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I wish there was sumtin I can do to free us from the fear of being discovered who woulda thought that to save the world, Id have to be the monster to destroy it first. I didnt know where my decisions would take me, I didnt know who Id meet on the way, and least of all I didnt know what the outcome would be Religion, what a bunch of bullshit the government just another form of religion if you ask me whatever I have to do, Im gonna do it, Im tired of living a life where I have to hide my powers were all tired of hiding this is our chance to do sumtin, this is gonna be our time now, and Ill never back down. -Edge.
Owlette, Catboy, and Gekko show young fans what being a hero is all about in this board book with fabric wings on the cover! This book is based on PJ Masks, the hit preschool series airing on Disney Junior! Being a hero isn’t about having superpowers. It’s about being kind, helping others, and doing your best. Catboy, Owlette, and Gekko are heroes. You can be a hero, too! PJ Masks © Frog Box / Entertainment One UK Limited / Walt Disney EMEA Productions Limited 2014
A stunning collection of plays from Pulitzer Prize-winning playwright Suzan-Lori Parks that captures the societal rupture of the early days of the COVID-19 pandemic. On March 13, 2020, as theaters shut their doors and so many of us went into lockdown, Suzan-Lori Parks picked up her pen and set out to write a play every day. What emerged is a breathtaking chronicle of our collective experience throughout the troubling days and nights that followed. Plays for the Plague Year is at once a personal story of one family's daily lives, as well as a sweeping account of all we faced as a city, a nation, and a global community. Parks' groundbreaking new work is brimming with humanity, bears witness to what we’ve experienced, and offers inspiration as we look ahead.
It's a bad time to be a superhero. When the world turned its back on metahumans, the golden age of superheroes came crashing down. But now a mysterious supercriminal is making one final bid for power, and with no one else left to protect the world, ex-hero Spook must risk everything to take him down. There will be no reprieve, no negotiation. War is coming. Put on the mask. There's work to be done. Chris Strange presents a stunning, no-holds-barred superhero adventure that will lure you in and knock you out. This is the novel superhero fans have been waiting for.
Over the last few centuries, science has usurped domains of knowledge that were once the province of religion. At the same time, however, both science and religion have enforced strict boundaries throughout. Science can describe the world to us, but it cannot tell us about meaning or values. This is a compelling case for breaching this barrier - in effect, for a reunification of science and religion.
A man and woman find their genders and sexualities brought radically into question when their bodies sprout new parts, seemingly out of thin air…. A man travels from Japan to Latin America in search of revolutionary purpose and finds much more than he bargains for…. A journalist investigates a poisoning at an elementary school and gets lost in an underworld of buried crimes, secret societies, and haunted forests…. Two young killers, exiled from Japan, find a new beginning as resistance fighters in Peru…. These are but a few of the stories told in We, the Children of Cats, a new collection of provocative early works by Tomoyuki Hoshino, winner of the 2011 Kenzaburo Oe Award in Literature and author of the powerhouse novel Lonely Hearts Killer (PM Press, 2009). Drawing on sources as diverse as Borges, Nabokov, Garcia-Marquez, Kenji Nakagami and traditional Japanese folklore, Hoshino creates a challenging, slyly subversive literary world all his own. By turns teasing and terrifying, laconic and luminous, the stories in this anthology demonstrate Hoshino’s view of literature as “an art that wavers, like a heat shimmer, between joy at the prospect of becoming something else and despair at knowing that such a transformation is ultimately impossible…a novel’s words trace the pattern of scars left by the struggle between these two feelings.” Blending an uncompromising ethical vision with exuberant, freewheeling imagery and bracing formal experimentation, the five short stories and three novellas included in We, the Children of Cats show the full range and force of Hoshino’s imagination; the anthology also includes an afterword by translator and editor Brian Bergstrom and a new preface by Hoshino himself.
Cazzarola! is a gripping, epic, political, historical, and romantic novel spanning 130 years in the life of the Discordias, a fictional family of Italian anarchists. It details the family’s heroic, multigenerational resistance to fascism in Italy and their ongoing involvement in the anarchist movement. From early 20th-century factory strikes and occupations, armed anarchist militias, and attempts on Mussolini’s life, to postwar student and labor protest, and confronting the newest wave of contemporary neofascist violence sweeping Europe, the Discordias navigate the decades of political, economic, and social turmoil. Against this historical backdrop, Antonio falls in love with Cinka, a proud but poverty-stricken Romani refugee from the “unwanted people,” without a country or home, forced to flee again and again searching for peace. Theirs becomes a life-changing and forbidden relationship. Both are forced to reevaluate their lives and contend with cultural taboos, xenophobia, and the violent persecution of Romani refugees in Italy today.
An Australian Book Review Best Book of the Year One of France’s most famous historians compares two exemplars of political and military leadership to make the unfashionable case that individuals, for better and worse, matter in history. Historians have taught us that the past is not just a tale of heroes and wars. The anonymous millions matter and are active agents of change. But in democratizing history, we have lost track of the outsized role that individual will and charisma can play in shaping the world, especially in moments of extreme tumult. Patrice Gueniffey provides a compelling reminder in this powerful dual biography of two transformative leaders, Napoleon Bonaparte and Charles de Gaulle. Both became national figures at times of crisis and war. They were hailed as saviors and were eager to embrace the label. They were also animated by quests for personal and national greatness, by the desire to raise France above itself and lead it on a mission to enlighten the world. Both united an embattled nation, returned it to dignity, and left a permanent political legacy—in Napoleon’s case, a form of administration and a body of civil law; in de Gaulle’s case, new political institutions. Gueniffey compares Napoleon’s and de Gaulle’s journeys to power; their methods; their ideas and writings, notably about war; and their postmortem reputations. He also contrasts their weaknesses: Napoleon’s limitless ambitions and appetite for war and de Gaulle’s capacity for cruelty, manifested most clearly in Algeria. They were men of genuine talent and achievement, with flaws almost as pronounced as their strengths. As many nations, not least France, struggle to find their soul in a rapidly changing world, Gueniffey shows us what a difference an extraordinary leader can make.
In the dim twilight preceding the dawn of Indian literature the historical imagination can perceive the forms of Aryan warriors, the first Western conquerors of Hindustan, issuing from those passes in the north-west through which the tide of invasion has in successive ages rolled to sweep over the plains of India. The earliest poetry of this invading race, whose language and culture ultimately overspread the whole continent, was composed while its tribes still occupied the territories on both sides of the Indus now known as Eastern Kabulistan and the Panjab. That ancient poetry has come down to us in the form of a collection of hymns called the Rigveda. The cause which gathered the poems it contains into a single book was scientific and historical. The number of hymns comprised in the Rigveda, in the only recension which has been preserved, that of the Çakala school, is 1017, or, if the eleven supplementary hymns (called Valakhilya) which are inserted in the middle of the eighth book are added, 1028. These hymns are grouped in ten books, called mandalas, or "cycles," which vary in length, except that the tenth contains the same number of hymns as the first. In bulk the hymns of the Rigveda equal, it has been calculated, the surviving poems of Homer.