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Presenting an up-to-date discussion of the many aspects of teaching primary science, this best-selling book contains a strong focus on constructivist learning and the role of social interaction in learning.
Romantic Cartographies is the first collection to explore the reach and significance of cartographic practice in Romantic-period culture. Revealing the diverse ways in which the period sought to map and spatialise itself, the volume also considers the engagement of our own digital cultures with Romanticism's 'map-mindedness'. Original, exploratory essays engage with a wide range of cartographic projects, objects and experiences in Britain, and globally. Subjects range from Wordsworth, Clare and Walter Scott, to Romantic board games and geographical primers, to reveal the pervasiveness of the cartographic imagination in private and public spheres. Bringing together literary analysis, creative practice, geography, cartography, history, politics and contemporary technologies – just as the cartographic enterprise did in the Romantic period itself – Romantic Cartographies enriches our understanding of what it means to 'map' literature and culture.
Reveals the sophistication of a once-popular Greek didactic epic on the sea and its fish, addressed to the Roman emperor.
The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
Provides the first literary and cultural-historical analysis of the most important third-century Greek epic, Quintus' Posthomerica.
The oration presented in this volume is critical to our knowledge of Constantine's early career and covers Maximian's rebellion, Constantine's claim of descent from Claudius II and his vision of Apollo. Written in AD 310, two years before Constantine's capture of Rome and his acceptance of Christianity, the speech gives a unique insight into the evolution of an imperial persona. This commentary examines the literary context of the panegyric and the role of the classical literary and rhetorical tradition in the recreation of Constantine's image. From the outset, the orator praises Constantine as separate from the imperial college: a deus praesens, god manifest, to the people of Gaul. He uses Lucan and Caesar to link Maximian's bid for power with the civil war between Caesar and Pompey while Vergilian allusion associates Constantine with Augustus.
A history of imperial competition, colonial cooperation, and revolutionary currents in the maritime borderlands of the early nineteenth-century Caribbean.
Introduction to the nature, function, production and dissemination of Late Antique literary letters and their importance for their society.
Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.