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In The Shape of Herodotean Rhetoric, Vasiliki Zali offers a fresh assessment of Herodotus’ rhetorical awareness. Redressing the usual view that considers Thucydides as a significant jump from earlier authors in the rhetorical tradition, Zali attempts to find a place for Herodotus. The volume explores the direct and indirect speeches in Herodotus’ fifth to ninth books, focusing in particular on the ways in which they highlight two major narrative themes: the fragility of Greek unity and the problematic Greco-Persian polarity. Through discussion of case studies and Herodotus’ literary background, Zali brings Herodotus’ sophisticated rhetorical system to life, examines the ways in which this system affects Herodotus’ authority, and demonstrates that Herodotus occupies a crucial place in the development of rhetoric.
This volume is dedicated to the logos of Cambyses at the beginning of Book 3 in Herodotus' Histories, one of the few sources on the Persian conquest of Egypt that has not yet been exhaustively explored in its complexity. The contributions of this volume deal with the motivations and narrative strategies behind Herodotus' characterization of the Persian king but also with the geopolitical background of Cambyses' conquest of Egypt as well as the reception of the Cambyses logos by later ancient authors. "Herodotean Soundings: The Cambyses Logos" exemplifies how a multidisciplinary approach can contribute significantly to a better understanding of a complex work such as Herodotus' Histories.
Focusing on the depiction of the natural world in Herodotus' Histories, this volume explores the fluid and complex network of spatial relationships that emerges from his narrative, examining its significance for the analysis of focalization in the work and for understanding the role of geography in the shaping of successive empires.
A sharp analysis of how Herodotus' narrative participates in the rhetoric of shaping public attitudes about the present
Herodotus has so often been called, since ancient times, the father of history that this title has blinded us to the question: Was the father of history an historian? Everyone knows that the Greek word from which 'history' is derived always means inquiry in Herodotus. His so-called Histories are in quiries, and by that name I have preferred to call them. His inquiries partly result in the presentation of events that are now called 'historical'; but other parts of his inquiry would now belong to the province of the anthro pologist or geographer. Herodotus does not recognize these fields as distinct; they all belong equally to the subject of his inquiry, but it is not self-evident what he understands to be his subject: the notorious difficulties in the proemium are enough to indicate this. If his work presents us with so strange a mixture of different fields, we are entitled to ask: Did Herodotus under stand even its historical element as we understand it? Without any proof everyone, as far as I am aware, who has studied him has assumed this to be so.
This collection of original essays examines innovations in both the theory and practice of classical philology. The chapters address interdisciplinary methods in a variety of ways. Some apply theoretical insights derived from other disciplines, such as folklore studies, performance theory, feminist criticism, and the like, to classical texts. Others examine the relationships between classics and cultural studies, popular literature, film, art history, and other related disciplines. Others, again, look to the evolution of theoretical methods within the discipline of classics. Taken together, the essays offer a spectrum of new approaches in the classics and their place within the profession.
"Herodotus and Imperial Greek Literature is the first monograph devoted to the reception of Herodotus among Imperial Greek writers. Using a broad reception model and focused largely on texts outside of historiography proper, this book analyzes the entanglements of criticism and imitation in select works by Dionysius of Halicarnassus, Plutarch, Dio of Prusa, Lucian, and Pausanias. It offers a new angle on Herodotus's intellectual afterlife, channeled through evocations both explicit and implicit in literary criticism, the moral essay, public oration, satire and periegetic literature. Herodotus and Imperial Greek Literature shifts focus from reputation only - what ancient authors explicitly had to say about Herodotus - toward the kinetic interrelation between Herodotus's reputation and his active reworking across genre and mode. It demonstrates how Herodotus was strategically construed and often implicitly summoned - as fabulist, classicist, moralizer, and evasive intellectual - and how such Herodotean presences played to the wider purposes of Imperial writers. Herodotus became a touchstone for writers concerned with a nimbus of questions that the Histories first helped to articulate. Imperial Greeks found Herodotus useful in puzzling through questions of authorial persona, mimesis, the relationship between aesthetic and ethical criticism, the self, and the contingent definitions of Hellenism under Rome. Ultimately, Herodotus and Imperial Greek Literature widens an incomplete reception history and reads bi-focally, examining how attention to the presence of Herodotus in various texts unveils new layers of meaning in those works, while also showing how ancient receptions offer insight into the Histories"--
In a series of literary studies, Priestley explores some of the earliest ancient responses to Herodotus' Histories through the extant written record of the early and middle Hellenistic period. Responses to the Histories were rich and varied, and the range of Hellenistic writers responding in different ways to Herodotus' work is in part a reflection of the Histories'own broad scope. The Histories remained relevant in this later age and continued to speak meaningfully to a broad range of readers long after Herodotus' death. Herodotus and Hellenistic Culture explores a variety of discourses where Herodotus occupies an important place in the intellectual background, and, in particular, it draws attention to writers not usually categorized as historians in order to broaden our perspectives on Herodotus' cultural importance. Through discussions of contemporary discourse relating to, for instance, the Persian Wars, geography, the wondrous, aesthetics, literary style, and biography, it nuances our understanding of how ancient readers reacted to and appropriated the Histories to serve their own distinct rhetorical goals. The volume also contributes to scholarship that reappraises the very term 'Hellenistic', drawing attention to both diachronic continuities and synchronic diversity in ancient Greek literature.
"A work of rare scope and power that grapples with the big questions: Is happiness the proper end of life, as the Greeks conceived it to be, or is life, as it appears since the early English novel, an endless trial?"--Adam Potkay