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In this remarkable book, Clyde Ford restores to us the lost treasure of African mythology, bringing to life the ancient tales and showing why they matter so much to us today. African myths convey the perennial wisdom of humanity: the creation of the world, the hero's journey, our relationship with nature, death, and resurrection. From the Ashanti comes the moving account of the grief-stricken Kwasi Benefo's journey to the underworld to seek his beloved wives. From Uganda we learn of the legendary Kintu, who won the love of a goddess and created a nation from a handful of isolated clans. The Congo's epic hero Mwindo is the sacred warrior who shows us the path each person must travel to discover his true destiny. These and other important African myths show us the history of African Americans in a new light--as a hero's journey, a courageous passage to a hard-won victory. The Hero with an African Face enriches us all by restoring this vital tradition to the world.
Drawing on extensive research and his own wide travels, Ford vividly retells ancient African myths and tales and brings to light their universal meanings.
The African continent is home to a fascinating and strong tradition of myth, due in part to the long history of human habitation in Africa; the diversity of its geography, flora, and fauna; and the variety of its cultural beliefs. African Mythology A to Z is a readable reference to the deities, places, events, animals, beliefs, and other subjects that appear in the myths of various African peoples. For the first time, this edition features full-color photographs and illustrations.Coverage includes:
A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.
This title tells the story of the African leaders who ignited independence in black Africa during the 1960s through the eyes of two Americans who knew them well.
Join TIME to explore the full story of Nelson Mandela, the remarkable man whose incandescent smile, forgiving spirit and work for reconciliation made him one of the most significant leaders of the 20th century and one of the most admired people in the world. TIME Nelson Mandela traces the twin journeys of Mandela and his nation away from the hateful system of racist apartheid to the creation of a modern South Africa where all people are free. Here is Mandela’s journey in full detail: his birth in a grass hut as a prince of the Thembu tribe … his work as an inspiring young lawyer fighting for civil rights for blacks … his years as an underground freedom fighter … and the 27 years he spent in jail as a political prisoner. And here is his incredible return to freedom, when he moved the world by vowing to forgive his captors and to reconcile all the people of his land, steering his nation away from a racial war. TIME Nelson Mandela features a personal and insightful introduction by TIME managing editor Richard Stengel, the co-writer of Mandela’s autobiography, Long Walk to Freedom. Here is history as only TIME can tell it: rich, clear, incisive and filled with the details that bring the story of one of our great modern heroes to fresh, inspiring life.
The feats of the hero Mwindo are here glorified in the bilingual text of an epic which was sung and narrated in a Bantu language and acted out by a member of the Nyanga tribe in the remote forest regions of eastern Democratic Republic of the Congo. Admirably structured, coherent, and richly poetic, the epic is in prose form, interspersed with song and proverbs in verse. An example of the classic tradition of oral folk literature, the tale has important implications for the comparative study of African culture, as the text provides profound insights into the social structure, value system, linguistics, and cosmology of this African people.
The Coretta Scott King Honor-winning author tells the moving story of the friendship between a young white boy and a Black WWII veteran who has recently returned to the unwelcoming Jim Crow South. For Gabriel Haberlin, life seems pretty close to perfect in the small southern town of Birdsong, USA. But on his twelfth birthday, his point of view begins to change. It all starts when he comes face-to-face with one of the worst drivers in town while riding his new bicycle--an accident that would have been tragic if Mr. Meriwether Hunter hadn't been around to push him out of harm's way. After the accident, Gabriel and Meriwether become friends when they both start working at Gabriel's dad's auto shop, and Meriwether lets a secret slip: He served in the army's all-black 761st Tank Battalion in World War II. Soon Gabriel learns why it's so dangerous for Meriwether to talk about his heroism in front of white people, and Gabriel's eyes are finally opened to the hard truth about Birdsong--and his understanding of what it means to be a hero will never be the same.
The official companion book, edited by director Terry George, including essays on the history of the genocide, the complete screenplay written by Keir Pearson & Terry George, and more than 70 photographs. A Story That Had to Be Told: In 1994, as his country descended into madness, Paul Rusesabagina, the hotel manager of a Belgian-owned luxury hotel in Kigali, the capital of Rwanda, used cunning and courage to save 1,268 people from certain death while the rest of the world closed its eyes. His real-life story inspired the Oscar® -nominated writer of In the Name of the Father, Terry George, to make the extraordinary film, Hotel Rwanda, starring Don Cheadle, Sophie Okonedo, Joaquin Phoenix, and Nick Nolte, which has received accolades from critics and moviegoers alike, winning numerous awards. Now, in the only official companion book, comes the fascinating filmmaking story, with first-person pieces by Terry George and co-screenwriter Keir Pearson about their three-year struggle to gain support and financing, as well as a brief history of Rwanda with details on the actual events portrayed in the movie. Illustrated with more than 70 historical and contemporary photos and movie stills, the book also includes journalist Nicola Graydon's report on joining Paul Rusesabagina when he first returned to Rwanda on the tenth anniversary of the genocide; writer Anne Thompson's personal journal of her visit to the set in Africa during production in February 2004; and a compelling transcript of the PBS Frontline documentary revealing the afterthoughts of officials who chose not to listen to the cries for help. In addition there is a timeline of the crisis, a further reading and viewing list, and the complete screenplay.
Anthony Barthelemy considers the influence of English political, social, and theatrical history on the depiction of black characters on the English stage from 1589 to 1695. He shows that almost without exception blackness was associated with treachery, evil, and ugliness. Barthelemy's central focus is on black characters that appeared in mimetic drama, but he also examines two nonmimetic subgenres: court masques and lord mayors' pageants.The most common black character was the villainous Moor. Known for his unbridled libido and criminal behavior, the Moor was, Barthelemy contends, the progenitor of the stereotypical black in today's world. To account for the historical development of his character, Barthelemy provides an extended etymological study of the word Moor and a discussion of the received tradition that made blackness a signifier of evil and sin. In analyzing the theatrical origins of the Moor, Barthelemy discusses the medieval dramatic tradition in England that portrayed the devil and the damned as black men. Variations of the stereotype, the honest Moor and the Moorish waiting woman, are also examined.In addition to black characters, Barthelemy considers native Americans and white North Africans because they were also called Moors. Analyzing know nonblack, non-Christian men were characterized provides an opportunity to understand how important blackness was in the depiction of Africans.Two works, Peele's The Battle of Alcazar and Southerne's Oroonoko, frame Barthelemy's study, because they constitute important milestones in the dramatic representation of blacks. Peele's Alcazar put on the mimetic stage the first black Moor of any dramatic significance, and Sotherne's Oroonoko was the first play to have an African slave as its hero. Among the other plays considered are Keker's Lust Dominion, Heywood's The Fair Maid of the West, Beaumont and Fletcher's The Knight of Malta, Marston's Wonder of Women, and Shakespeare's Titus Andronicus and Othello. In his provocative study of Othello, Barthelemy shows how stereotypical attitudes about blacks are initially reversed and how Othello is eventually trapped into acting in accordance with the stereotype.The first work to study the depiction of blacks in the drama of this period in a complete cultural context, Black Face, Maligned Race will be informative for anyone interested in the stereotypical representation of blacks in literature.