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"No one, among American writers, was more contemporary or had a more powerful grasp of American history and American myth," writes Leon Edel of Henry James. This collection of James's essays on American letters, together with some of his miscellaneous writings on other American subjects, is a pivotal document in the reassessment of James as less cloistered--and more American--than previously supposed. James is relaxed and informal as he writes of Emerson, Hawthorne, Lowell, Godkin, Norton, and Howells: he is fondly recalling--but also criticizing--the cultural orthodoxy in which he was reared. The American Essays remarkably prefigures current efforts to revise and challenge the aesthetic idealism of the Emersonian tradition.
Originally published in 1897, this early works is a fascinating novel of the period and still an interesting read today. Contents include; The function of Latin, Chansons De Geste, The Matter of Britain, Antiquity in Romance, The making of English and the settlement of European Prosody, Middle High German Poetry, The 'Fox, ' The 'Rose, ' and the minor Contributions of France, Icelandic and Provencal, The Literature of the Peninsulas, and Conclusion..... Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwor
Writer Henry James (1843-1916) was born in America but preferred to live in Europe; he finally become a British subject near the end of his life. His status as a permanent outsider is responsible for the recurring themes in his writing dealing with European sophistication (decadence) compared to American lack of sophistication (or innocence). He is respected in modern times for his psychological insight, for being able to reveal his characters' deepest motivations. These 11 essays, along with an introduction and an afterword, examine James's work through the prism of the author's latest style. Topics the contributing authors address include the Henry James revival of the 1930s, three of James's male aesthetics, women in his works, literary forgery, and parallels with the career and views of Margaret Oliphant. Three essays delve into issues of representation in art and fiction, then three more explore decadence, identity and homosexuality.
The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.
Henry James was the preeminent American writer of the late 19th century, a master of fiction who was also a subtle and audacious literary theorist. This volume brings together the most important of his short stories and novellas with his most significant critical writings. Selected from Library of America's authoritative five-volume edition of James's complete stories, the works collected here--among them "Daisy Miller," "The Aspern Papers," "The Beast in the Jungle," "The Turn of the Screw," and "The Great Good Place"--display his astonishing creative range, encompassing social comedy and supernatural horror, acute psychological portraiture and penetrating analysis of cultural conflict. A selection of James's criticism includes "The Art of Fiction," his declaration of the novelist's freedom, the celebrated preface to The Portrait of a Lady, and fascinating discussions of Hawthorne, Emerson, Whitman, Shakespeare, and Balzac.
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
Includes a chapter on Proust.
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
Contents--Emerson; The Life of George Eliot; Daniel Deronda: A Conversation; Anthony Trollope; Robert Louis Stevenson; Miss Woolson; Alphonse Daudet; Guy de Maupassant; Ivan Turgenieff; George du Maurier; The Art of Fiction.