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From male bisexuality to religion in pop, Little Richard spent the 1950s pioneering ideas that are still too challenging for the mainstream. As a Black multimillionaire rock star, he was the most exciting person on the planet between 1955 and 1957, the years in which his seismic debut album was created. Featuring new interviews with famous fans including Sir Elton John, Dave Grohl, Joan Jett and Nile Rodgers, this is the first in-depth look at Here's Little Richard since Richard Penniman's death in May 2020. The book explores his roots in the queer underground of the American South, a scene so progressive you'd scarcely believe it thrived seven decades ago, and early rebel music such as jump blues, which soon collided with the emerging juggernaut that was rock'n'roll. When that weird alchemy occurred, the self-proclaimed Living Flame was ready to spark the likes of The Beatles, David Bowie and Prince into existence. Those close to the tale pinpoint the ways in which 'Long Tall Sally' and 'Tutti Frutti' remain omnipresent – and why the latter was the 'WAP' of its day. This is the story of how Little Richard changed the world in 28 minutes and 30 seconds. A-wop-bop-a-loo-bop-a-lop-bam-boom!
In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.
Looks at the life and career of the rock and roll legend.
“This entertaining, fast-paced biography” of the legendary singer-songwriter “will thrill fans of Little Richard and early rock and roll” (Publishers Weekly). Richard Wayne Penniman, known to the world as Little Richard, blazed the trail for generations of musicians: The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was “The Originator,” “The Innovator,” and the self-anointed “King and Queen of Rock ’n’ Roll.” In The Big Life of Little Richard, Mark Ribowsky shares the raucous story of his life from early childhood in Macon, Georgia, to his death in 2020. Ribowsky, acclaimed biographer of musical icons―including the Supremes, the Temptations, Stevie Wonder, and Otis Redding―takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality. By 2020, eighty-seven-year-old Little Richard’s electrifying smile was still intact, as were his bona fides as rock’s royal architect: the ’50s defined his reign, and he extended elder statesmanship ever since. The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade
SOON TO BE A MAJOR MOTION PICTURE • From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision: the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years. “A book like this comes along once a decade, if not a century…. I guarantee that you’ll remember exactly where you are, or were, when you first read it.” —Chris Ware, The Guardian "In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as trans­temporal windows into the larger frame that stands for the provisional now. Here is the ­comic-book equivalent of a scientific breakthrough. It is also a lovely evocation of the spirit of place, a family drama under the gaze of eternity and a ghost story in which all of us are enlisted to haunt and be haunted in turn.” —The New York Times Book Review With full-color illustrations throughout.
The all-embracing, "whaddya got?" nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity. Within that upheaval, four prominent artists dared to behave in ways that let the public assume—but not see—their queerness. That these artists cultivated ambiguous sexual personas often reflected an understandable fear, but also a struggle to fulfill personal and professional expectations.Vincent L. Stephens confronts notions of the closet—both coming out and staying in—by analyzing the careers of Liberace, Johnny Mathis, Johnnie Ray, and Little Richard. Appealing to audiences hungry for novelty and exoticism, the four pop icons used performance and queering techniques that ran the gamut. Liberace's flamboyance shared a spectrum with Mathis's intimate sensitivity while Ray's overwrought displays as "Mr. Emotion" seemed worlds apart from Little Richard's raise-the-roof joyousness. As Stephens shows, the quartet not only thrived in an era of gray flannel manhood, they pioneered the ways generations of later musicians would consciously adopt sexual mystery as an appealing and proven route to success.
There he is, drumming on "Tutti Frutti," "You've Lost That Lovin' Feelin'," and thousands of other songs. As a studio player in New Orleans and Los Angeles from the 1940s through the 1970s, Earl Palmer co-created hundreds of hits and transformed the lope of rhythm and blues into full-tilt rock and roll. He was, as a result, one of the first session men to be inducted into the Rock and Roll Hall of Fame. Palmer's distinctive voice alternates with the insights of music journalist and historian Tony Scherman in an unforgettable trip through the social and musical cultures of mid-century New Orleans and the feverish world of early rock.