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The aim of this book is to explore the neglected subject of the final war between France and England at the end of Henry VIII’s and Francis I’s reigns. The relationship between these two monarchs has long fascinated historians and serious work has been done in the last generation, especially on the earlier period. Rather less has been done on the end of their reigns. The perspective is a dual one, from both that of England and France, with equal weight given to the reasons for conflict and the effects of war on both (on land and sea, in France and Scotland). For England, the military effort of the period proved to be extremely damaging and long-lasting, while France found itself at war on two fronts for the first time since the early 1520s. The book therefore asks why Henry VIII opted for the imperial alliance in 1542, thus committing himself to war in the long term, and why Francis I and his advisers did not do more to win over the English alliance. The Anglo-French war needs to be placed firmly in the context of the great Habsburg-Valois dual. The Anglo-French wars of this period have not received any serious modern analysis and the study of diplomacy in the period needs to be updated. Maps and plans are included and some illustrations.
“Bad behavior makes for entertaining history” in this bold history of Europe, the Middle East, and the men who ruled them in the early sixteenth century (Kirkus Reviews). John Julius Norwich—“the very model of a popular historian”—is acclaimed for his distinctive ability to weave together a fascinating narrative through vivid detail, colorful anecdotes, and captivating characters. Here, he explores four leaders—Henry VIII, Francis I, Charles V, and Suleiman—who led their countries during the Renaissance (The Wall Street Journal). Francis I of France was the personification of the Renaissance, and a highly influential patron of the arts and education. Henry VIII, who was not expected to inherit the throne but embraced the role with gusto, broke with the Roman Catholic Church and appointed himself head of the Church of England. Charles V was the most powerful man of the time, and unanimously elected Holy Roman Emperor. And Suleiman the Magnificent—who stood apart as a Muslim—brought the Ottoman Empire to its apogee of political, military, and economic power. These men collectively shaped the culture, religion, and politics of their respective domains. With remarkable erudition, John Julius Norwich offers “an important history, masterfully written,” indelibly depicting four dynamic characters and how their incredible achievements—and obsessions with one another—changed Europe forever (The Washington Times).
What determined success or failure in Renaissance monarchy? Why was warfare endemic in Europe in the early sixteenth century and how did the great cultural and artistic changes of the period flourish amid this conflict? How did rival kings relate to each other and what steps did they each take to strengthen their monarchies? In short, how did they govern? Renaissance Monarchy approaches these and related issues in a revealing way, providing the first single-volume comparative history of the most renowned kings of the Renaissance: the Holy Roman Empire Charles V, Francis I of France and Henry VIII of England. Bringing these three kings together, out of the relative isolation in which they are each studied, adds a fresh dimension to our understanding of contemporary ideals of kingship and reveals how these monarchs strove to be regarded as great warriors, effective governors and generous patrons.
This book, based on a wide variety of contemporary sources, re-examines the little-studied late war between Henry VIII and Francis I in order to assess its impact on both countries and its influence on strategies and tactics for waging war and making peace in the 1540s.
Hampton Court Palace, to the south-west of London, is one of the most famous and magnificent buildings in Britain. The original palace was begun by Cardinal Wolsey, but it soon attracted the attention of his Tudor king and became the centre of royal and political life for the next 200 years. In this new, lavishly illustrated history, the stories of the people who have inhabited the palace over the last five centuries take centre stage. Here Henry VIII and most of his six wives held court, Shakespeare and his players performed, and Charles I escaped arrest after his defeat in the Civil War. William III and Mary II introduced French court etiquette, and Georgian kings and princes argued violently amid the splendid interiors. Alongside the royal residents, there have been equally fascinating characters among courtiers and servants. Queen Victoria opened the palace to the public in the nineteenth century, and since then millions of visitors have been drawn to Hampton Court by its grandeur, its beauty and the many intriguing stories of those great and small who once lived here.
A popular image of Henry VIII is that he was something of a hot-blooded womanising, fornicating tyrant who broke with Roman Catholicism to divorce and remarry over and over again.Henry VIII was 'a veritable Bluebeard 'who died of an excess of food, drink and sex - or was he?Henry VIII, the Reign a New Look does exactly what it says on the cover, this concise book takes a new, fresh and innovative look at the reign of Henry VIII.There was more to the period than the man that was Henry VIII. The eminent Tudor historian Sir Geoffrey Elton once said of him '... we surely cannot accept an argument unsupported by evidence which ascribes to him alone the mastery of events, the making of policy and the detailed and specific government of the country.' Sir Geoffrey was quite right, the evidence is just not there - it does not exist - to support the popular image of Henry VIII.The events of the reign, however, can be ascribed to other more influential people than this fickle, malleable and ill-equipped man who was Henry VIII, King of England.This book uses the evidence to support a new look at the tumultuous reign of Henry VIII, backed up by hundreds of corroborating documents compiled from the vast Calendar of Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII: preserved in the Public Record Office, the British Museum, and elsewhere in England, together with maps and illustrations.These are not merely footnoted - references but are the full, detailed Calendar entries, transcribed word for word - these are the facts.The eBook edition facilitates the inclusion of the documentary evidence directly accessible within the publication - that is to say, the transcriptions are included in the eBook.The paperback is supported by two paper volumes of the transcriptions in Henry VIII, the Reign-the Notes (Part 1 and Part 2) which may be purchased separately.Alternatively, all the notes are available on the website Henry VIII, the Reign - for FREE.
Forget everything you thought you knew about Henry the Eighth. While Henry VIII has frequently been portrayed as a womanizer, author Philippa Jones reveals a new side to his character. Although he was never faithful, Jones sees him as a serial monogamist: he spent his life in search of a perfect woman, a search that continued even as he lay dying. This book brings together for the first time the 'other women' of King Henry VIII. When he first came to the throne, Henry VIII's mistresses were dalliances, the playthings of a powerful and handsome man. However, when Anne Boleyn disrupted that pattern, ousting Katherine of Aragon to become Henry's wife, a new status quo was established. Suddenly noble families fought to entangle the king with their sisters and daughters; if wives were to be beheaded or divorced so easily, the mistress of the king was in an enviable position. Yet he loved each of his wives and mistresses, he was a romantic who loved being in love, but none of these loves ever fully satisfied him; all were ultimately replaced. "The Other Tudors" examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged. Philippa Jones takes us deep into the web of secrets and deception at the Tudor Court and explores another, often unmentioned, side to the King's character.
Francis I (1494-1547) was inconstant, amorous, hot-headed and flawed. Arguably he was also the most significant king that France ever had. A contemporary of Henry VIII of England, Francis saw himself as the first Renaissance king. A courageous and heroic warrior, he was also a keen aesthete, an accomplished diplomat and an energetic ruler who turned his country into a force to be reckoned with. Bestselling historian Leonie Frieda's comprehensive and sympathetic account explores the life of the most human of all Renaissance monarchs - and the most enigmatic.