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This study of Henry James's biographies of Nathaniel Hawthorne and William Wetmore Story offers an argument that he deserves greater recognition for his contributions to the development of biography, based on his implicit theory of biography, found in his critical commentary and on these two complicated and ultimately artistically innovative performances in the genre. Although James maintained an ambivalent relationship to the art of biography, in his reviews, criticism, letters and fiction, he wrote about biography from a core of aesthetic conviction that constitutes an informal poetics. It is necessary thus to scrutinize the ways in which James's theoretical convictions, particularly his insistence on artistic unity, fail him when he writes two biographies himself. Both Hawthorne (1879) and William Wetmore Story and His Friends(1903) fail to cohere in the way traditional biographies achieve unity. Neither work has at its center a dynamic and fully dimensional apprehension of the biographical subject. Instead James violates one of his own essential biographical tenets. He usurps his subject and places himself at the center of what should be a narrative of his subject's life. The results fall short of fully achieved biography, but they do not fall short of literary interest. In order to write these books according to his own genius, James had to reinvent the form. They are rife with innovations, chief among them his great experimentation with narrative point of view, here brought to bear on biography. This concept and others survey the terrain for the important biographical practitioners and theorists who follow him. For this reason, a special place must be found for James in pantheon of experimental biographers.
Examines the life and writings of Henry James including detailed synopses of his works, explanations of literary terms, biographies of friends and family, and social and historical influences.
Focusing on biographical portraiture, Charles Caramello argues that Henry James and Gertrude Stein performed biographical acts in two senses of the phrase: they wrote biography, but as a cover for autobiography. Constructing literary genealogies while creating original literary forms, they used their biographical portraits of precursors and contemporaries to portray themselves as exemplary modern artists. Caramello advances this argument through close readings of four works that explore themes of artistry and influence and that experiment with forms of biographical portraiture: James's early biography of Nathaniel Hawthorne and his much later group biography, William Wetmore Story and His Friends, and Stein's celebrated Autobiography of Alice B. Toklas and her largely forgotten Four in America, which comprises biographies of Ulysses S. Grant, Wilbur Wright, Henry James, and George Washington. The first comparative study of these two great expatriate writers, Henry James, Gertrude Stein, and the Biographical Act addresses questions of art, influence, and literary culture by analyzing important biographical portraits that themselves address the same questions. Originally published 1996. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.
Henry James (1843-1916) has been championed as an historian of social conscience and attacked as a spokesman for social privilege. His Americanness has been questioned by nativists and defended by Brahmins. Critics took issue with his lucidly complex style. "It's not that he bites off more than he can chew, but that he chews more than he bites off," a contemporary complained. Although he was an acknowledged master in his final years, James' narrow readership has dwindled in the century since his death. This book examines allusions, sources and affinities in James' vast body of work to interpret his literary intentions. Chapters provide close analysis of Daisy Miller, The American, The Beast in the Jungle and The Wings of the Dove. His fascination with poet Robert Browning is discussed, along with his complicated relationship with Marian "Clover" Adams and her husband, Henry, who was the author of The Education of Henry Adams. Instructors considering this book for use in a course may request an examination copy here.
Discover anew the life and influence of Henry James, part of the acclaimed Wiley Blackwell Critical Biographies series. In The Life of Henry James: A Critical Biography, Peter Collister, an established critic and authority on Henry James, offers an original and fully documented account of one of America’s finest writers, who was both a creative practitioner and theorist of the novel. In this volume, James’s life in all its personal and cultural richness is examined alongside a detailed scrutiny of his fiction, essays, biographies, autobiographies, travel writing, plays and reviews. James was a dedicated and brilliant letter-writer and his biographer make judicious use of this material, some of it previously unpublished, evoking in the novelist’s own words the society within which he moved and worked. His gift for friendship, often resulting in close relationships with both men and women, are sensitively explored. Near the beginning of his long and highly productive life, James left America to immerse himself in European culture and history – a necessity, he felt, for the developing artist. In an ironic symmetry he witnessed in his youth the effects of the American Civil War and in his last days, finally becoming a British citizen, despaired at the unfolding tragedy of the Great War in Europe. Sustained, nevertheless, by his own creative energy, he never ceased to believe in the capacity of the arts to enhance and give significance to life. Provides well-informed accounts of Henry James’s youth in New York City, his unconventional education, his extensive travel in Europe, his eventual assimilation into British society, his development as a writer and his personal relationships as a single man. Features discussions of James’s major works in a variety of genres from an assured theoretical and historical perspective. Assesses James’s developing quest for dramatic form in his fiction – the ‘scenic art’ – as well as his critical writing which was to have a lasting influence on the literature and aesthetic values of the twentieth century. Discusses his achieved aspiration to be ‘just literary’, to become what he called that ‘queer monster’, an artist. Charts James’s lifelong interest in art and theatre. An incisive discussion of the life of an author of major stature, The Life of Henry James: A Critical Biography offers a refreshingly lucid and human account of a novelist and his often challenging, but rewarding, writing. Peter Collister, a former college Assistant Principal, has published many essays in Europe and America on a range of nineteenth-century British and French authors. He is the author of Writing the Self: Henry James and America and later edited for the university presses of Cambridge and Virginia the award-winning volumes: The Complete Writings of Henry James on Art and Drama, James's autobiographical writings, A Small Boy and Others, Notes of a Son and Brother, and The Middle Years, as well as The American Scene.
Regarded as one of the key figures of nineteenth century realism, Henry James has become famous for his novels and tales that explore the clash between the Old World Europeans and New World Americans. Using an innovative method of writing from a character’s point of view within a tale, James’ works explore issues related to consciousness and perception, producing his own inimitable ‘impressionist’ style. Delphi Classics is proud to present the complete works of this important master for the first time in publishing history, providing every novel, tale, non-fiction work and bonus material. (Version 10) * Concise introductions to the novels and other texts * All 23 novels – including THE OTHER HOUSE, often missed out of collections * The unfinished novels THE IVORY TOWER and THE SENSE OF THE PAST * The novel THE WHOLE FAMILY, which James collaborated on with 11 other authors * All 112 of the novellas (including THE ASPERN PAPERS and THE TURN OF THE SCREW) and short stories with BOTH chronological and alphabetical contents tables * Includes James' rare plays * The complete travel writing, with many rare works appearing in digital print for the first time * Rare Non-Fiction collections and essays * Features James' three autobiographies, available nowhere else - explore the Great Master's literary life! * Special BONUS critical texts - discover how writers such as Conrad, Wells, Woolf and Stevenson viewed James’ works * Many images relating to James and his work * COMPLETELY UPDATED with revised texts and improvements * Scholarly ordering of texts into chronological order and literary genres The Novels WATCH AND WARD RODERICK HUDSON THE AMERICAN THE EUROPEANS CONFIDENCE WASHINGTON SQUARE THE PORTRAIT OF A LADY THE BOSTONIANS THE PRINCESS CASAMASSIMA THE REVERBERATOR THE TRAGIC MUSE THE OTHER HOUSE THE SPOILS OF POYNTON WHAT MAISIE KNEW THE AWKWARD AGE THE SACRED FOUNT THE WINGS OF THE DOVE THE AMBASSADORS THE GOLDEN BOWL THE OUTCRY THE WHOLE FAMILY THE IVORY TOWER THE SENSE OF THE PAST The Tales LIST OF TALES IN CHRONOLOGICAL ORDER LIST OF TALES IN ALPHABETICAL ORDER The Plays PYRAMUS AND THISBE STILL WATERS A CHANGE OF HEART DAISY MILLER TENANTS DISENGAGED THE ALBUM THE REPROBATE GUY DOMVILLE SUMMERSOFT THE HIGH BID THE OUTCRY The Travel Writing TRANSATLANTIC SKETCHES PORTRAITS OF PLACES A LITTLE TOUR IN FRANCE ENGLISH HOURS THE AMERICAN SCENE ITALIAN HOURS The Non-Fiction FRENCH NOVELISTS AND POETS HAWTHORNE PARTIAL PORTRAITS ESSAYS IN LONDON AND ELSEWHERE PICTURE AND TEXT WILLIAM WETMORE STORY AND HIS FRIENDS VIEWS AND REVIEWS NOTES ON NOVELISTS WITHIN THE RIM AND OTHER ESSAYS NOTES AND REVIEWS THE ART OF THE NOVEL The Letters THE LETTERS OF HENRY JAMES The Autobiographies A SMALL BOY AND OTHERS NOTES OF A SON AND BROTHER THE MIDDLE YEARS The Criticism HENRY JAMES — AN APPRECIATION by Joseph Conrad HENRY JAMES, JR by William Dean Howells HENRY JAMES: A CRITICAL STUDY by Ford Madox Ford SUSPENDED JUDGMENTS: HENRY JAMES by John Cowper Powys AN EXTRACT FROM ‘THE DECAY OF LYING’ by Oscar Wilde OTHER ESSAYS: HENRY JAMES by Virginia Woolf MEMOIRS AND PORTRAITS: AN ESSAY AND LETTER by Robert Louis Stevenson UNDERWOODS: POEMS ADDRESSED TO HENRY JAMES by Robert Louis Stevenson INTRODUCTION TO THE AUTOBIOGRAPHIES by F. W. Dupee OF ART, OF LITERATURE, OF MR. HENRY JAMES by H. G. Wells HENRY JAMES by Arnold Bennett