Download Free Herb Martinezs Guide To Pinstriping Book in PDF and EPUB Free Download. You can read online Herb Martinezs Guide To Pinstriping and write the review.

Stripe Like A Pro In Herb's Martinez's Guide to Pinstriping, Martinez shares the fundamentals, techniques, tips and tricks that have made him one of the world's most accomplished stripers. You'll learn how to: Select the proper paint, brushes, tapes and supplies Go "straight" like a pro Lay out flames, scallops and other graphic designs Apply gold leaf Do sponging, splatter, spatter and other effect So, whether your next pinstriping project will be on a hot rod, pickup truck, motorcycle, boat or anything in between, the techniques you'll learn in Herb's Martinez's Guide to Pinstriping will put you on the path to pinstriping like a pro.
From the work of the Californian pioneers Von Dutch and Tommy the Greek, to today's most important artists in the US, Europe, Japan and Australia, this text provides real inspiration for anyone interested in one of the most visualy exciting aspects of US counter-culture custom cars.
The pinstripe scene has grown immensely, and here's the record of the scene's growth for new and old aficionados. Included is how the artists first found inspiration, how they work, and where their influence can be seen.
In more than forty years of pinstriping and making signs, there isn’t much that East Coast Artie hasn’t done. With Pro Pinstripe Artie shares everything he’s leaned during his long career. Find out first hand why Artie chose a particular color combination, or a certain brand of paint for a particular job. To illustrate how pinstriping works in the real world, the bulk of this new book is made up of 12 start-to-finish pinstriping sequences performed by Artie and a small cadre of guest artists. From basic strokes, to choosing the best color combination to deciding which paint to use for a job that will be clear coated later, there isn’t much about pinstriping that Artie and his guests don’t share in this book.
"In this absolutely unprecedented and beautifully produced coffee-table volume, best-selling music writer Paul Grushkin draws on top museum collections and private archives, renowned photographers, lauded poster artists, and record labels to illustrate the remarkable 70-year synergy between music and motoring. The narrative comprises scores of first-person interviews with prominent figures and explores common themes that have been addressed in vehicle-related songs - as symbols of freedom, vehicles as status symbols, as courting tools, as utilitarian work conveyances, as metaphors (when Reverend Horton Heat sings about his "Big Red Rocket of Love," he's not just talking about his shoebox Ford), and vehicles simply as vehicles. Illustrated with images of musicians, bands, vehicles, album and poster art, and collectibles, the book draws direct lineages juxtaposing artists that may have previously seemed disparate. Also included are music's car-related lore and tragedies, like Gene Vincent's motorcycle accident that spurred his spiral into alcoholism; Hank Williams' death in the backseat of his Cadillac; the death of So-Cal punk icon D. Boon in a tour-van accident; and Neil Young connecting with Stephen Stills in L.A. because the latter saw the former's Ontario plates in a traffic jam. In the end, Wheels is the expansive sort of book that everyone from the most casual music fan to the most hardcore musicologist will find difficult to put down."--Provided by the publisher.
Even before the heyday of Von Dutch and Big Daddy, the ultimate way to personalize your car or motorcycle was to lay some wicked lines on top of the paintwork. Done with a steady hand and an eye for style, pinstripes speak volumes. In How to Pinstripe, acclaimed veteran striper Alan Johnson teaches you everything you need to know to get started, to further your mastery of the form, or to simply understand how a good design comes together. Following a primer on the history and evolution of pinstriping, this book launches into a step-by-step guide to the pinstriping process--from choosing paint and brushes that suit your style and abilities, to preparing surfaces, experimenting with symmetrical and asymmetrical designs, striping freehand, and using grids and patterns. While stressing the importance of finding your own style and having fun with the hobby, Johnson also explains the basics of color theory and unique considerations for antique and classic cars, hot rods and customs, and motorcycles. For more advanced pinstripers, theres also tried-and-true advice on apprenticing and working car shows. Illustrated with color photography throughout, How to Pinstripe is the perfect source for beginners and veterans alike.
Custom painting and pinstriping of automobiles and other vehicles as well as helmets, furniture, musical instruments, and other articles.
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.