos acerca de cómo debemos pasar por la transitorial existencia con serenidad, paciencia y optimismo, logrando disfrutar al máximo de las maravillas del universo y su naturaleza. Unas páginas llenas de sabiduría, llenas de la esperanza que te da la seguridad de poder lograrlo todo, pero todo depende de ti!!, de que tanto empeño le pongas al aprender, al analizar, al escudriñar, al desojar las enseñanzas que se presentan día a día mientras dura tu viaje por estas tierras nuevas que están llenas de secretos, los cuales debemos descubrir, estudiar y extraer todo el provecho necesario para nuestro crecimiento material, intelectual y espiritual. En este libro se habla un lenguaje bien sencillo, por que se necesita que todos puedan entender correctamente la idea que aquí planteamos, para que así puedan con facilidad adoptarlas en sus vidas diarias y puedan compartirlas con otros enseñando el fácil y elogioso camino a seguir, aquí revelamos la gran capacidad que tiene la mente humana y la gran fuerza que desarrolla cuando se unen a las poderosas energías del universo y su creación. También damos las más elementales claves para conseguir vivir una existencia completamente placentera, sin dolores ni molestias, porque aplicando estas sencillas y valiosa cualidades, te darás cuenta de que estas aquí de paso, tan solo para aprender, tan solo para hacer crecer tu mente, tu alma, y tu espíritu, para hacerte mejor cada día, recuerda que tu meta es alcanzar la perfección. Estas aquí para hacerte feliz! No; para sufrir, estas aquí para reír! No: para llorar, para crecer! No: para disminuirte, para amar! No: para odiar, para unir! No; para separar, para aprender! Y no; para embrutecerte en tu materia transitoria y llena de tabúes. Por eso insisto en que seas vulnerable, en que seas autentico, en que seas humilde y sereno. La sencillez sólo la posee él que va por la vida con la alegría de poder ser capaz de amar y perdonar. El héroe, tiene el don de la inteligencia, camina con la frente erguida, con su corazón abierto y sus manos extendidas en la espera de los que pasan con la necesidad de la ayuda que les pueda proporcionar una mano amiga, esta siempre alerta con la tecnología y con cualquier cambio físico de la naturaleza, esta siempre dispuesto a colaborar con todo lo que sea en bien para el universo y su creación.
Long considered a classic in Bolivia, Juan de la Rosa tells the story of a young boy's coming of age during the violent and tumultuous years of Bolivia's struggle for independence. Indeed, in this remarkable novel, Juan's search for his personal identity functions as an allegory of Bolivia's search for its identity as a nation. Set in the early 1800s, the novel is narrated by one of the last surviving Bolivian rebels, octogenarian Juan de la Rosa. Juan recreates his childhood in the rebellious town of Cochabamba, and with it a large cast of full bodied, Dickensian characters both heroic and malevolent. The larger cultural dislocations brought about by Bolivia's political upheaval are echoed in those experienced by Juan, whose mother's untimely death sets off a chain of unpredictable events that propel him into the fiery crucible of the South American Independence Movement. Outraged by Juan's outspokenness against Spanish rule and his awakening political consciousness, his loyalist guardians banish him to the countryside, where he witnesses firsthand the Spaniards' violent repression and rebels' valiant resistance that crystallize both his personal destiny and that of his country. In Sergio Gabriel Waisman's fluid translation, English readers have access to Juan de la Rosa for the very first time.
"Perspectives on Personality describes a range of viewpoints that are used by personality psychologists today, and helps students understand how these viewpoints can be applied to their own lives. Authors Charles Carver and Michael Scheier dedicate a chapter to each major perspective, presenting an overview on the perspective's orienting assumptions and core themes and concluding with a discussion of problems within that theoretical viewpoint and predictions about its future prospects. The Eighth edition incorporates several important recent developments in the field, including genetics and genomics and the biological underpinnings of impulsiveness"--Back cover
Ángel Rama was one of twentieth-century Latin America's most distinguished men of letters. Writing across Cultures is his comprehensive analysis of the varied sources of Latin American literature. Originally published in 1982, the book links Rama's work on Spanish American modernism with his arguments about the innovative nature of regionalist literature, and it foregrounds his thinking about the close relationship between literary movements, such as modernism or regionalism, and global trends in social and economic development. In Writing across Cultures, Rama extends the Cuban anthropologist Fernando Ortiz's theory of transculturation far beyond Cuba, bringing it to bear on regional cultures across Latin America, where new cultural arrangements have been forming among indigenous, African, and European societies for the better part of five centuries. Rama applies this concept to the work of the Peruvian novelist, poet, and anthropologist José María Arguedas, whose writing drew on both Spanish and Quechua, Peru's two major languages and, by extension, cultures. Rama considered Arguedas's novel Los ríos profundos (Deep Rivers) to be the most accomplished example of narrative transculturation in Latin America. Writing across Cultures is the second of Rama's books to be translated into English.
A young mother learns to survive among the snakes, sleaze, and slums of Buenos Aires.
Developing a phenomenology of the animal other through contemporary art
A rigorous and comprehensive account of recent democratic transitions around the world From the 1980s through the first decade of the twenty-first century, the spread of democracy across the developing and post-Communist worlds transformed the global political landscape. What drove these changes and what determined whether the emerging democracies would stabilize or revert to authoritarian rule? Dictators and Democrats takes a comprehensive look at the transitions to and from democracy in recent decades. Deploying both statistical and qualitative analysis, Stephen Haggard and Robert Kaufman engage with theories of democratic change and advocate approaches that emphasize political and institutional factors. While inequality has been a prominent explanation for democratic transitions, the authors argue that its role has been limited, and elites as well as masses can drive regime change. Examining seventy-eight cases of democratic transition and twenty-five reversions since 1980, Haggard and Kaufman show how differences in authoritarian regimes and organizational capabilities shape popular protest and elite initiatives in transitions to democracy, and how institutional weaknesses cause some democracies to fail. The determinants of democracy lie in the strength of existing institutions and the public's capacity to engage in collective action. There are multiple routes to democracy, but those growing out of mass mobilization may provide more checks on incumbents than those emerging from intra-elite bargains. Moving beyond well-known beliefs regarding regime changes, Dictators and Democrats explores the conditions under which transitions to democracy are likely to arise.
Animals have always been compelling subjects for artists, but the rise of animal advocacy and posthumanist thought has prompted a reconsideration of the relationship between artist and animal. In this book, Steve Baker examines the work of contemporary artists who directly confront questions of animal life, treating animals not for their aesthetic qualities or as symbols of the human condition but rather as beings who actively share the world with humanity. The concerns of the artists presented in this book—Sue Coe, Eduardo Kac, Lucy Kimbell, Catherine Chalmers, Olly and Suzi, Angela Singer, Catherine Bell, and others—range widely, from the ecological to the philosophical and from those engaging with the modification of animal bodies to those seeking to further the cause of animal rights. Drawing on extensive interviews he conducted with the artists under consideration, Baker explores the vital contribution that contemporary art can make to a broader conception of animal life, emphasizing the importance of creativity and trust in both the making and understanding of these artworks. Throughout, Baker is attentive to issues of practice, form, and medium. He asks, for example, whether the animal itself could be said to be the medium in which these artists are working, and he highlights the tensions between creative practice and certain kinds of ethical demands or expectations. Featuring full-color, vivid examples of their work, Artist Animal situates contemporary artists within the wider project of thinking beyond the human, asserting art’s power to open up new ways of thinking about animals.