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Taking in a wide range of film, television, and literature, this volume explores 21st century horror and its monsters from an intersectional perspective with a marked emphasis on gender and race. The analysis, which covers over 70 narratives, is organized around four primary monstrous figures--zombies, vampires, witches and monstrous women. Arguing that the current horror renaissance is populated with willful monsters that subvert prevailing cultural norms and systems of power, the discussion reads horror in relation to topics of particular import in the contemporary moment--rampant sexual violence, unbridled capitalist greed, brutality against people of color, militarism, and the patriarchy's refusal to die. Examining ground-breaking films and television shows such as Get Out, Us, The Babadook, A Quiet Place, Stranger Things, Penny Dreadful, and The Passage, as well as works by key authors like Justin Cronin, Carmen Maria Machado, Helen Oyeyemi, Margo Lanagan, and Jeanette Winterson, this monograph offers a thorough account of the horror landscape and what it says about the 21st century world.
Part 1 ended with many issues unresolved. Will Dixon make it to the big leagues? Will Dixon's beaning of Johnny Powers derail his path to the majors! Will Todd recover from his current health issues? What caused him to pass out during Dixon's game and what will his prognosis be? How would Dixon react if something bad ever happened to Todd? What does the future hold in store for Dixon and Patty's relationship? What possible devious designs does Ron Spillman have in store for Dixon? Will Sky Allen ever realize that he had been duped and doped by Ron Spillman when he deviously arranged his "accidental encounter" with Veronica (aka Ronnie) Gacy? What would Sky's reaction be if he suddenly discovered that Ronnie wasn't just some girl in the club that night, but was there in her capacity as one of the most elite call-girls in Oakland? Will Ray Gorman's "Can't Miss Kid" moniker end up being prophetic or just a sad commentary on a failed dream? So keep on reading and you'll find out the answers to all of those questions, and to a few more too!
This book considers whether we can be epistemically responsible for undesirable beliefs, such as racist and sexist ones. The problem with holding people responsible for their undesirable beliefs is: first, what constitutes an “undesirable belief” will differ among various epistemic communities; second, it is not clear what responsibility we have for beliefs simpliciter; and third, inherent in discussions of socially constructed ignorance (like white ignorance) is the idea that society is structured in such a way that white people are made deliberately unaware of their ignorance, which suggests their racial beliefs are not epistemically blameworthy. This book explores each of these topics with the aim of establishing the nature of undesirable beliefs and our responsibility for these beliefs with the understanding that there may well be (rare) occasions when undesirable beliefs are not epistemically culpable.
Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduces readers to a variety of research methodologies within the emerging field of congregational music studies. Utilizing insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, it examines and models methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several “key issues” to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally.
Reporter Ray Gorman met baseball player Dixon White in 1971, before he was a star, but that didnt stop Gorman from seeing star potential. Dixon was the best high school pitcher in the stateuntil a fateful car crash changed his life forever. A few years later, Dixon decides to take a chance and try out for the big leagues. He misses baseball, but more than that, he also wants to help his parents financially. His little brother, Todd, suffers from polio and will need an expensive surgery to live a normal life. Dixon is shocked when he is hired to join the teams Triple-A affiliate, and Gorman dubs him The Cant Miss Kid. Now Dixon is the hottest prospect in the minors, and with Gormans help, hes front-page news on the Pittsburgh Gazette. Soon, however, Dixons best intentions get lost in the fray. Unready for the kind of attention and expectations the story brings, he will need to look to his roots and his inner faith to find success while staying true to his family, friends and to himself.
**LONGLISTED FOR THE 2023 PEN/JOHN KENNETH GALBRAITH AWARD FOR NONFICTION** **LONGLISTED FOR THE 2023 ANDREW CARNEGIE MEDALS FOR EXCELLENCE** **WINNER OF THE 2022 POZ AWARD FOR BEST IN LITERATURE** "An irresistibly readable and humane exploration of the barbarities of class...readers are gifted that most precious of things in these muddled times: a clear lens through which to see the world." —Naomi Klein, New York Times bestselling author of This Changes Everything and The Shock Doctrine From preeminent LGBTQ scholar, social critic, and journalist Steven W. Thrasher comes a powerful and crucial exploration of one of the most pressing issues of our times: how viruses expose the fault lines of society. Having spent a ground-breaking career studying the racialization, policing, and criminalization of HIV, Dr. Thrasher has come to understand a deeper truth at the heart of our society: that there are vast inequalities in who is able to survive viruses and that the ways in which viruses spread, kill, and take their toll are much more dependent on social structures than they are on biology alone. Told through the heart-rending stories of friends, activists, and teachers navigating the novel coronavirus, HIV, and other viruses, Dr. Thrasher brings the reader with him as he delves into the viral underclass and lays bare its inner workings. In the tradition of Isabel Wilkerson’s Caste and Michelle Alexander’s The New Jim Crow, The Viral Underclass helps us understand the world more deeply by showing the fraught relationship between privilege and survival.
“Check your privilege” is not a request for a simple favor. It asks white people to consider the painful dimensions of what they have been socialized to ignore. Alison Bailey’s The Weight of Whiteness: A Feminist Engagement with Privilege, Race, and Ignorance examines how whiteness misshapes our humanity, measuring the weight of whiteness in terms of its costs and losses to collective humanity. People of color feel the weight of whiteness daily. The resistant habits of whiteness and its attendant privileges, however, make it difficult for white people to feel the damage. White people are more comfortable thinking about white supremacy in terms of what privilege does for them, rather than feeling what it does to them. The first half of the book focuses on the overexposed side of white privilege, the side that works to make the invisible and intangible structures of power more visible and tangible. Bailey discusses the importance of understanding privileges intersectionally, the ignorance-preserving habits of “white talk,” and how privilege and ignorance circulate in educational settings. The second part invites white readers to explore the underexposed side of white dominance, the weightless side that they would rather not feel. The final chapters are powerfully autobiographical. Bailey engages readers with a deeply personal account of what it means to hold space with the painful weight of whiteness in her own life. She also offers a moving account of medicinal genealogies, which helps to engage the weight she inherits from her settler colonial ancestors. The book illustrates how the gravitational pull of white ignorance and comfort are stronger than the clean pain required for collective liberation. The stakes are high: Failure to hold the weight of whiteness ensures that white people will continue to blow the weight of historical trauma through communities of color.
The Duke is her brother’s best friend… Which is the ONLY reason the Duke of Upton agrees to take Anna Smith away from London to protect the fragile beauty. Rath’s dark looks and derelict life are not compatible with the effervescent Anna. In fact, she quakes in fear every time he comes near her. As she should. If she had any idea the dark past he holds in his cold black heart, she’d surely run screaming from his country estate. And that can’t happen because he’s not the biggest bad in the North of England. When the very villain who forced her to flee London finds her, Rath, beast of a man that he is, is the only one who can protect her. To truly keep her safe, he has to keep her close. And soon it's not fear that has her trembling in his arms, and his need to protect her has nothing to do with duty. But his past is as much a danger as hers and soon he realizes that she isn’t just his greatest temptation and his most important job. She’s also…. His one weakness.
"[A] stunning, deeply researched, and gracefully written social history." -- Leslie Schwalm, University of Iowa This study of women in antebellum Charleston, South Carolina, looks at the roles of women in an urban slave society. Cynthia M. Kennedy takes up issues of gender, race, condition (slave or free), and class and examines the ways each contributed to conveying and replicating power. She analyses what it meant to be a woman in a world where historically specific social classifications determined personal destiny and where at the same time people of color and white people mingled daily. Kennedy's study examines the lives of the women of Charleston and the variety of their attempts to negotiate the web of social relations that ensnared them.
Dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Ikard investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom's Cabin to The Help. He invalidates the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, Ikard analyzes willful white blindness and attendant master narratives of white redemption--arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. --From publisher description.