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Instant fatherhood! Wildly good-looking Noah Barrett is a dream of a hired husband. Affectionate, caring, he should easily convince Sally Johnson's visiting family that he's a doting father for Sally's soon-to-be-born baby!
She’s hired to work for the wealthy man who trampled on her heart! When Orla travels to Amalfi to attend her stepfather’s birthday party, she’s worried about reuniting with Torre, whom she gave her innocence to eight years ago. Back then, when he’d found out that Orla was the daughter of his father’s second wife, he’d coldly rejected her, assuming that she was after his fortune. Orla’s avoided him ever since, but when Torre finds out she’s looking for a job, he offers to hire her as his personal secretary…
Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities. But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.
For the sake of a tiny baby… When a tragic family accident reunites Shannon Gilbraith with Luca Salvatore, she isn't prepared for the searing attraction that still flames between them. Luca urges Shannon to marry him, but she knows he isn't motivated by love. For the sake of her orphaned baby niece, Shannon knows she will accept. But what does the future hold when Luca believes—wrongly—that she once betrayed him?
Young, widowed Ria Masson takes a job as secretary to imperious businessman James Everett, and though each is determined to keep their personal lives separate from business, they find it progressively more difficult to do so
Wedlocked! A runaway wife Alix North had fallen in love with Rhys Stirling the first time she had met him. Now Alix's dream was about to come true Rhys had asked her to marry him. Rhys Stirling was an ambitious man, and the only thing that stood between him and a directorship was his single status. Of course, that was easily remedied. He'd known Alix all his life she was the perfect choice. Alix isn't going to accept anything less than his love. It's only after Alix leaves him that Rhys finds that he's fallen in love with his own wife! "Ms. Wentworth's talented writing comes through " Romantic Times
Original publication and copyright date: 2009.
A jilted bride accepts a job in Italy and her handsome employer seduces her with a marriage proposal in this sexy international romance. He wants her—so he’ll wed her! Maisie Burns is a nice girl, with little experience of the world. But that doesn’t stop tycoon Blaine Morosini from wanting her! Maisie doesn’t see the effect she has on the enigmatic Italian—she thinks she’s far too plain for a man like him to notice her. But the longer they spend together, the more their mutual attraction grows. Though Blaine once thought he didn’t do commitment, now he realizes that if he’s to have Maisie he’ll have to put his playboy past behind him and make her his wife!
Laura stands frozen in front of the gates of a castle that looks straight out of a dark fairy tale. The owner’s name is Richard, and she wonders if he’s as terrifying as all the villagers say. But no matter what sort of man Richard is, she was sent here as a nanny and must look after his daughter. However, Richard swiftly and bluntly rejects the young Laura. She tries to find a way to get him to accept her as a nanny, but that is difficult to do when he keeps to the darkness in order to hide his scars. Richard was injured in an accident, but Laura wants him to come out into the light. It’s not just for his daughter Kelly’s sake, it’s for her sake and Richard’s, too!
Becoming someone is a learning process; and what we learn is the new values around which, if we succeed, our lives will come to turn. Agents transform themselves in the process of, for example, becoming parents, embarking on careers, or acquiring a passion for music or politics. How can such activity be rational, if the reason for engaging in the relevant pursuit is only available to the person one will become? How is it psychologically possible to feel the attraction of a form of concern that is not yet one's own? How can the work done to arrive at the finish line be ascribed to one who doesn't (really) know what one is doing, or why one is doing it? In Aspiration, Agnes Callard asserts that these questions belong to the theory of aspiration. Aspirants are motivated by proleptic reasons, acknowledged defective versions of the reasons they expect to eventually grasp. The psychology of such a transformation is marked by intrinsic conflict between their old point of view on value and the one they are trying to acquire. They cannot adjudicate this conflict by deliberating or choosing or deciding-rather, they resolve it by working to see the world in a new way. This work has a teleological structure: by modeling oneself on the person he or she is trying to be, the aspirant brings that person into being. Because it is open to us to engage in an activity of self-creation, we are responsible for having become the kinds of people we are.