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"I was born at the tail end of a unique and delightful era and raised on one of the last showboats to struggle for survival against the devastating crunch of progress.... Our showboat's express purpose was carrying entertainment to hundreds of thousands of river-bottom farmers along our water-bordered frontier." —from the book Betty Bryant was a river rat. The Floating Theater was her home, and the river was her back yard. While other children were learning to walk, she was learning to swim. She knew how to set a trotline, gig a frog, catch a crawdad, and strip the mud vein out of a carp by the time she was four. In this colorful memoir, Betty shares her own piece of Americana, the small, family-owned showboat of the early twentieth century. Billy Bryant's Showboat plied the inland waterways of the Ohio River watershed from before the First World War until 1942, bringing a blend of melodrama and vaudeville, laughter and therapeutic tears, into the lives of isolated people in rural communities along the way. Betty made her first professional appearance at the age of six weeks when she played a baby in "Uncle Tom's Cabin." In her twenty years of touring, she acted, danced, and grew up in the tradition of "family entertainment, by families, for families." Here Comes the Showboat! is told with the ageless wonder of a child who loved the showboat and the eager audiences its uniquely American entertainment touched. It is a treasure trove of humorous anecdotes, touching remembrances, and delightful photographs of Betty, the three generations who ran the family showboat, miners, musselers, shantyboaters, farmers, merchants, and actors whose lives intersected along the Ohio River.
When Tom Mason's ex-lover is murdered at Tom's wedding reception, it casts a pall over the proceedings. Now Tom is no longer the groom--he is the prime suspect.
Charlie Moon's Auntie Jean runs a joke shop at the seaside. Charlie loves to go and stay there and try out the comic hats, masks, rubber spiders, fake flowers that squirt water, and cushions that squeak when you sit on them...even when his clever cousin Ariadne is staying, too.
Here Comes the Sun looks at how social reformers, planners and architects in the early twentieth century tried to remake the city in the image of a sunlit, ordered utopia. While much has been written about architectural modernism, Worpole concentrates less on buildings and more on the planning of the spaces in-between – the parks, public squares, open-air museums, promenades, public pools and other public leisure facilities. Life in the open was of particular concern to early urban planners and reformers, with their dreams of release from the confines of overcrowded, unsanitary slums. Picturing youthful working-class bodies made healthy by exercise and tanned by the sun, they imagined an escape route from cities. Worpole demonstrates how open-air public spaces became sought-after commissions for many early modernist architects in the early 1900s, resulting in the transformation of the European cityscape. "...a fascinating account of the political idealism that informed urban planning for the first two-thirds of the twentieth-century...full of insights into how public space influences a sense of belonging and ownership."—The Guardian "This is one of those books you stroke lovingly. Open it, and there is page after page of beautiful photographs...this book combines history, society, politics, environment and place in a well-written and emotive text. The strength of the book is the way it crosses these traditional boundaries and disciplines."—Town and Country Planning "Drawing on architectural theories, philosophy, literature and even film-making, Worpole's book is wide-ranging and erudite and should be of interest to the layperson as well as to the urban planner. It is also elegantly written and complemented by a mixture of black and white and colour photographs to provide a visual emphasis to the points he raises."—N16 Magazine
"A fascinating read." –Associated Press Joshua Greene, who studied meditation with the legendary Beatle George Harrison, draws on personal remembrances, recorded conversations, and firsthand accounts to create a moving portrait of Harrison's spiritual life, his profound contribution to the Beatles' music, and previously unpublished anecdotes about his time with music legends Bob Dylan, Elvis Presley, and others. "Many well-known artists have touched people's hearts with their music, but few have ever succeeded in touching people's souls. That was George's gift, and his story is described here with affection and taste. A wonderful book." –Mia Farrow
Fresh from the front lines of the Covid pandemic, ER doctor Alexandra Hartway is navigating a new challenge—marrying Jess Bolderson, the love of her life. After the life-changing events of her teens, Jess Bolderson held a vision of her future that didn’t include falling in love and getting married—until she met Alex. But their path to the altar is fraught with unexpected challenges. Planning a wedding becomes an overwhelming whirlwind, compounded by Alex’s encounters with increasingly aggressive patients—a lingering effect of the pandemic’s strain. As pressures mount and their special day seems at risk, Alex and Jess are forced to confront the possibility of their dream wedding, and their relationship, unraveling. Will they find their way through the turmoil to the alter—and finally seize their happily ever after? Here Come the Brides continues the journey of Alex and Jess in this follow-up to At All Costs, the beloved novel by Micheala Lynn.
The children go to the train station to watch the circus train come to town, with its lion, its giraffe, and its clown.
Toward the end of 1931, the black dust was settling in the Harlan County, Kentucky, coal fields after one of the most bitterly fought labor struggles in our nation's history. The miners were beaten, their rank-and-file organization crushed. The epithet "Bloody Harlan" survived the day and remained a symbol for that battle and those that periodically erupted for the next half century. But the proper legacy of the Harlan wars, as the veteran Hobart Grills tells us, is not the chaotic violence but the spirit of steady resistance that smolders until the changing times fan the sparks into a new flame. During the long Depression era, the winds of change blew all across the South — from the coal fields of Appalachia to the tenant farms of Arkansas, from the cotton mills of Gastonia to the automobile factories of Atlanta. It was a period rich in the South's peculiar blend of semi-organized rebellion, individual courage, and rank-and-file militancy; but its lessons were omitted from the history books. To rectify that insult, Southern Exposure published a special book-length issue on the Depression, based largely on the oral testimonies of those who were the sparks for that era's struggles. Entitled "No More Moanin'," the collection — now near the end of its second printing — has been a popular source book in union halls, university classrooms, and informal study groups.
Booker Prize-winning author John Berger, one of the most widely admired writers of our time, returns us to the captivating play and narrative allure of his previous novels–G. and Pig Earth among them–with a shimmering fiction drawn from chapters of his own life. One hot afternoon in Lisbon, the narrator finds his long-dead mother seated on a park bench. “The dead don’t stay where they are buried,” she tells him. And so begins a remarkable odyssey, told in simple yet gorgeous prose, that carries us from the London Blitz in 1943, to a Polish market, to a Paleolithic cave, to the Ritz Hotel in Madrid. Here Is Where We Meet is a unique literary journey that moves freely through time and space but never loses its foothold in the sensuous present.