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TOUGH LOVE
Readers of Maisey Yates and Jennifer Ryan will love this second-chance romance where a handsome cowboy reunites with his high school sweetheart only to discover she wasn’t the only person he left behind when he hit the road so long ago . . . As a single mother, Naomi Sullivan is used to doing things on her own. She's finally saved enough from working at the Cortez Ranch to buy a lovely home for her and her little girl. Life is going as planned. But when her high school sweetheart comes riding back to town, this self-sufficient woman feels something she hasn't felt in years: red-hot, unbridled need for the handsome cowboy who left her behind. Lucas Cortez doesn't plan on being in town long. Yet when he sees Naomi again-the gorgeous girl he never stopped loving—he's tempted to hang up his hat and stay awhile. He's already charmed his way into her daughter's heart, but he'll need more than sweet talk and roses to convince Naomi to give them a second chance—especially when she's hiding a secret that could change their lives forever . . .
In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks’ Red River and John Ford’s The Man Who Shot Liberty Valance and The Searchers.Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state’s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected.Pippin’s account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy.
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
This title brings cultural disability studies and genre fiction studies into dialogue for the first time. Analysing representations of disability in contemporary science fiction, romance, fantasy, horror, and crime fiction, it offers new and transformative insights into both the workings of genre and the affective power of disability.
“Fans of live music will get a kick out of” this Texas Country Music Hall of Famer’s “fond but brutally honest memories, playing gigs with Willie Nelson” (Publishers Weekly). When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson’s classic concert anthem “Whiskey River,” and singer of hits such as “You Gave Me a Mountain” and “I’ll Be There,” Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin’, hurtin’, hard-drinkin’ life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush’s career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder. But survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians. In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor and learning his chops in honky-tonks around Houston and San Antonio. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson. Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.
COULD HE BE HER HERO? Hope, Montana, is no longer home to Andy Granger, who sold his piece of the family ranch to developers. He’s only back to run a cattle drive in his brother’s stead. But the community can’t forgive him for selling out. And Dakota Mason, the beautiful cowgirl he hired, has every reason to hate him… Ranching is in Dakota’s blood. And now the developers have cut off water her neighboring ranch desperately needs. She’s only on the ride for a paycheck—not to turn her back on her community. And definitely not to fall for some overly protective urban cowboy. But Andy may surprise everyone…including himself.
Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.
The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.
When a spurned suitor threatens her, heiress Alexandra Tarkington flees New York for Mesquite Springs in the Texas Hill Country, where her father is building a hotel. But the happy reunion she envisions is not to be as her father insists she return to New York. Instead, Alexandra carves out a niche for herself in town, teaching schoolchildren to paint and enjoying the company of Gabe Seymour, a delightful man she met on the stagecoach. But all is not as it seems. Two men, each with his own agenda, have followed her to Mesquite Springs. And Gabe is an investigator, searching for proof that her father is a swindler. When a series of apparent accidents threaten her life, Alexandra and Gabe will have to work together to discover the truth. And perhaps along the way they will discover that the sparks of attraction they've felt from the beginning are more than sparks--they're love. Bestselling author Amanda Cabot invites you back to 1850s Texas for this exciting and heartwarming tale of treachery, love, and learning to trust.