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Prose poems.
Over the past seven years I've lived in more places than I can remember. I lived and worked in Shanghai, New York, Berlin, Bangkok, Munich and a few more places, not including the dozens of places I've stayed at for just a few days or weeks.While writing these lines I'm in a small town in Malaysia.I've basically lived out of a backpack for the past seven years. And the longer I'm doing this, the less stuff I need. Right now I carry less than 10 items around with me in a carry on backpack that weighs less than 10kg. I go wherever I want to go. I currently spend less than $800 a month. Including everything. My most precious possession is a $300 Acer laptop.I've started a clothing company in China, for the Chinese market, which failed miserably. I've launched more than 10 websites, some of them made some money, some of them didn't. I shut down all of them. I've written seven books (this is my eighth). None of them was a bestseller. I write a blog where I published more than 500 articles so far. I've more than 100,000 monthly readers spread across multiple platforms.I'm by no means successful. Or rich. But I have more than enough, by all means. I have access to everything I need. And I can buy and afford everything I need.I'm not a minimalist. Or a digital nomad. Or an entrepreneur. Or a blogger. Or an author.I'm mostly trying to just be myself. I'm trying to be myself in a world where it gets harder and harder every single day to just be yourself.It's not always been easy. As a matter of fact it's probably been hard more often than it's been easy. But every day of struggle and doubt has been worth it. Being yourself and creating your own life instead of just living a life is always worth the struggle.This right here is my story. This is what I've learned about life, myself and the world around me.I'm everywhere and nowhere. And I own nothing and everything...
An unforgettable new series from acclaimed author Katie McGarry about taking risks, opening your heart and ending up in a place you never imagined possible Seventeen-year-old Emily likes her life the way it is: doting parents, good friends, good school in a safe neighborhood. Sure, she's curious about her biological father—the one who chose life in a motorcycle club, the Reign of Terror, over being a parent—but that doesn't mean she wants to be a part of his world. But when a reluctant visit turns into an extended summer vacation among relatives she never knew she had, one thing becomes clear: nothing is what it seems. Not the club, not her secret-keeping father and not Oz, a guy with suck-me-in blue eyes who can help her understand them both. Oz wants one thing: to join the Reign of Terror. They're the good guys. They protect people. They're…family. And while Emily—the gorgeous and sheltered daughter of the club's most respected member—is in town, he's gonna prove it to her. So when her father asks him to keep her safe from a rival club with a score to settle, Oz knows it's his shot at his dream. What he doesn't count on is that Emily just might turn that dream upside down. No one wants them to be together. But sometimes the right person is the one you least expect, and the road you fear the most is the one that leads you home. Look for Katie McGarry’s latest poignant and thrilling title in her Thunder Road series, Walk the Edge.
An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.
In her first book, which won the L. L. Winship/PEN New England Award, Jane Brox writes of going back to the farm where she grew up, to help her aging father and the troubled brother who works the land with him. She memorably captures the cadences of farm life and the people who sustain it, at a time when both are waning.
In a town slowly being destroyed by rising tides, one girl must fight to find a way to keep her community’s spirit from drowning. For thirteen-year-old Jillian Robichaux, three things are sacred: bayou sunsets, her grandmother Nonnie’s stories, and the coastal Louisiana town of Boutin that she calls home. When the worst flood in a century hits, Jillian and the rest of her community band together as they always do—but this time the damage may simply be too great. After the local school is padlocked and the bridges into town condemned, Jillian has no choice but to face the reality that she may be losing the only home she’s ever had. But even when all hope seems lost, Jillian is determined to find a way to keep Boutin and its indomitable spirit alive. With the help of friends new and old, a loveable golden retriever, and Nonnie’s storytelling wisdom, Jillian does just that in this timely and heartfelt story of family, survival, and hope. In her stunning debut middle grade novel, Sarah Guillory has written a lush story about an indomitable girl fighting against the effects of climate change.
What is it like to hike the length of the Continental Divide Trail? For Matt and Julie Urbanski, life on the trail meant twenty-seven days without seeing another hiker, six bear encounters, two sets of maps, a GPS and a compass to find the trail, as well as wildfires and floods to add to the adventure.
An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. "Telepresence” allows us to feel present—through vision, hearing, and even touch—at a remote location by means of real-time communication technology. Networked devices such as video cameras and telerobots extend our corporeal agency into distant spaces. In Here/There, Kris Paulsen examines telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. Paulsen traces an arc of increasing interactivity, as video screens became spaces for communication and physical, tactile intervention. She explores the work of artists who took up these technological tools and questioned the aesthetic, social, and ethical stakes of media that allow us to manipulate and affect far-off environments and other people—to touch, metaphorically and literally, those who cannot touch us back. Paulsen examines 1970s video artworks by Vito Acconci and Joan Jonas, live satellite performance projects by Kit Galloway and Sherrie Rabinowitz, and CCTV installations by Chris Burden. These early works, she argues, can help us make sense of the expansion of our senses by technologies that privilege real time over real space and model strategies for engagement and interaction with mediated others. They establish a political, aesthetic, and technological history for later works using cable TV infrastructures and the World Wide Web, including telerobotic works by Ken Goldberg and Wafaa Bilal and artworks about military drones by Trevor Paglen, Omar Fast, Hito Steyerl, and others. These works become a meeting place for here and there.
"A contemporary romance novel set in Chicago and Napa Valley"--
Whether her subjects are landscapes, portraits or nudes, Jocelyn Lee's photographs are about beauty and its poignant fragility. The landscapes are not spectacular vistas but quiet places that seem oddly familiar. Sometimes glowing with summer's light and sometimes covered with snow, they endure through all the seasons of the year. Lee has also assembled a gallery of people, each of whom is remarkable although none of them is famous. She endows every person with a vivid yet dignified presence. Her portraits are full of implicit stories, suggested by bodies and faces, and made all the more compelling by the fact that her sitters seem absorbed in their own memories and dreams. With a clear and compassionate eye, Jocelyn Lee encourages us to think about eternal issues such as youth and age, our connections with one another, our relationship with nature, and the place - or places - we call home. She states: "The physical landscape serves as a backdrop on which the human drama unfolds. The photographs allude to the fragility of the human presence in the world. These portraits are a way to look at particular people and the human body as a part of nature, evolving and expressing their identity and place in life's cycles."