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Hailed by the New York Times as coming “closer than anyone to writing The Great American Novel,” Lore Segal stuns with this passionate love story of a refugee from Hitler’s Europe and a witty, hard-drinking black intellectual For Ilka Weissnix, everything is new. Having recently arrived in the United States, she is determined to escape the immigrant communities of New York and boards a train headed west to discover “the real America.” She finds Carter Bayoux “sitting on a stool in a bar in the desert, across from the railroad.” Older, portly, experienced, and black, Carter is magnetic. To Ilka, he exemplifies the values and cultures of a changing America. In order to understand her new country and her new love, Ilka throws herself into Carter’s dizzying world, nurses him through his bouts of depression and his alcoholism, and becomes fascinated by stories of his amorous past. But Carter’s ghosts are ever present, and soon Ilka finds herself torn between saving him and saving her own future. With a foreword by Stanley Crouch, Her First American is the poignant story of an immigrant experience in a country of endless possibilities and of a rich and breathtaking love that is doomed from the start.
A young Chinese girl beginning a new life in America describes how her difficult adjustment was made more endurable when she made her first American friend.
The thirteen interrelated stories of Shakespeare's Kitchen concern the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them. Featuring six never-before-published pieces, Lore Segal's stunning new book evolved from seven short stories that originally appeared in the New Yorker (including the O. Henry Prize–;winning “The Reverse Bug”). Ilka Weisz has accepted a teaching position at the Concordance Institute, a think tank in Connecticut, reluctantly leaving her New York circle of friends. After the comedy of her struggle to meet new people, Ilka comes to embrace, and be embraced by, a new set of acquaintances, including the institute's director, Leslie Shakespeare, and his wife, Eliza. Through a series of memorable dinner parties, picnics, and Sunday brunches, Segal evokes the subtle drama and humor of the outsider's loneliness, the comfort and charm of familiar companionship, the bliss of being in love, and the strangeness of our behavior in the face of other people's deaths. A magnificent and deeply moving work, Shakespeare's Kitchen marks the long-awaited return of a writer at the height of her powers.
A New York Times Notable Book The renowned New Yorker writer and Pulitzer Prize finalist delivers a hilarious, poignant, and profoundly moving tale of living, loving, and aging in America today At Cedars of Lebanon Hospital, doctors have noticed a marked uptick in Alzheimer’s patients. People who seemed perfectly lucid just a day earlier suddenly show signs of advanced dementia. Is it just normal aging, or an epidemic? Is it a coincidence, or a secret terrorist plot? In the looking-glass world of Half the Kingdom—where terrorist paranoia and end-of-the-world hysteria mask deeper fears of mortality; where parents’ and their grown children's feelings vacillate between frustration and tenderness; and where the broken medical system leads one character to quip, “Kafka wrote slice-of-life fiction”—all is familiar and yet slightly askew. Lore Segal masterfully interweaves her characters’ lives—lives that, for good or for ill, all converge in Cedar's ER—into a funny, tragic, and tender portrait of how we live today. “Lore Segal may have come closer than anyone to writing The Great American Novel.” —The New York Times “I always feel in her work such a sense of toughness and humor . . . Her writing is sad and funny, and that makes it more of both.” —Jennifer Egan, author of A Visit from the Goon Squad
'First published 54 years ago and yet feels as timely as any book I've read this year' Observer Nine months after the Nazi occupation of Austria, 600 Jewish Children assembled at Vienna station to board the first of the Kindertransports bound for Britain. Among them was 10 year old Lore Segal. For the next seven years, she lived as a refugee in other people's houses, moving from the Orthodox Levines in Liverpool, to the staunchly working class Hoopers in Kent, to the genteel Miss Douglas and her sister in Guildford. Few understood the terrors she had fled, or the crushing responsibility of trying to help her parents gain a visa. Amazingly she succeeds and two years later her parents arrive; their visa allows them to work as domestic servants - a humiliation for which they must be grateful. In Other People's Houses Segal evokes with deep compassion, clarity and calm the experience of a child uprooted from a loving home to become stranded among strangers.
Three household adventures in the life of Mitzi include an intended trip to grandmother's, sharing a family cold, and reversing the President's motorcade.
A year in the life of a Chicago high school with one of the nation’s highest proportions of refugees, told with “strong novel-like pacing” (Milwaukee Magazine) "A stunning and heart-wrenching work of nonfiction."—Chicago Reader Winner of the Studs and Ida Terkel Award For a century, Chicago’s Roger C. Sullivan High School has been a home to immigrant and refugee students. In 2017, during the worst global refugee crisis in history, its immigrant population numbered close to three hundred—or nearly half the school—and many were refugees new to the country. These young people came from thirty-five different countries, speaking more than thirty-eight different languages. Called “a feat of immersive reporting” (National Book Review), and “a powerful portrait of resilience in the face of long odds” (Publishers Weekly), Refugee High, by award-winning journalist Elly Fishman, offers a riveting chronicle of the 2017–8 school year at Sullivan High, a time when anti-immigrant rhetoric was at its height in the White House. Even as we follow teachers and administrators grappling with the everyday challenges facing many urban schools, we witness the complicated circumstances and unique needs of refugee and immigrant children: Alejandro may be deported just days before he is scheduled to graduate; Shahina narrowly escapes an arranged marriage; and Belenge encounters gang turf wars he doesn’t understand. Heartbreaking and inspiring in equal measure, Refugee High raises vital questions about the priorities and values of a public school and offers an eye-opening and captivating window into the present-day American immigration and education systems.
This eighteenth century kitchen reference is the first cookbook published in the U.S. with recipes using local ingredients for American cooks. Named by the Library of Congress as one of the eighty-eight “Books That Shaped America,” American Cookery was the first cookbook by an American author published in the United States. Until its publication, cookbooks used by American colonists were British. As author Amelia Simmons states, the recipes here were “adapted to this country,” reflecting the fact that American cooks had learned to prepare meals using ingredients found in North America. This cookbook reveals the rich variety of food colonial Americans used, their tastes, cooking and eating habits, and even their rich, down-to-earth language. Bringing together English cooking methods with truly American products, American Cookery contains the first known printed recipes substituting American maize for English oats; the recipe for Johnny Cake is the first printed version using cornmeal; and there is also the first known recipe for turkey. Another innovation was Simmons’s use of pearlash—a staple in colonial households as a leavening agent in dough, which eventually led to the development of modern baking powders. A culinary classic, American Cookery is a landmark in the history of American cooking. “Thus, twenty years after the political upheaval of the American Revolution of 1776, a second revolution—a culinary revolution—occurred with the publication of a cookbook by an American for Americans.” —Jan Longone, curator of American Culinary History, University of Michigan This facsimile edition of Amelia Simmons's American Cookery was reproduced by permission from the volume in the collection of the American Antiquarian Society, Worcester, Massachusetts, founded in 1812.
"También de este lado hay sueños. On this side, too, there are dreams. Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they'll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy--two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia's husband's tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia--trains that make their way north toward the United States, which is the only place Javier's reach doesn't extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to? American Dirt will leave readers utterly changed when they finish reading it. A page-turner filled with poignancy, drama, and humanity on every page, it is a literary achievement."--
"For almost six decades Segal has quietly produced some of the best fiction and essays in American literature, as this generous sampler attests."—The New York Times "Segal is a monumental writer, one of the finest of her generation; this lovely collection is a fine introduction to her work."—Kirkus Reviews "There are many standouts in the collection, but its single greatest strength is the consistency of Segal’s voice, apparent from the very first paragraph of the opening piece..."—The Paris Review A DEFINITIVE COLLECTION FROM ONE OF AMERICA'S FINEST WRITERS—INCLUDING NEW AND NEVER-BEFORE-COLLECTED WORK From the award-winning New Yorker writer comes this essential volume spanning almost six decades. Admired for “a voice unlike any other” (Cynthia Ozick) and a style both “wry and poignant” (The New Yorker), Lore Segal is a master literary stylist. This volume collects some of her finest work—including new and uncollected writing—and selections from her novels, stories, and essays. From her very first story—which appeared in The New Yorker in 1961—to today, Segal’s voice has been unique in contemporary American literature: Hilarious and urbane, heartbreaking and profound, keen and utterly unsentimental. Segal has often used her own biography as both subject and inspiration: At age ten she was sent on the Kindertransport from Vienna to England to escape the Nazi invasion of Austria; grew up among English foster families; and eventually made her way to the United States. This experience was the impetus for her first novel, Other People’s Houses, and one that she has revisited throughout her career. From that beginning, Segal’s writing has ranged widely across form as well as subject matter. Her flawless prose and light touch belie the rigor and intelligence she brings to her art—qualities that were not missed by the New York Times reviewer who pointedly observed, “though it was not written by a man . . . Segal may have come closer than anyone to writing The Great American Novel.” With this volume comes a long-awaited career retrospective of an important American Writer.