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Henry the emu wanted to fly! But flying fish, eagles and launchers can’t seem to help. It’s only after meeting Wallagoot Jean that Henry learns about the science of orbit, and the importance of flying first with his mind...
Emu wanted to fly so he ran, jumped, flapped and fluttered. He tried running fast, slow, in one direction then another. Finally his kangaroo friends helped him to fly in a most unusual way.
Soon to be a TV show! Rights to develop Wild Cards for TV have been acquired by Universal Cable Productions, the team that brought you The Magicians and Mr. Robot, with the co-editor of Wild Cards, Melinda Snodgrass as executive producer. After too many disastrous raids and military embarrassments, the Nats order a full-out, no-holds-barred blitzkrieg against Bloat and his genetic outcasts. The mission is clear: destroy Ellis Island, no survivors. As the final battle rages, the Turtle throws in the towel, Modular Man switches sides, Reflector faces defeat, Legion “dies”—and assassins reach Bloat’s chamber. This is it, folks. The final days of the Rox. The Wild Cards series explodes into apocalyptic battle action, edited by #1 New York Times bestselling author George R. R. Martin and Melinda M. Snodgrass, featuring the writing talents of Edward W. Bryant, Stephen Leigh, John Jos. Miller, George R. R. Martin and Walter Jon Williams. The Wild Cards Universe The Original Triad #1 Wild Cards #2 Aces High #3 Jokers Wild The Puppetman Quartet #4: Aces Abroad #5: Down and Dirty #6: Ace in the Hole #7: Dead Man’s Hand The Rox Triad #8: One-Eyed Jacks #9: Jokertown Shuffle #10: Double Solitaire #11: Dealer's Choice #12: Turn of the Cards The Card Sharks Triad #13: Card Sharks #14: Marked Cards #15: Black Trump #16: Deuces Down #17: Death Draws Five The Committee Triad #18: Inside Straight #19: Busted Flush #20: Suicide Kings American Hero (ebook original) The Fort Freak Triad #21: Fort Freak #22: Lowball #23: High Stakes The American Triad #24: Mississippi Roll #25: Low Chicago #26: Texas Hold 'Em #27: Knaves Over Queens At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
‘We are at war with them,’ wrote a Tasmanian settler in 1831. ‘What we call their crime is what in a white man we should call patriotism.’ Australia is dotted with memorials to soldiers who fought in wars overseas. So why are there no official memorials or commemorations of the wars that were fought on Australian soil between First Nations people and white colonists? Why is it more controversial to talk about the frontier wars now than it was one hundred years ago? In this updated edition of Forgotten War, winner of the 2014 Victorian Premier’s Award for non-fiction, influential historian Henry Reynolds makes it clear that there can be no reconciliation without acknowledging the wars fought on our own soil. ‘Impressive … In terse, uncompromising sentences, Reynolds lays out a new road map towards true reconciliation.’ — Raymond Evans, The Age ‘A brilliant light shone into a dark forgetfulness: ground-breaking, authoritative, compelling.’ — Kate Grenville ‘Forgotten War invites us to recognise and applaud the courage and tenacity of those Aborigines who defended their lands against impossible odds and to recognise the cost to them and to their descendants.’ — Franklin Richards ‘Forgotten War is a work of passion by one of Australia’s greatest living historians, a scholar who has helped to redefine the relationships between white and black Australians … His measured prose and scholarly authority should be heeded.’ — Peter Stanley, Sydney Morning Herald ‘Henry Reynolds’ Forgotten War calls for the principle of ‘lest we forget’ to include all Australians who died in defending their country, including Indigenous people. Timely historical analysis of newly collated and discovered evidence shows that the coming of European settlers to Aboriginal territories was firmly defined as a frontier war … Reynolds makes a compelling and measured case that we should officially honour and acknowledge the tens of thousands of people who died in our frontier wars.’ — Judges’ Report, The Victorian Premier’s Literary Awards
Robots may one day rule the world, but what is a robot-ruled Earth like? Many think that the first truly smart robots will be brain emulations or "ems." Robin Hanson draws on decades of expertise in economics, physics, and computer science to paint a detailed picture of this next great era in human (and machine) evolution - the age of em.
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
"A Source Book of Australian History" is a concise full history of Australia from the discovery of Tasmania to the National Australian Convention and the establishment of the Commonwealth of Australia. The book was aimed at students interested in learning the subject. Each chapter has a short synopsis at the beginning to better comprehend the subject.
Appendices include laws and legislation concerning the Army Medical Department. Maps include those of territories and frontiers and Continental Army hospital locations. Illustrations are chiefly portraits.
The second edition of Flight Stability and Automatic Control presents an organized introduction to the useful and relevant topics necessary for a flight stability and controls course. Not only is this text presented at the appropriate mathematical level, it also features standard terminology and nomenclature, along with expanded coverage of classical control theory, autopilot designs, and modern control theory. Through the use of extensive examples, problems, and historical notes, author Robert Nelson develops a concise and vital text for aircraft flight stability and control or flight dynamics courses.
During the Great Depression, Harry Partch rode the railways, following the fruit harvest across the country. From his experience among hoboes he found what he called ""a fountainhead of pure musical Americana."" Although he later wrote immense stage works for instruments of his own creation, he is still regularly called a hobo composer for the compositions that grew out of this period of his life. Yet few have questioned the label''s impact on his musical output, compositional life, and reception. Focusing on Partch the person alongside the cultural icon he represented, this study examines Par.