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Poems.
In the decades after the Civil War, how did Americans see the world and their place in it? In this text, Kendall Johnson argues that Henry James appealed to his readers' sense of vision to dramatise the ambiguity of American citizenship in scenes of tense encounter with Europeans. By reviving the eighteenth-century debates over beauty, sublimity, and the picturesque, James weaves into his narratives the national politics of emancipation, immigration, and Indian Removal. For James, visual experience is crucial to the American communal identity, a position that challenged prominent anthropologists as they defined concepts of race and culture in ways that continue to shape how we see the world today. To demonstrate the cultural stereotypes that James reworked, the book includes twenty illustrations from periodicals of the nineteenth century. This study reaches startling conclusions not just about James, but about the way America defined itself through the arts in the nineteenth century.
Wind Blows Wherever It Pleases is a lively account of the life of the Spirit, rich in stories but also mature in its dealing with scripture, it is both evangelical and charismatic in its approach. Many people know God personally and occasionally stop to ask, 'Is there more than this?' but then they move on hurriedly, fearful that the answer might be 'no'. Yet Henry Kendal affirms that the true answer is 'yes', for God invites us onto the roller-coaster journey of faith. In this gentle but thought-provoking introduction to the life of the Spirit, Henry shows us how the Lord invites us to a dance of faith that will set us whirling through this life and the next.
This is the first collection in print of the letters of Australian colonial poet Charles Harpur (1813–68) and his circle. Supported by extensive annotation newly prepared for this edition, the 200 letters and life-documents open up successive phases of colonial culture from the 1830s to the 1860s in a newly focused way. Harpur’s two-way correspondence with poet Henry Kendall, and with poet and future premier of NSW Henry Parkes, is especially impressive. The letters selected for this edition document Harpur’s life in a previously unavailable way. They reveal the intriguing struggle of a high-minded young man to pursue a serious vocation as a poet amidst the unpromising contours of colonial New South Wales society. Despite bearing the taint of a convict family background, Harpur took his vocation with utmost seriousness and had much to endure before he would find recognition as a poet, mainly in colonial newspapers where his poems made over 900 appearances. This edition captures the process in detail, as well as the production in 1883 of his Poems in book form. Even though editorially mangled, Poems confirmed his reputation and led to his presence in dozens of anthologies down to the present day.
This book offers a comprehensive and original reading of Australian poetry, from the colonial period to the present, through the dual lenses of Romanticism and negativity. Paul Kane argues that the absence of Romanticism functions as a crucial presence in the poetry of all the major Australian poets. This absence or negativity is both thematic and structural, and Kane's scrupulous analyses uncover important relations between Romanticism and negativity. Chapters on nine individual poets explore and substantiate the theoretical claims informed by the work of contemporary critics of Romanticism and by various philosophers of negativity. These chapters can serve as a series of self-contained readings of Australian poets for the use of students, scholars, and informed general readers. Australian Poetry is unique in its sustained argument and theoretical sophistication.
Guided by a penchant for self-reflection and thoughtful discussion, Presbyterians have long been pulled in conflicting directions in their perceptions of their shared religious mission—with a tension that sometimes divides hearts as well as congregations. In this first comprehensive history of the Presbyterian Church in Oklahoma, historians Michael Cassity and Danney Goble reveal how Oklahoma Presbyterians have responded to the demands of an evolving society, a shifting theology, and even a divided church. Beginning with the territorial period, Cassity and Goble examine the dynamics of Presbyterian missions among the Five Tribes in Indian Territory and explain how Presbyterians differed from other denominations. As they trace the Presbyterian journey, they examine the way Presbyterians addressed the evil of slavery and the dispossession of Oklahoma’s Indians; the challenges of industrial society; the modern issues of depression, war, and racial injustice; and concerns of life and faith with which other Americans have also struggled. An insightful and independent history that draws upon firsthand accounts of congregations and church members across the state, Divided Hearts attests to the courage of Presbyterians in dealing with their struggles and shows a church very much at work—and at home—in Oklahoma.