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Poor Little Rich Boy Winston Carmichael has it all: a big house, servants, vacations in Palm Beach, and a fancy private school. But with overprotective parents and a sense of responsibility for his younger sister, Heidi, Winston sometimes feels more as if he's living in a prison than a dream. Then one day a woman appears at the front door claiming to be Caroline -- Winston's half sister, who was kidnapped and presumed dead long before he and Heidi were born. Is she really Caroline? Is she an imposter? Or is she something far more complicated than either? And does she hold the key that could unlock the door to Winston's prison?
What do you wear to meet your father for the first time? In 2004, Hannah Pool knew more about next season's lipstick colors than she did about Africa: a beauty editor for The Guardian newspaper, she juggled lattes and cocktails, handbags and hangouts through her twenties just like any other beautiful, independent Londoner. Her white, English adoptive relatives were beloved to her and were all the family she needed. Okay, if I treat it as a first date, then I'm on home turf. What image do I want to put across?...Classic, rather than trendy, and if my G-string doesn't pop out, I should be able to carry the whole thing off. Contacted by relatives she didn't know she had, she decided to visit Eritrea, the war-torn African country of her birth, and answer for herself the daunting questions every adopted child asks. Imagine what it's like to never have seen another woman or man from your own family. To spend your life looking for clues in the faces of strangers...We all need to know why we were given up. What Hannah Pool learned on her journey forms a narrative of insight, wisdom, wit, and warmth beyond all expectations. When I stepped off the plane in Asmara, I had no idea what lay ahead, or how those events would change me, and if I'd thought about it too hard I probably wouldn't have gotten farther than the baggage claim. A story that will "send shivers down [your] spine," (The Bookseller), My Fathers' Daughter follows Hannah Pool's brave and heartbreaking return to Africa to meet the family she lost -- and the father she thought was dead.
Frank Sinatra seemed to have it all: genius, wealth, the love of beautiful women, glamorous friends from Las Vegas to the White House. But in this startling and remarkably outspoken memoir, his youngest daughter reveals to us an acutely restless, lonely and conflicted man. Through his marriages and front-page romances and the melancholy gaps between, Frank Sinatra searched for a contentment that eluded him. For the first time Tina writes candidly about the wedge his manipulative fourth wife, Barbara Marx, drove between father and daughter. MY FATHER'S DAUGHTER, with its unflinching account of Sinatra's flaws and foibles, will shock many of his fans. At the same time, it is a deeply affectionate portrait written with love and warmth, a celebration of a daughter's fond esteem for her father and a respect for his great legacy. The world remembers Frank Sinatra as one of the giants of the show business. In this book from someone inside the legend, Tina Sinatra remembers him as something more: a father, and a man.
For many women, the most important relationship in their lives has been with their father. Using myth, fairy tale, literature, and real-life stories, Jungian therapist Maureen Murdock reveals the unspoken truth about daughters and the immense power the fathers they idealize have over them.
Five nights a week, María Elena Salinas looks into a television camera and delivers the news to millions of television viewers. But when the newscast is over, she is like so many other women across the country: a wife and a mother, struggling to find balance between her personal and professional life. When María Elena accidentally discovers her recently deceased father had once been a Catholic priest, all she knew was suddenly thrown into question. Turning her investigative eye on herself for the first time, she begins a long, arduous journey for answers. In I Am My Father's Daughter, María Elena tells the amazing story of her journey to the top amid her struggle to come to terms with family secrets. From her childhood in a poverty-stricken neighborhood of Los Angeles and her adolescent years spent working in a sweatshop, to her astonishing break into network television, along with her coverage of some of the world's major events and disasters, Salinas frames her life behind the camera in the same warm and straightforward tone that is her on-air trademark.
"What is it about the relationship between fathers and daughters that provokes so much exquisite tenderness, satisfying communion, longing for more, idealization from both ends, followed often if not inevitably by disappointment, hurt, and the need to understand and forgive, or to finger the guilt of not understanding and loving enough?" writes Phillip Lopate, in his introduction to Every Father's Daughter, a collection of 25 personal essays by women writers writing about their fathers. The editor, Margaret McMullan, is herself a distinguished novelist and educator. About half of these essays were written by invitation for this anthology; others were selected by Ms. McMullan and her associate, Philip Lopate, who provides an introduction. The contributors include many well-known writers--Alice Munro, Jayne Anne Phillips, Alexandra Styron, Ann Hood, Bobbie Ann Mason, Maxine Hong Kingston, among others--as well as writers less well-known but no less cogent, inventive, perceptive, lacerating, questioning, or loving of their fathers.
How does a daughter tell the story of her father? Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him. Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter. My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.
In Her Father's Daughter, Lucy K. Pick considers a group of royal women in the early medieval kingdoms of the Asturias and of León-Castilla; their lives say a great deal about structures of power and the roles of gender and religion within the early Iberian kingdoms. Pick examines these women, all daughters of kings, as members of networks of power that work variously in parallel, in concert, and in resistance to some forms of male power, and contends that only by mapping these networks do we gain a full understanding of the nature of monarchical power. Pick's focus on the roles, possibilities, and limitations faced by these royal women forces us to reevaluate medieval gender norms and their relationship to power and to rethink the power structures of the era. Well illustrated with images of significant objects, Her Father's Daughter is marked by Pick's wide-ranging interdisciplinary approach, which encompasses liturgy, art, manuscripts, architecture, documentary texts, historical narratives, saints' lives, theological treatises, and epigraphy.
Winston's half-sister Caroline was long presumed to be dead, killed by kidnappers when she was 17. But when a woman arrives at the posh Carmichael home, she says "she" is Caroline, returning just in time to claim her share of a family fortune.
Since the publication of her autobiography, Sara Henderson has become a household name. There's barely a person in the country who doesn't know the now legendary story of how she saved her outback property from a million-dollar debt, hasn't heard about the philandering husband and the estrangement from her middle daughter Bonnie. But how much of what she writes is true and how much of it is fantasy? Tired of being misrepresented in her mother's books, Bonnie decided to set the record straight and asked journalist Debi Marshall to write her real story. And the result? Well, not since Jaon Crawford's daughter wrote Mommy Dearest has such an icon been so well and truly smashed. But Bonnie's story, Her Father's Daughter, is much more than that. It's a celebration of a remarkable bushwoman, of her fierce strength and wild, irrepressible spirit, her deep respect for the land she once called home and her abiding love for her reprobate father. Bonnie's mother hates Bullo River Station from the moment she lands on that million acres of red dust. And before long she comes to hate the manwho has brought her there too. Bonnie grows up in a household isolated from the rest of the world, in a place where every excess is indulged: 'Charles purposely cut the off from the outside world, and Sara was very often away. It was like living in Kenya in the 1930s; nothing was ruled out, there were no limits.' Charles and Sara fight constantly and use the children as weapons against eachother. Bonnie is her father's favourite - his inheriting daughter - and Murray-Lee is her mother's. To this day the two sisters bear the scars of their parent's gamess - they still don't speak to eachother. The one place Bonnie can escape the tenxion in the homestead is the bush and she comes to love and know the land as intimately as Old Mray, her Aboriginal companion. Bonnie has her father's indomitable spirit (doubtless what makes her mother so uncomfortable) and his willingness to tackle anything. She grows into adulthood as a superb horsewoman, pilot and cattlewoman. Wild and unruly, afraid of nothing, Bonnie is very different to her reserved mother, and the two grow further and further apart. In her late teens Bonnie takes over the running of the station and gradually emerges from the years of financial instability. When a neighbouring property Charles owns with Gus Trippe, his childhood friend, is sols, the property becomes debt-free. 'Sara talks about being left with a million-dollar debt, but the truth is that there was no debt ... Sara sold Charles' yacht after he died ... and a gold mine in Western Australia ... She puts the sudden cash flow down to having a miraculous stock market win, but I've lived in the bush too long to believe that.' Bonnie is by now utterly in love with flying and goes to Darwin to practice her aerobatics whenever she can fit it in to her hectic schedule at Bullo. It is in Darwin that she meets Arthur Palmer, a charismatic, intelligent and arrogant man - a replica of her father - and the two fall in love. Both Sara and Charles detest Arthur and this makes home life, already extremely tense, unbearable. 'The plain truth was that Daddy loathed him,' says Dannielle, Bonnie's younger sister. 'If he could, he would have put a hit on him. There's no question of that.' On a trip to Queensland Arthur persuades Bonnie to see a specialist about her jaw which, incredibly, has been causing her intense pain for fifteen years. The specialist insists Bonnie be operated on immediately and she is forced to call Sara to tell her she won't be back at Bullo for the muster. Bonnie thinks her mother will be able to cope. In fact it is the beginning of the end of their relationship. Sara screams down the phone at her daughter that she must return, then tells Charles that she is refusing to come home for the muster, without mentioning anything about the operation. As a result, Charles give Bonnie an ultimatum - Bullo or A