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Henry James was fascinated by clothing and dress. This book examines, for the first time, the role of dress in reinforcing thematic and symbolic patterns in James's fictional world. Hughes traces a development from the significance of dress in discussion of 'the American Girl' in the early works, through dress as an indicator of social position, to the emergence of the more unstable and threatening aspects of dress, which culminate in the strange case of the coat of changing colours in The Sense of the Past.
Explores how the novels of Henry James reflect the significance of the visual culture of his society, and how essential the language and imagery of the arts, as well as friendships with artists, were to James's writing.
Between 1868 and 1897 Henry James wrote a number of short essays and reviews of artists and art collections; these essays were published in magazines such as Atlantic Monthly and Harper's Weekly and in newspapers such as the New York Tribune. They included James's comments on Ruskin, Turner, Whistler, Sargent, and the Impressionists, among many others. Thirty of these essays were collected and first published in a modern edition in 1956, accompanied by John Sweeney's introduction, which sketches James's interest in the visual arts over a period of years, focusing on the ways in which painting and painters entered his work as subjects. Susan Griffin's new forward places James's observations in a contemporary context. Some of the novelist's judgements will seem wrong to today's readers: he was critical of the Impressionists, for example. But all of these essays bear the stamp of James's critical intelligence, and they tell us a great deal about his development as a writer during those years.
This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself.
Henry James stands as one of the preeminent writers of the late 19th/early 20th century period; however, the world he wrote about has since disappeared. This collection of essays provides pedagogical assistance for several of his short stories--including "The Jolly Corner", "The Europeans" and "Travelling Companions"--and his most anthologized longer works. It is aimed at instructors who do not consider themselves experts on James' work. Each essay approaches a single work, offering a critical analysis as well as providing pedagogical suggestions for how to introduce both the work and the relevant social issues to students of the 21st century.
What can destroy sisterly love faster than a love triangle? "The Romance of Certain Old Clothes" tells the story of two sisters: Viola and Perdita, described as equally beautiful. Both women fall in love with Mr. Arthur Lloyd, who then must choose between them. The sisters vow not to be angry at his choice but after Lloyd chooses Perdita, Viola falls into jealousy and depression. Discover what is she ready to do to win the man of her heart in this story of dramatic rivalry. Henry James (1843 – 1916) is regarded one of the greatest novelists in the English language. Born in the United States, but mainly living and working in Europe, he was largely occupied with the clash of personalities and cultures between the Old World and the New World. He explored this topic in his famous novels 'The Portrait of a Lady' and 'The Wings of the Dove'. James was thrice nominated for the Nobel Prize in Literature.
Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James’s career and ranging from the deliciously tart comedy of the early “An International Episode” to the surreal and haunted corridors of “The Jolly Corner,” and including “Washington Square,” the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James’s finest achievements, the nine fictions gathered here reflect James’s varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín’s fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece A Most Extraordinary Case Crawford’s Consistency An International Episode The Impressions of a Cousin The Jolly Corner Washington Square Crapy Cornelia A Round of Visits
In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries. In her essay on Giorgione's The Tempest, a painting that has mystified art critics for hundreds of years, the author reinterprets the canvas as a work about art and voyeurism. While looking at The Third of May, she was astonished to discover that Goya had hidden his own self-portrait in a shadowy corner of his iconic masterwork. More than anything, the essays in this book display a true passion for art, from the still lifes of Jean-Baptiste Chardin and Giorgio Morandi to the contemporary works of Joan Mitchell and Gerhard Richter. Hustvedt captures perfectly the pleasure found in giving oneself up to the complexities and ambiguities of painting, discovering new subtleties and surprises the longer one takes the time to look.--Back cover.