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The discovery in the 1920s of a huge cache of fossils in the Gobi Desert fuelled a mania for dinosaurs that continues to the present. But the original goal of the expedition was to search for the origins of man. Henry Fairfield Osborn (1857-1935), director of the American Museum of Natural History, stood at the forefront of the debate over human evolution and the expedition aimed to prove his theory of human origins. Osborn rejected the idea of primate ancestry and constructed a non-Darwinian theory that the evolution of man was the long adventurous story of individuals and groups exerting personal will-power and inborn characteristics to achieve both biological and spiritual success. It is an idea that still echoes today. Study of Osborn’s thinking, however, has been obscured by the perception that racism influenced his theories. Brian Regal paints a different and more textured picture in this book - he shows that Osborn's views on race, like his political ideas, were motivated by his science, itself grounded in religious doctrine. His belief in the Central Asian origins of man, his role as an activist for eugenic reform and immigration controls, his support for Nordicism, his place in the 'New' versus 'Old' biology debate, his role in the Christian Fundamentalist controversy, the Scopes Monkey trial, and finally his construction of the 'Dawn Man' hypothesis - all stemmed from his desire to support his human evolution theory, and point the way to salvation. This biography charts Osborn's intellectual development, from its roots in the eclectic Christianity of his mother, through his student days with Arnold Guyot, James McCosh, and T.H. Huxley, to his mature work at the American Museum. It examines his trials and tribulations, friendships and conflicts, and the world in which he lived: all contributed to the construction of his theory. It is the dramatic story of a man holding onto ideas that for him represented the very meaning of life itself.
Rainger (history, Texas Tech U.) examines how and why vertebrate paleontology, a relatively marginal field of scientific inquiry, flourished at New York's American Museum of Natural History in the early 20th century. He focuses on Henry Fairfield Osborn (1857-1935), a prominent scientist and administrator who dominated vertebrate paleontology in that era and played a pivotal role in creating a leading institution and a major program of research in that field. Annotation copyrighted by Book News, Inc., Portland, OR
Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.
The papers in this volume represent original work to celebrate the centenary of the American Society of Zoologists. They illustrate the impressive nature of historical scholarship that has subsequently focused on the development of biology in the United States.
A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.