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This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneur and the cultural translator, propellers of modernity, manage to bring about transformative creation. Their performance marks the essence of transcultural modernity: the self-consciousness of working on the threshold, always testing the limits of boundaries and tempted to go beyond them. To develop the concept of dandyism—the quintessence of transcultural modernity—the Neo-Sensation gender triad formed by the dandy, the modern girl, and the modern boy is laid out. Writers discussed include Liu Na’ou, a Shanghai dandy par excellence from Taiwan, Paul Morand, who looked upon Coco Chanel the female dandy as his perfect other self, and Yokomitsu Riichi, who developed the theory of Neo-Sensation from Kant’s the-thing-in-itself.
The unforgettable first novel in the classic Stevenson Family Saga from epic master Malcolm Macdonald John Stevenson is a just a foreman when a near-fatal accident bring young Nora Telling into his life. Her nimbleness of mind and his power of command enable them to take over the working mill and rescue it from catastrophe. Together with their friends the Thorntons-who are troubled by a marriage mismatched in passion-they are willing to risk any dare, commit themselves to any act of cunning on their climb from rags to riches. The first novel in the classic Stevenson Family Saga, The World from Rough Stones is the epic story of two ambitious but poor young people who, at the very start of the Victorian Era, combine their considerable talents to found a dynasty and go on to fame and fortune. "A monumental saga...rich and tremendous." -Boston Globe "A saga of immense power...the most exciting since the Swanns of Delderfield and the Forsytes of Galsworthy!" -Cincinatti Times "Zestful research and Macdonald's mastery of the dialects and speech of all classes bring his novel noisily to life from the first to the last page." -The [London] Times "A powerful new novel...a successful attempt to blend fiction with authenticity. The story is rich with colourful characters, brawling, boozing, and bedding...leaves the reader waiting impatiently for the next novel in what must be a memorable series." -Yorkshire Evening Post
The sport of tennis has been played in one form or another for more than 800 years. It can trace its roots to games played by monks in the 12th century. Through the years the game has evolved from one in which the ball was struck with the hands to the modern game in which rackets are used to propel the ball in excess of 150 miles per hour. From the sport of the elite to the sport played by elite athletes, tennis has grown immensely in the past 135 years and it remains one of the few sporting pastimes thatis played extensively by people of all ages and all nationalities. The Historical Dictionary of Tennis presents a comprehensive history of the game through a chronology, an introductory essay, a bibliography, photos, and over 500 cross-referenceddictionary entries on places, teams, terminology, and people, including Arthur Ashe, Björn Borg, Don Budge, Chris Evert, Roger Federer, Billie Jean King, Rod Laver, Suzanne Lenglen, John McEnroe, Rafael Nadal, Martina Navratilova, and Bill Tilden. Appendixes of the members of the International Tennis Hall of Fame, the Major Championships of Tennis, and the Olympic games are included. This book is an excellent access point for students, researchers, and anyone wanting to know more about tennis.
This book presents a unique, feminist approach to ‘sex’ dolls and ‘sex’ robots, taking a critical look at the academic and business narratives that serve to rationalise them. As new forms of pornography (porn robots), this edited volume provides an urgent women’s centred critique. The emergence of ‘sex’ robots is situated within the wider context of the attack on women’s rights and the relentless rise of techno-pornography. As an outgrowth of the industries of prostitution, pornography and child sex abuse, these objects offer new ways to dehumanise women and girls. While support for ‘sex’ robots is positioned as progressive and emancipatory, the contributors in this volume argue they reduce women to consumable parts. They explore how law, the arts, ethics, economy, politics and culture are interconnected with harmful technological developments.