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Henry James and the “Aliens” intervenes substantially in current debates in James studies, most notably in the key areas of cultural studies, ethnic studies and queer studies. Focusing throughout on questions of identity, and most prominently on how the latter is given shape in the very form of the late style, the book finds that James’s response to the ethnic other can be grasped neither as an attempt to police, supervise and master the other, nor as a politics of non-identical surrender to that other. Instead, there is a continuum of identity—akin to the “criminal continuity” that James registers throughout the American scene—in which self and other, native and alien, subject and object adopt alternate roles of control and submission. Both are at times in possession of the American scene and possessed by that scene. Jamesian sexual identity, too, proves to be constantly reconstituted in transitive processes of signification that make it impossible to fix the “I” or the “other” within a fixed framework—be that framework a heterosexual or a homosexual one. The eroticism that strikingly informs the late James can therefore only be captured, if at all, under the rubric of the “queer.”
Martha Banta’s Henry James: An Alien’s “History” of America is the product of a lifetime of thinking about James and his odd, but oddly productive, relation to the land of his birth. A “biography” of an “autobiography,” it serves as a peripatetic history of the central cross-currents and intersections between Europe and America, memory and history, romance and realism. These diverse elements structure James’s channeling of his own experience as a displaced or “alienated” American into a variety of genres: memoirs and travel writing, novels and tales, letters and literary criticism, social and cultural commentary. Together they constitute the “never completed novel” of his ongoing “autobiographical” project. In its masterful weaving together of materials, text, and time-frames, Henry James: An Alien’s “History” of America moves fluidly back and forth over the intricate tapestry of James’s life and texts. It identifies and analyzes key moments, words, and tropes that echo across the years, tracing the instances of repetition, reversal, self-revelation, and re-vision that underwrite this “life-record.” This study represents a major advance over conventional, sometimes oversimplified readings of James’s “international theme.” His attitudes about both Europe and America emerge here in their full complexity and contradictoriness. The breadth and depth of Banta’s knowledge of James and of the historical America from which he emerged and which he never ceased to engage, however ambivalently, will make this a rich reading experience for general readers as well as scholars. David McWhirter editor of Henry James’s New York Edition: The Construction of Authorship and Henry James in Context.
The delightful memoir by James's feisty and feminist secretary, with a biographical essay and excerpts from her diaries
In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.
The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.
Today, almost two decades after her death, Margaret Laurence remains one of Canada's best-known and most beloved writers. Twice winner of the Governor General's Award for fiction, she was, as the late William French wrote, "more profoundly admired than any other Canadian novelist of her generation." Lyall Powers is both a respected scholar of literature and a lifelong friend of Laurence's, having met her when they were students together at Winnipeg's United College in the 1940s. Alien Heart is the first full-length biography of Margaret that combines personal knowledge and insights about Laurence with a study of her work, which often paralleled the events and concerns in her own life. Drawing on letters, personal correspondence, journals, and interviews, Lyall Powers discusses the struggles and triumphs Laurence experienced in her efforts to understand herself in the roles of writer, wife, mother, and public figure. He portrays a deeply compassionate and courageous woman, who yet felt troubled by conflicting demands. While Laurence's work is not directly autobiographical, Powers illustrates how her writing expressed many of the same dilemmas, and how the resolution her characters achieved in the novels and stories had an impact on Laurence's own life. Powers provides an in-depth analysis of all Laurence's work, including the early African essays, fiction, and translations, and her books for children, as well as the beloved Manawaka fiction. The study clearly shows the progression and expression of Laurence as a writer of great humanity and conscience.
Explores how the novels of Henry James reflect the significance of the visual culture of his society, and how essential the language and imagery of the arts, as well as friendships with artists, were to James's writing.
Alien Hearts was the last book that Guy de Maupassant finished before his death at the early age of forty-three. It is the most original and psychologically penetrating of his several novels, and the one in which he attains a truly tragic perception of the wounded human heart. André Mariolle is a rich, handsome, gifted young man who cannot settle on what to do with himself. Madame de Burne, a glacially dazzling beauty, wants Mariolle to attend her exclusive salon for artists, composers, writers, and other intellectuals. At first Mariolle keeps his distance, but then he hits on the solution to all his problems: caring for nothing in particular, he will devote himself to being in love; Madame de Burne will be his everything. Soon lover and beloved are equally lost within a hall of mirrors of their common devising. Richard Howard’s new English translation of this complex and brooding novel—the first in more than a hundred years—reveals the final, unexpected flowering of a great French realist’s art.
After her parents� bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie � solitary, observant and wise beyond her years � is drawn into an increasingly entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society. Part of a relaunch of three James titles.