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The author of Blitz and the Jack Taylor novels delivers a “fast-paced, tough and explosive” tale of a killer couple (The Irish Times). Cooper likes Ed McBain novels, action movies, and robbing banks. Released from prison, he’s back on the outside, and in business with another former con. They call themselves “Righteous Repo.” It’s so legit they even have an accountant. It’s decent work, but not as lucrative as the bank jobs they still pull on the side. Not as stimulating, either. But nothing gets Cooper’s blood pumping faster than Cassie—an easy, all-American beauty with a bent for metaphysics, Irish poets, and taking risks. Cassie’s also a professional shoplifter, slumming at a low-end South London shop when Cooper first lays eyes on her. After a single hookup comes the catch: Now that Cooper’s had her, he’s not allowed to touch another woman. He thinks she’s quite a joker until he wakes up and finds Cassie’s note. She drugged him, stole his pistol and his cash, and left him with another warning: She’s not through with him. Not by a long shot. Only death will keep her away, so death it must be. Cooper and Cassie are made for each other. From the award-winning author of the Jack Taylor novels, Her Last Call to Louis MacNeice delivers “pulp with an A level” (The Guardian), once again confirming Bruen as “the crime novelist to read” (George Pelacanos).
Her name was Cassie. She liked poetry. And guns. And money. She liked Cooper. That was his bad luck. Cooper had it easy back then. For a bank-robber. Took it easy. But took it. He had a legit business too. A repo man. Even had an accountant. Cassie blew it all to hell. Her Last Call to Louis MacNeice is the purest London noir, dark and dirty as the Thames by night. Just as with his acclaimed d?but, Rilke on Black, Ken Bruen takes the reader on a one-way ride - straight to the bitter end.
Transcultural Insights into Contemporary Irish Literature and Society examines the transcultural patterns that have been enriching Irish literature since the twentieth century and engages with the ongoing dialogue between contemporary Irish literature and society. Driven by the growing interest in transcultural studies in the humanities, this volume provides an insightful analysis of how Irish literature handles the delicate balance between authenticity and folklore, and uniformisation and diversity in an increasingly globalised world. Following a diachronic approach, the volume includes critical readings of canonical Irish literature as an uncharted exchange of intercultural dialogues. The text also explores the external and internal transcultural traits present in recent Irish literature, and its engagement with social injustice and activism, and discusses location and mobility as vehicles for cultural transfer and the advancement of the women’s movement. A final section also includes an examination of literary expressions of hybridisation, diversity and assimilation to scrutinise negotiations of new transcultural identities. In the light of the compiled contributions, the volume ends with a revisitation of Irish studies in a world in which national identity has become increasingly problematic. This volume presents new insights into the fictional engagement of contemporary Irish literature with political, social and economic issues, and its efforts to accommodate the local and the global, resulting in a reshaping of national collective imaginaries.
The enormous popularity of Stieg Larsson's Millennium trilogy has raised awareness of other contemporary European authors of crime fiction. As a result, several of these novelists now reach a receptive American audience, eager for fresh perspectives in the genre. This critical text offers an introduction to current European crime writing by exploring ten of the best new crime nd mystery authors from Sweden (Stieg Larsson and Henning Mankell), Norway (Karin Fossum and Jo Nesbo), Iceland (Arnaldur Indridason), Italy (Andrea Camilleri), France (Fred Vargas), Scotland (Denise Mina and Philip Kerr), and Ireland (Ken Bruen), who are reshaping the landscape of the modern crime novel. Instructors considering this book for use in a course may request an examination copy here.
A collection of novellas and stories from Shamus Award winner Ken Bruen, author of the Jack Taylor series and the “godfather of the modern Irish crime novel” (The Irish Times). An Irishman with an ebullient love of life draws inspiration from the literature and poetry of death. A born loser with an “ex-wife, an ex-child, and no excuses” accompanies his alcoholic brother on a startling plunge into liberating despair. A self-styled vigilante avenges the death of his wife and child by waging a one-man war against the London underworld. A whiskey-sotted cleric sets out to battle his sexual demons with a resolve that borders on the malevolent. “Nobody writes like Ken Bruen,” says the New York Times Book Review, and here, the author of The Emerald Lie and The Guards offers a taste of his wide-ranging skills. With his acrid barstool wit, literary allusions, and gut-punching twists, Bruen captures the Irish state of mind with bracing authenticity. Now, enthusiasts of his long-running series featuring Irish PI Jack Taylor—seven of which have been adapted for the screen—and new fans alike can discover Bruen’s early works in an omnibus shaded with the crazy, violent, and melancholy poetry that has become his trademark. Hailed by the Los Angeles Book Review as one of “the most original and innovative noir voices of the last two decades,” Bruen is a two-time Shamus Award winner, an Edgar Award finalist, and a recipient of the Grand Prix de Littérature Policière. A Fifth of Bruen includes: Funeral: Tales of Irish Morbidities, Martyrs, Shades of Grace, Sherry and Other Stories, All the Old Songs and Nothing to Lose, and The Time of Serena May &Upon the Third Cross.
A collection of mystery criticism and essays from the reviewer of books for Ellery Queen Magazine. Jon Breen is the worthy successor of Anthony Boucher and his hundreds of reviews of books and authors is a must-have for all serious mystery fans. A Ramble House book
What is literary noir? How do British and American noir thrillers relate to their historical contexts? In considering such questions, this study ranges over hundreds of novels, analysing the politics and poetics of noir from the hard-boiled fiction of Hammett, Chandler and Cain to the exciting diversity of nineties thrillers, with sections on the tough investigators, gangsters and victims of the Depression years: the first-person killers, femmes fatales and black protagonists of mid-century; the game-players, voyeurs and consumers of contemporary thrillers and future noir.
Now available in paperback, this pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be ‘multicultural’ and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions?
At the heart of the European integration process is the political economy debate over whether the EU should be a market-making project, or if it should combine this with integration in employment and social policy. What has been the impact of the 2004 and 2007 rounds of enlargement upon the political economy of European integration? EU enlargement, the clash of capitalisms and the European social dimension analyses the impact of the 2004 and 2007 enlargements upon the politics of European integration within EU employment and social policy. This book analyses the main policy negotiations in the field and analyses the political positions and contributions of the Central and Eastern European Member States. Through analyses of the negotiations of the Services Directive, the revision of the Working Time Directive and the Europe 2020 poverty target, the book argues that the addition of the Central and Eastern European states has strengthened liberal forces at the EU level and undermined integration with EU employment and social policy.
Provide your mystery fans with background information on their favorite writers and series characters, and use this as a guide for adding contemporary titles to your collections. This book examines 100 of today's top mystery novels and mystery authors hailing from countries such as the United States, Great Britain, France, Italy, South Africa, and Australia. Equally valuable to students writing research papers, readers craving new authors or more information about their favorite authors, and teachers seeking specific types of fiction to support curricula, 100 Most Popular Contemporary Mystery Authors: Biographical Sketches and Bibliographies provides revealing information about today's best mysteries and authors—without any "spoilers." Each of the accomplished writers included in this guide has established a broad audience and is recognized for work that is imaginative and innovative. The rising stars of 21st century mystery will also be included, as will authors who have won the Mystery Writers of America Grand Master Award.