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Because of the didactic nature of the historical genre, many scholars ancient and modern have seen connections between history and rhetoric. So far, discussion has centered on fifth-century authors -- Herodotus and Thucydides, along with the sophists and early philosophers. Pownall extends the focus of this discussion into an important period. By focusing on key intellectuals and historians of the fourth century (Plato and the major historians -- Xenophon, Ephorus, and Theopompus), she examines how these prose writers created an aristocratic version of the past as an alternative to the democratic version of the oratorical tradition. Frances Pownall is Professor of History and Classics, University of Alberta.
Responding to Plato's challenge to defend the political thought of poetic sources, Marlene K. Sokolon explores Euripides's understanding of justice in nine of his surviving tragedies. Drawing on Greek mythological stories, Euripides examines several competing ideas of justice, from the ancient ethic of helping friends and harming enemies to justice as merit and relativist views of might makes right. Reflecting Dionysus, the paradoxical god of Greek theater, Euripides reveals the human experience of understanding justice to be limited, multifaceted, and contradictory. His approach underscores the value of understanding justice not only as a rational idea or theory, but also as an integral part of the continuous and unfinished dialogue of political community. As the first book devoted to Euripidean justice, Seeing with Free Eyes adds to the growing interest in how citizens in democracies use storytelling genres to think about important political questions, such as "What is justice?"
This analysis of epic poetry shows the duel to have served as a mechanism for avoiding catastrophic battlefield losses, and thus to have been the pivotal element in a complex system of practices and institutions.
Greek and Roman mythology has fascinated people for more than two millennia, and its influence on cultures throughout Europe, America, North Africa, and the Middle East attests to the universal appeal of the stories. This title examines the best-known figures of Greek and Roman mythology together with the great works of classic literature.
Athens dominates textbook accounts of ancient Greece. But was it, for the Greeks themselves, a model city-state or a creative, even a corrupt, departure from the model? Or was there a model? This book reveals Epizephyrian Locri--a Greek colony on the Adriatic coast of Italy--as a third way in Greek culture, neither Athens nor Sparta. Drawing on a wide range of literary and archaeological evidence, James Redfield offers a fascinating account of this poorly understood Greek city-state, and in particular the distinctive role of women and marriage therein. Redfield devotes much of the book to placing Locri within a more general account of Greek culture, particularly with the institution of marriage in relation to private property, sexual identity, and the fate of the soul. He begins by considering the annual practice of sending two maidens from old-world Locris, the putative place of origin of the Italian Locrians, to serve in the temple of Athena at Ilion, finding here some key themes of Locrian culture. He goes on to provide a richly detailed overview of the Italian city; in a set of iconographic essays he suggests that marriage was seen in Locri as a life transformation akin to the eternal bliss hoped for after death. Nothing less than a general reevaluation of classical Greek society in both its political and theological dimensions, The Locrian Maidens is must reading for students and scholars of classics, while remaining accessible and of particular interest to those in women's studies and to anyone seeking a broader understanding of ancient Greece.